| Photos (See all 31 | slideshow) | Videos (see all 18) |
Directed by | |||
| Gil Kenan | |||
Writing credits(WGA) | ||
| Caroline Thompson | (screenplay) | |
| Jeanne Duprau | (book "The City of Ember") | |
Produced by | |||
| Diana Choi | .... | executive producer (as Diana Choi Sachs) | |
| Gary Goetzman | .... | producer | |
| Tom Hanks | .... | producer | |
| John D. Schofield | .... | executive producer | |
| Steve Shareshian | .... | producer (as Steven Shareshian) | |
Original Music by | |||
| Andrew Lockington | |||
Cinematography by | |||
| Xavier Pérez Grobet | (director of photography) | ||
Film Editing by | |||
| Adam P. Scott | |||
| Zach Staenberg | |||
Casting by | |||
| Richard Hicks | |||
| David Rubin | |||
| Gail Stevens | |||
Production Design by | |||
| Martin Laing | |||
Art Direction by | |||
| Jon Billington | (supervising art director) | ||
| Ross Bradshaw | |||
| James Foster | |||
| Ashleigh Jeffers | |||
Set Decoration by | |||
| Celia Bobak | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Liz Boston | .... | makeup artist | |
| Sallie Jaye | .... | makeup designer | |
| Chris Lyons | .... | special effects teeth | |
| Vera Mitchell | .... | hair and wig designer | |
| Maria Moore | .... | hair background supervisor | |
| Niamh O'Loan | .... | makeup artist | |
| Tracey Wells | .... | hair assistant | |
| Elvia Felix Herrera | .... | key makeup artist (uncredited) | |
| Lisa Hill | .... | makeup daily (uncredited) | |
| Clare Ramsey | .... | makeup artist (uncredited) | |
| Aisling Toner | .... | hair department (uncredited) | |
| Sian Wilson | .... | makeup artist (uncredited) | |
Production Management | |||
| Terry Bamber | .... | production manager | |
| David Cain | .... | unit manager | |
| Douglas Jones | .... | executive in charge of production | |
| Lis Kern | .... | additional post-production supervisor | |
| Annabel Schofield | .... | production supervisor | |
| John D. Schofield | .... | unit production manager | |
| Michael Tinger | .... | post-production supervisor | |
| Iram Collantes | .... | unit manager: Mexico re-shoot (uncredited) | |
Second Unit Director or Assistant Director | |||
| Paul Butterworth | .... | additional assistant director: breakaway unit | |
| Aron Clayton | .... | second assistant director | |
| Patrick Clayton | .... | first assistant director | |
| Leon Coole | .... | third assistant director | |
| Samantha Ross | .... | third assistant director | |
| Michael Stevenson | .... | key second assistant director | |
| Stephanie Cheung | .... | third assistant director (uncredited) | |
| Adam Philpott | .... | trainee assistant director (uncredited) | |
| Catherine Shanks | .... | second unit trainee assistant director (uncredited) | |
| Tom Stevenson | .... | trainee assistant director (uncredited) | |
| Ciara Tinney | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Stuart Allan | .... | concept artist (as Stuart Allen) | |
| Chris Appelhans | .... | concept artist | |
| Shane Bunting | .... | production buyer | |
| Alejandro Cardenas | .... | concept artist | |
| Eliza Chaikin | .... | assistant art director | |
| Ben Collins | .... | assistant art director | |
| Trevor Eve | .... | hod painter | |
| Martin George | .... | stand-by painter | |
| Heather Greenlees | .... | set designer | |
| Steve Hedinger | .... | graphic artist (as Steven Hedinger) | |
| Roger Holden | .... | key greensman | |
| Gavin Jones | .... | propmaker | |
| John Keenan | .... | hod stagehand | |
| John Kirsop | .... | construction manager | |
| Jonathan Klassen | .... | concept artist | |
| Khang Le | .... | concept artist | |
| Richard Lee | .... | graphic artist | |
| Eduardo Lima | .... | graphics designer | |
| Kevin McCabe | .... | props | |
| Neil McNally | .... | greens | |
| Laura Ng | .... | stand-by art director: breakaway unit | |
| Raymond Perry | .... | property master (as Ray Perry) | |
| Dave Perschky | .... | hod carpenter | |
| Brendan Rankin | .... | set designer | |
| Terry Royce | .... | stand-by propman | |
| William Simpson | .... | illustrator | |
| Michael Standish | .... | assistant set decorator (as Michael John Standish) | |
