| Elana Drago | ... | Nefertari | |
| William Hope | ... | Charles Wilbour | |
| Nasser Memarzia | ... | Ahmed Abd El Rassoul | |
| Crispin Redman | ... | Emil Brugsch | |
| Daud Shah | ... | Mohammed Abd El Rassoul | |
| Boris Terral | ... | Rameses | |
| rest of cast listed alphabetically: | |||
| Bob Brier | ... | Himself | |
| Brahim Choukri | ... | Brugsch's Batman | |
| Angelique Corthals | ... | Herself | |
| Zahi Hawass | ... | Himself | |
| Mohammed Kacha | ... | Anubis Priest | |
| Abdellah Kloul | ... | Khaemwaset | |
| Erragragui Lakbir | ... | Scribe | |
| Christopher Lee | ... | Narrator | |
| Driss Ouabi | ... | European husband | |
| Laafou Ouadii | ... | Travelling Priest | |
| Mohamen Mehdi Ouazanni | ... | Paser | |
| Nasser Ouji | ... | Heqa Nakht | |
| Patricia Remler | ... | European Lady | |
| Fdila Tabounout | ... | Omm Rassoul | |
Directed by | |||
| Keith Melton | |||
Writing credits(in alphabetical order) | ||
| Arabella Cecil | writer | |
Produced by | |||
| Arabella Cecil | .... | producer | |
| Myles Connolly | .... | line producer | |
| Greg Eliason | .... | line producer | |
| Don Kempf | .... | producer | |
| Steve Kempf | .... | producer | |
Original Music by | |||
| Sam Cardon | |||
Cinematography by | |||
| Reed Smoot | |||
Film Editing by | |||
| Harry B. Miller III | |||
Casting by | |||
| Jeremy Zimmerman | |||
Art Direction by | |||
| Stephen Dobric | |||
| Mahmoud Habashy | |||
| John Zachary | |||
Set Decoration by | |||
| Jessica Anderson | |||
Costume Design by | |||
| Lindsay Pugh | |||
Makeup Department | |||
| Khadija Hamdan | .... | key makeup artist: Morocco | |
| Maria Jittou | .... | makeup artist: Morocco | |
| Anny Kim | .... | key makeup artist: LA | |
| Caroline Martini | .... | key makeup artist | |
| Kerin Parfitt | .... | makeup designer | |
Production Management | |||
| Hala Galal | .... | unit manager: Egypt | |
| Rick Gordon | .... | post-production supervisor | |
| Hamid Herraf | .... | unit manager: Morocco | |
| James Manke | .... | post-production manager | |
| Mohammed Mostafa | .... | production manager: Egypt | |
Art Department | |||
| Mohammed Aabbi | .... | prop labor: Morocco | |
| Casey Cannon | .... | lead set dresser | |
| Abdelfattah El Attaoui | .... | prop buyer: Morocco | |
| Abdelaziz El Hlimi | .... | prop labor: Morocco | |
| Kevin Farrell | .... | storyboard artist | |
| Simon Wakefield | .... | property master | |
Sound Department | |||
| Ahmed Adnan | .... | sound mixer: Egypt | |
| Meredith Campbell | .... | contractor | |
| Patrick Flynn | .... | adr mixer | |
| Nick Foley | .... | adr recordist | |
| Ted Hinckley | .... | contractor | |
| Michael L. McDonough | .... | sound designer | |
| Taoufik Mekraz | .... | sound mixer: Morocco | |
| George Meyer | .... | adr mixer | |
| Steve Morris | .... | sound engineer | |
| Ryan Purcell | .... | foley artist | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Karl Rosengren | .... | assistant sound editor | |
| Tony Sereno | .... | sound mix technician | |
| Ted Swanscott | .... | adr mixer | |
Visual Effects by | |||
| Rodrigo Armendariz | .... | compositor: stereoscopic conversion | |
| Johnathan R. Banta | .... | compositor (stereoscopic conversion) | |
| Manuela Schmidt de Souza | .... | visual effects artist | |
| Colin Feist | .... | compositing supervisor: stereoscopic conversion | |
| Derry Frost | .... | head of production | |
| Paul Haman | .... | visual effects (stereoscopic conversion) | |
| Mark A. Lasoff | .... | compositor | |
| Michael F. Le | .... | rotoscope artist | |
| Shira Mandel | .... | rotoscope artist (stereoscopic conversion) | |
| Roger Mocenigo | .... | digital compositor: Amalgamated Pixels | |
| Michael Morreale | .... | visual effects supervisor | |
| Jeremy Nicolaides | .... | stereoscopic supervisor: Sassoon Film Design | |
| Jeremy Oddo | .... | senior animator | |
| Phillip Palousek | .... | manager | |
| Brandon Perlow | .... | modeling and animation | |
| John Pierce | .... | digital compositor: stereoscopic conversion | |
| John Pierce | .... | rotoscope supervisor | |
| Davina Sanchez | .... | digital artist | |
| Lauren van Houten | .... | animator | |
Casting Department | |||
| Jordan Bass | .... | casting associate | |
| Lauren Bass | .... | casting: Los Angeles | |
| Brahim Choukri | .... | extras casting director: Morocco | |
| Laurence Gormezano | .... | casting assistant: Paris | |
| Elodie Houndonougbo | .... | casting assistant: Paris | |
| Miloud Jghou | .... | extras casting: Morocco | |
Costume and Wardrobe Department | |||
| Monia Fath Elbab | .... | costume assistant: Egypt | |
Editorial Department | |||
| Raymond Akopyan | .... | editorial supervisor | |
| Wade Bartlett | .... | editorial supervisor | |
| Kent Hayward | .... | assistant editor | |
| Miya Lau | .... | post-production coordinator | |
Music Department | |||
| Kurt Bestor | .... | conductor | |
| Sam Cardon | .... | music producer | |
| Dan Carlisle | .... | music recording engineer | |
| Yoni Gileadi | .... | electronic music programming | |
| Ted Hinckley | .... | score supervisor | |
| Scott Johnson | .... | music editor | |
| Scott Johnson | .... | music recording engineer | |
| Scott Johnson | .... | music editor | |
| Mike Roskelley | .... | music mixer | |
Thanks | |||
| Nashwa Andel-Kader | .... | special thanks | |
| Vikram Jayanti | .... | special thanks | |
| John Lloyd | .... | special thanks | |
| Chah Mahfouz | .... | special thanks | |
| Agnieszka Moody | .... | special thanks | |
| Isabelle Nobio | .... | special thanks | |
| Andrew Oran | .... | special thanks | |
| Sir Derek Plumbly | .... | special thanks | |
| Serena Prest | .... | special thanks | |
| Neris Thomas | .... | special thanks | |
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| Night at the Museum | The Mummy Returns | Moses | Jesus | Raiders of the Lost Ark |
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| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
This feels like a history channel special. There were a few neat IMAX camera shots but not really enough to take advantage of the overly large screen.
There's some basic information about who the mummies most likely were, a view in on an experiment where some scientists make a modern mummy in order to try and figure out where to withdraw DNA from old mummies and some stuff on tomb robbers.
That's basically it. I'd advise seeing it if you're obsessed with mummies but otherwise there isn't too much you can get out of this movie.