| Graham Stickley | .... | props storeman | |
| Cathy Surgeoner | .... | stand-by props: breakaway unit | |
| Micky Swift | .... | stand-by chargehand props | |
| Dave Westcott | .... | assistant construction manager (as David Westcott) | |
| Arthur Wicks | .... | property master | |
| Simeon Wilkins | .... | storyboard artist | |
| Kenny Wilson | .... | hod plasterer | |
| Helen Xenopoulos | .... | assistant art director | |
| Ian Young | .... | prop supervisor | |
| Fatiha Aitbadi | .... | chargehand greensman (uncredited) | |
| Mauricio Carneiro | .... | assistant graphic designer (uncredited) | |
| Ramírez Gabriela | .... | unit set decorator (uncredited) | |
| Julie Gardner | .... | art department coordinator (uncredited) | |
| Alan Harvey | .... | props (uncredited) | |
| Glenn Marsh | .... | senior prop modeler (uncredited) | |
| Christopher Moore | .... | stand-by props (uncredited) | |
| Philip Murphy | .... | props (uncredited) | |
| Tony Perez | .... | leadman (uncredited) | |
| Tony Rimmington | .... | draughtsman (uncredited) | |
| John Simpson | .... | greensman (uncredited) | |
| Helen Sloan | .... | portrait photographer (uncredited) | |
| Gert Stevens | .... | set designer (uncredited) | |
| Keith Stevenson | .... | props (uncredited) | |
| Nic Stubbings | .... | dressing propman (uncredited) | |
| Carl Wilson | .... | senior propmaker (uncredited) | |
| Ciara Winnington | .... | props (uncredited) | |
Special Effects by | |||
| John Baker | .... | special effects senior technician | |
| Steve Cullane | .... | special effects senior technician | |
| Terry Glass | .... | special effects set supervisor | |
| Frank Guiney | .... | special effects senior technician | |
| Ron Hone | .... | special effects senior technician | |
| Julian Marsh | .... | special effects senior technician | |
| Doug McCarthy | .... | senior special effects technician | |
| Dave Miller | .... | special effects supervising engineer | |
| Digby Milner | .... | special effects senior technician | |
| Kit West | .... | senior special effects supervisor | |
| Albert Whiteside | .... | special effects technician | |
| Tim Willis | .... | special effects floor supervisor: breakaway unit (as Timothy John Willis) | |
| Vincent Kivlehan | .... | special effects technician (uncredited) | |
| Matthew McCloskey | .... | special effects technician (uncredited) | |
| Robert Wright | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Kimberly Adams | .... | visual effects producer (as Kimberly Jorgensen Adams) | |
| Tim Alexander | .... | model/texture artist: Luma Pictures | |
| Go Aoyama | .... | additional visual effects: Filmworks/FX | |
| Oliver Arnold | .... | cg supervisor: Luma Pictures | |
| Julien Aullas | .... | digital artist: BUF | |
| James Baldanzi | .... | visual effects production assistant | |
| Frederic Barbe | .... | digital artist: BUF | |
| Jil-Sheree Bergin | .... | visual effects senior coordinator | |
| Andrew Bull | .... | motion operator: 3d (as Andy Bull) | |
| Ray Bushey III | .... | visual effects editor | |
| Sue Campbell | .... | senior animator: Luma Pictures (as Susan Campbell) | |
| Alexandre Cancado | .... | lead compositor: Luma Pictures (as Alex Cancado) | |
| John Cassella | .... | senior fx artist: Luma Pictures | |
| Olivier Cauwet | .... | visual effects supervisor: BUF | |
| Vincent Cirelli | .... | visual effects supervisor: Luma Pictures | |
| Mike Clark | .... | animator: Luma Pictures | |
| Erik Courtney | .... | additional visual effects: Filmworks/FX (as Eric Courtney) | |
| Carole Cowley | .... | visual effects coordinator | |
| Daniel Craemer | .... | roto/paint artist: Luma Pictures | |
| Lionel Di Scala | .... | digital artist | |
| Carla Diamond | .... | visual effects producer: BUF | |
| Chad Dombrova | .... | senior pipeline td: Luma Pictures | |
| Linda Drake | .... | visual effects editor | |
| Eric Durst | .... | visual effects supervisor | |
| Laurens Ehrmann | .... | digital artist: BUF | |
| Jenn Epstein | .... | junior compositor: Luma Pictures | |
| Jenn Epstein | .... | roto/paint artist: Luma Pictures | |
| Nicolas Evrard | .... | digital artist: BUF | |
| Evan Feuerman | .... | visual effects accountant | |
| Patrick Flanagan | .... | digital compositor | |
| Michael T. Forrest | .... | digital artist | |
| Derry Frost | .... | additional visual effects: Amalgamated Pixels | |
| Nicolas Gauthier | .... | digital effect artist: BUF | |
| Steve Griffith | .... | visual effects producer: Luma Pictures | |
| H Haden Hammond | .... | sequence supervisor: Luma Pictures | |
| John R. Hazzard | .... | pipeline td: Luma Pictures (as John Hazzard) | |
| Edward Heede | .... | additional visual effects: Filmworks/FX (as Ed Heede) | |
| Matthew Henderson | .... | lighting td: Luma Pictures | |
| Brent Hensarling | .... | senior systems administrator: Luma Pictures | |
| Owen Holdren | .... | additional visual effects: Filmworks/FX | |
| Josh Hooker | .... | additional visual effects: Amalgamated Pixels | |
| Cajun Hylton | .... | lead model/texture artist: Luma Pictures | |
| Justin Johnson | .... | digital effects supervisor: Luma Pictures | |
| Ken Kaiser | .... | animator | |
| Bonnie Kanner | .... | additional visual effects: Amalgamated Pixels | |
| Yoshio Kohashi | .... | additional visual effects: Filmworks/FX (as Ypshia Kohashi) | |
| Neil Krepela | .... | visual effects consultant | |
| Erik LaPlant | .... | visual effect coordinator: Luma Pictures | |
| Andrew Lewitin | .... | additional visual effects: Filmworks/FX | |
| Jason Locke | .... | matchmove artist: Luma Pictures | |
| Ken Locsmandi | .... | additional visual effects: Filmworks/FX (as Kenny Locsmandi) | |
| Nicholas Lund-Ulrich | .... | digital effects artist | |
| Samir Lyons | .... | animator: Luma Pictures | |
| Jessica Madsen | .... | roto/paint artist: Luma Pictures | |
| Geoffrey Mark | .... | additional visual effects: Amalgamated Pixels (as Geoff Mark) | |
| Juan Melendez | .... | visual effects coordinator | |
| Roger Mocenigo | .... | additional visual effects: Amalgamated Pixels | |
| Michael Morreale | .... | additional visual effects: Amalgamated Pixels (as Michael J. Morreale) | |
| Glenn Morris | .... | visual effects producer: Luma Pictures | |
| Cynthia Mourou | .... | visual effects producer: BUF | |
| Eddy Moussa | .... | digital artist: BUF | |
| Danny Murphy | .... | motion base operator | |
| Kenneth Nakada | .... | additional visual effects: Zen Haven (as Ken Nakada) | |
| Ben Neall | .... | lead texture/model artist: Luma Pictures | |
| Digna Nigoumi | .... | motion control operator | |
| Peter Nye | .... | additional visual effects: Amalgamated Pixels | |
| Jeremy Oddo | .... | visual effects | |
| Steve Oyola | .... | additional visual effects: Filmworks/FX | |
| Kelvin J. Padfield | .... | visual effects production assistant | |
| Phillip Palousek | .... | additional visual effects: Amalgamated Pixels (as Phil Palousek) | |
| Reid Paul | .... | additional visual effects: Amalgamated Pixels | |
| Jason Porath | .... | fx artist: Luma Pictures | |
| Pavel Pranevsky | .... | cg supervisor: Luma Pictures | |
| Francisco Ramirez | .... | visual effects coordinator | |
| Pimentel A. Raphael | .... | animation supervisor: Luma Pictures (as Raphael Pimentel) | |
| John Riggs | .... | senior character td: Luma Pictures | |
| Marcos Romero | .... | animator: Luma Pictures | |
| Dick Ross | .... | additional visual effects: Below the Radar | |
| Michael Ross-Lang | .... | digital compositor | |
| Christopher Sage | .... | lead environment artist: Luma Pictures (as Chris Sage) | |
| Tamar Shaham | .... | additional visual effects: Filmworks/FX | |
| Payam Shohadai | .... | executive visual effects supervisor: Luma Pictures | |
| Jeremy Shuback | .... | additional visual effects: Filmworks/FX | |
| Joey Sila | .... | compositor: Luma Pictures | |
| Jared Simeth | .... | lighter/compositor: Luma Pictures | |
| Thanapoom Siripopungul | .... | character td: Luma Pictures (as Thanapoom Siripopungal) | |
| Ryan Sivley | .... | animator: Luma Pictures | |
| Helen Sloan | .... | visual effects production assistant | |
| Jesse Sugarman | .... | senior animator: Luma Pictures | |
| Richard Sutherland | .... | fx artist: Luma Pictures | |
| Tammy Sutton | .... | additional visual effects: Amalgamated Pixels (as Tammy Sutton-Walker) | |
| Steven Swanson | .... | visual effects supervising producer: Luma Pictures | |
| Audrey Tondre | .... | visual effects producer: BUF | |
| Ricardo Torres | .... | additional visual effects: Below the Radar | |
| Richard Wardlow | .... | additional visual effects: Amalgamated Pixels | |
| Mike Warren | .... | additional visual effects: Filmworks/FX | |
| James Waterson | .... | compositor: Luma Pictures | |
| Elaine Wu | .... | animator: Luma Pictures | |
| Attila Zalanyi | .... | fx artist: Luma Pictures | |
| Riccardo Zanettini | .... | senior lighting td: Luma Pictures (as Ricardo Zanettini) | |
| Loic Zimmermann | .... | character artist: Luma Pictures | |
| Chadi Abo | .... | digital artist (uncredited) | |
| Xavier Allard | .... | digital effect artist: BUF (uncredited) | |
| François-Xavier Aubague | .... | visual effects producer (uncredited) | |
| Xavier Bec | .... | head of software: BUF (uncredited) | |
| Christophe Bernard | .... | visual effects photographer: BUF (uncredited) | |
| Brian Burks | .... | pre-visualization (uncredited) | |
| Andy Burmeister | .... | digital effects artist (uncredited) | |
| Florent Cadel | .... | digital effects artist: BUF (uncredited) | |
| Christian Cardona | .... | digital artist: Zen Haven (uncredited) | |
| Leon Coole | .... | first assistant director: VFX elements unit (uncredited) | |
| Anne Coulet | .... | digital artist: BUF (uncredited) | |
| Robin Deledicque | .... | digital effect artist: BUF (uncredited) | |
| Shiv Dholakia | .... | effects animator: Luma Pictures (uncredited) | |
| A. Michael Dobbs | .... | digital artist: Luma Pictures (uncredited) | |
| Michael Forot | .... | research & development: BUF (uncredited) | |
| Mathieu Foucher | .... | digital artist: BUF (uncredited) | |
| Aurelien Fuentes | .... | digital effect artist: BUF (uncredited) | |
| Thibault Gauriau | .... | digital artist: BUF (uncredited) | |
| Sylvain Germain | .... | research & development: BUF (uncredited) | |
| Ivan Girard | .... | matte painter: BUF (uncredited) | |
| Mickael Girod | .... | digital artist: BUF (uncredited) | |
| Yoel Godo | .... | digital effect artist: BUF (uncredited) | |
| Anthony Grant | .... | model/texture artist (uncredited) | |
| Jennifer Gutierrez | .... | compositor (uncredited) | |
| Nicolas Jambois | .... | digital effect artist: BUF (uncredited) | |
| Meillard Julien | .... | digital artist: BUF (uncredited) | |
| Jeffrey Kember | .... | fluid technical director (uncredited) | |
| Thomas Kernan | .... | digital modeler (uncredited) | |
| Catherine Lee | .... | digital effect artist: BUF (uncredited) | |
| Duncan Lees | .... | head of 3D services: Plowman Craven and Associates (uncredited) | |
| Mike Makara | .... | previs (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Morgan McDermott | .... | digital compositor (uncredited) | |
| Scott Meadows | .... | pre-visualization co-supervisor (uncredited) | |
| Maxime Neko | .... | digital effect artist: BUF (uncredited) | |
| Rob Ostir | .... | pre-visualization artist (uncredited) | |
| Dawrath Phoue | .... | digital artist (uncredited) | |
| Danielle Plantec | .... | CG supervisor: Scanline VFX (uncredited) | |
| Brett Reyenger | .... | digital compositor (uncredited) | |
| Nolwenn Rimbault | .... | digital artist: BUF (uncredited) | |
| Jeremy Robert | .... | digital effect artist: BUF (uncredited) | |
| Nicolas Schneider | .... | digital effect artist: BUF (uncredited) | |
| Andrew Schwartz | .... | lighter & compositor (uncredited) | |
| Tricoire Sebastien | .... | digital artist: BUF (uncredited) | |
| Gabe Shedd | .... | visual effects coordinator (uncredited) | |
| Safari Sosebee | .... | digital artist (uncredited) | |
| Rpin Suwannath | .... | pre-visualization senior supervisor (uncredited) | |
| Julien Thebault | .... | digital effect artist: BUF (uncredited) | |
| Marie Tollec | .... | R&D engineer: BUF (uncredited) | |
| Justin van der Lek | .... | 3D environments (uncredited) | |
| Shane Christopher Wicklund | .... | junior compositor: Luma Pictures (uncredited) | |
| Jimmy Wu | .... | matte painter: Luma Pictures (uncredited) | |
| Pavade Yoane | .... | digital effect artist: BUF (uncredited) | |
| Dave Zeevalk | .... | digital effects artist: Zen Haven Studios (uncredited) | |
| Christophe Zito | .... | digital artist: BUF (uncredited) | |
Stunts | |||
| Phil Adams | .... | stunt coordinator | |
| Brendan Condren | .... | stunt coordinator | |
| Joe Condren | .... | stunt player | |
| Kevin Mathews | .... | wire coordinator (as Kevin B. Mathews) | |
| Bill Weston | .... | stunt player | |
| Joanna Whitney | .... | stunt player | |
| Jeff Chumas | .... | utility stunts (uncredited) | |
| Anthony Condren | .... | stunt rigger (uncredited) | |
| Sean Roe Curran | .... | stunts assistant (uncredited) | |
Animation Department | |||
| Pimentel A. Raphael | .... | animation supervisor: Luma Pictures (as Raphael Pimentel) | |
| Lauren Wells | .... | animator | |
Casting Department | |||
| Lesli Gelles | .... | additional casting | |
| Kelly Valentine Hendry | .... | casting associate: UK | |
| Christina Mullin | .... | casting associate: US | |
| Greg Orson | .... | additional casting | |
Costume and Wardrobe Department | |||
| Camille Benda | .... | assistant costume designer | |
| Caroline Dillon | .... | costume maker | |
| Laura Ergis | .... | key costumer | |
| Kate Frampton | .... | workroom supervisor (as Kathryn Frampton) | |
| Heather Long | .... | wardrobe mistress | |
| Lyndie MacIntyre | .... | costume craft supervisor | |
| Sharon McCormack | .... | costume cutter | |
| William McPhail | .... | costume supervisor (as William R. McPhail) | |
| Stephen O'Rawe | .... | daily costume assistant | |
| Kelly Tonks | .... | wardrobe assistant | |
| Melanie Carmichael | .... | costume maker (uncredited) | |
| Angela Egan | .... | costume assistant (uncredited) | |
| Kerry Gooding | .... | costume assistant (uncredited) | |
| Claire Hardaker | .... | costume assistant (uncredited) | |
| Una Hickey | .... | costume trainee (uncredited) | |
| Calandra Meredith | .... | costumer: Mr Robbins (uncredited) | |
| Catherine Shanks | .... | costume production assistant (uncredited) | |
| Susan Smith | .... | costume maker (uncredited) | |
| Kathryn Tart | .... | costume assistant (uncredited) | |
| Rachael Webb-Crozier | .... | costume stand-by (uncredited) | |
Editorial Department | |||
| Ron San Agustin | .... | apprentice editor (as Ronald San Agustin) | |
| Will Allgood | .... | avid support and services | |
| Tanner Bean | .... | post-production assistant | |
| Catherine Chase | .... | additional editor | |
| George Chavez | .... | color timer | |
| Coral D'Alessandro | .... | second assistant editor | |
| Gary Jackemuk | .... | digital intermediate supervisor (as Garrison Jackemuk) | |
| Brandon Jones | .... | digital intermediate coordinator | |
| Greg Kimble | .... | digital intermediate colorist | |
| Natasha Leonnet | .... | digital intermediate colorist | |
| Blake Maniquis | .... | additional editor | |
| Lindsey Morrow | .... | second assistant editor | |
| Chris Raiskup | .... | additional post-production coordinator | |
| James A. Rota | .... | post-production IT supervisor (as James Rota) | |
| Alexis Seymour | .... | additional assistant editor | |
| Lacy Wittman | .... | post-production coordinator | |
| Gary Burritt | .... | negative cutter (uncredited) | |
| Helen Sheridan | .... | editorial production assistant (uncredited) | |
| Lucy Juliet Westphal | .... | post-production assistant (uncredited) | |
Music Department | |||
| Deva Anderson | .... | music consultant | |
| The Bach Choir | .... | musicians: choir | |
| John Barrett | .... | score recordist | |
| Christine Bergren | .... | music legal and clearance | |
| Chris Clad | .... | violin | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Andrew Dudman | .... | score mixer | |
| Andrew Dudman | .... | score recordist | |
| Lindsay Fellows | .... | music supervisor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Zigmund Gron | .... | music editor (as Zig Gron) | |
| Andy Kitchen | .... | assistant scoring engineer | |
| Andrew Lockington | .... | score producer | |
| Hugh Marsh | .... | music programmer: analog synthesizer | |
| Neil Parfitt | .... | assistant to composer | |
| Patrick Phillips | .... | assistant scoring engineer | |
| Douglas Pipes | .... | composer: additional music | |
| Roxana Pope | .... | assistant scoring engineer | |
| Matt Robertson | .... | music programmer: analog synthesizer | |
| Jill Streater | .... | music librarian | |
| Michael White | .... | music programmer: analog synthesizer | |
| Kelsey Aloise | .... | assistant music supervisor (uncredited) | |
| Kenneth Karman | .... | music editor (uncredited) | |
| Jeremy Raub | .... | music editor (uncredited) | |
Transportation Department | |||
| Johnny Crawford | .... | transportation captain | |
| Alan Crozier | .... | transportation captain | |
| Ryan Marshall | .... | unit driver (uncredited) | |
| Roy McManus | .... | unit driver (uncredited) | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances Inc. | |
| Michelle Burns | .... | travel coordinator | |
| Lisa Byrne | .... | production coordinator | |
| Paul Cadiou | .... | financial controller (as Paul W. Cadiou) | |
| Michelle Carew | .... | assistant: Mr. Schofield | |
| Cara Cheeseman | .... | production consultant | |
| Morgan Cline | .... | assistant: Mr. Goetzman | |
| Kevin Curtin | .... | admin/facilities coordinator | |
| Allison Diamond | .... | assistant: Mr. Hanks | |
| Sue Field | .... | script supervisor | |
| Linda Gamble | .... | unit publicist | |
| Brendan Gunn | .... | dialogue coach | |
| Tory Haljun | .... | assistant: Mr. Goetzman | |
| Nora Henderson | .... | office production assistant | |
| Sue Jones | .... | script supervisor: breakaway unit | |
| Barry Keil | .... | assistant locations & facilities manager | |
| Carla Mercer | .... | extras coordinator | |
| Amanda Phillips | .... | assistant: Mr. Kenan | |
| Eric Quijano | .... | assistant: Mr. Shareshian | |
| Sooki Raphael | .... | assistant: Mr. Hanks | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances | |
| Mark Shultz | .... | production coordinator: Mexico re-shoot | |
| Mark Shultz | .... | production coordinator: Mexico | |
| Val Sunderland | .... | second assistant accountant | |
| Brendan Whiston | .... | first assistant accountant | |
| Andrew Wilson | .... | location & facilities manager | |
| Joanne Woodward | .... | post-production accountant | |
| Alexa Alden | .... | script supervisor (uncredited) | |
| Ciara Barry | .... | extras coordinator (uncredited) | |
| Amy Chaffee | .... | dialect coach: adr (uncredited) | |
| Roman Diaz | .... | production assistant: México (uncredited) | |
| D.R. Farquharson | .... | project manager: Deluxe Digital Cinema (uncredited) | |
| Ryan Gomez | .... | post production assistant accountant (uncredited) | |
| Joe Hendriks | .... | assistant production accountant (uncredited) | |
| Israel Limon | .... | office production assistant (uncredited) | |
| Stephen McConnell | .... | assistant extras coordinator (uncredited) | |
| Anne-Louise McGinnis | .... | production assistant (uncredited) | |
| Emma McNeill | .... | extras assistant (uncredited) | |
| Adrian O'Brien | .... | auditor (uncredited) | |
| Chris Patterson | .... | location scout (uncredited) | |
| Sacha Patterson | .... | accommodation liaison (uncredited) | |
| Kimberly Rach | .... | production executive (uncredited) | |
| Efrat Ravid | .... | auditor (uncredited) | |
| Zeiddy Silva Ríos | .... | assistant production office coordinator: reshoot (uncredited) | |
| Jane Thurlow | .... | tutor (uncredited) | |
| Rob Whitaker | .... | post -production assistant (uncredited) | |
| Richard Wilson | .... | production assistant (uncredited) | |
|
|
|
|
|
| Big Fish | Der Untergang | Jumper | Persepolis | Enter the Void |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
At first blush, City of Ember seems like it would be a thrilling sci-fi adventure, a page out of Jules Verne's playbook, but ultimately it fails to completely scale the dizzying heights of its creative premise. The movie does deliver some intrigue and some compelling performances (not to mention some mailed-in ones), but huge lapses in logic that might be detected even by the youngest audience member prevent it from being the heart-stopping classic it wants to be.
Some 200 years ago, life on Earth was dying, and in its waning moments great physicists, inventors, and architects designed and built a huge underground city powered by a gigantic generator. The Builders, though, possess some forethought and, assuming that someday the surface will again be inhabitable, they enclosed specific instructions for the citizens of Ember to eventually escape to the sunlight. This information was placed inside a metal box and alarmed with a 200-year timer; by the end of that time, the Builders reasoned, the surface would be habitable. This box was then handed off from mayor to mayor for nearly 200 years. But, as might be expected, the chain broke somewhere along the way, and at present the box sits in a closet, its owner unknowing of its raison d'etre. So here we are, 200 years down the road, and the lights in Ember flicker occasionally, sometimes more than occasionally, and it's apparent to a few that the generator's days are numbered.
Our story focuses on two children, Lina Mayfleet (Saoirse Ronan) and Doon Harrow (Harry Treadway). At the movie's outset, each has received his and her assigned job for life - Lina as a messenger (all verbal), and Doon working in the pipeworks, where he hopes to find a way to save the generator. During the course of their duties, as the blackouts increase, each learns about the mysterious silver box, and they team up to decipher the tattered remnants of the exit instructions. Naturally, they run into complications with Doon's father (Tim Robbins) and the current mayor (Bill Murray), and just as naturally they're eventually pursued by people who'd just as soon no one ever figured out how to leave the dark city.
For the most part, the casting is on target; Ronan seems a lot more engaging and appealing here than she did just last year in Atonement, and Treadway, although looking like a refugee from High School Musical, is just as impressive. Robbins is excellent in a small, but pivotal role, as is Martin Landau (whatever became of him?) as the requisite old-guy-who-sort-of-knows-stuff. The only puzzling casting is that of Murray as the town's jovial mayor; he seems glib and cheerful enough, but it almost feels like he's being ironic, rather than being a part of the story. Often, this sort of approach makes for a hammy performance, but Murray's too subtle here for pure hamminess; he's more like a square peg in a round hole.
The lapses in logic take some willful ignorance to, well, ignore. We see various businesses and transportation, but there's apparently no police, no cemeteries, no fresh fruit. Now, bear in mind that these people have been down there for two centuries. Sure, they have a lot of canned goods, but something tells me they'd be in poor health after a lifetime of poor eating habits. Then there's the fact that everyone seems clueless about the surface. I don't mean that they don't know what's on it; they don't even know there IS a surface. Attempting to leave the city is a jailable offense, okay, but these people don't even know there's something to escape to. And that makes no sense right there. They haven't been down there for 2000 years, just 200. That means approximately nine generations after the ones who first lived there, and in often there are three generations alive at any given time. So it's not tough to imagine the tales of the outside world being orally handed down from generation to generation, tales of Super Bowls, Shakespeare, Sex and the City, and Snoopy. But apparently the first generationers vowed never to speak of their upper lives again, or something.
City of Ember is pretty fascinating and not complex, meaning it'll grab you (and, more importantly, teens and younger) and not force you to figure things out in order to keep up with the plot. Yes, there are twists and turns, but there aren't huge lapses in logic, at least nothing to dissuade you from staying through to the end. The end, by the way, is satisfying, even beautifully rendered. This might be one time (of many) to read the book, too. Or instead.