| Photos (See all 14 | slideshow) | Videos (see all 6) |
| Toni Collette | ... | Mary Daisy Dinkle (voice) | |
| Philip Seymour Hoffman | ... | Max Jerry Horovitz (voice) | |
| Barry Humphries | ... | Narrator (voice) | |
| Eric Bana | ... | Damien (voice) | |
| Bethany Whitmore | ... | Young Mary (voice) | |
| Renée Geyer | ... | Vera (voice) | |
| Ian 'Molly' Meldrum | ... | Homeless Man (voice) | |
| John Flaus | ... | (voice) | |
| Julie Forsyth | ... | (voice) | |
| rest of cast listed alphabetically: | |||
| Christopher Massey | ... | Additional Voice | |
| Shaun Patten | ... | Additional Voice | |
| Carolyn Shakespeare-Allen | ... | Additional Voice | |
| Leanne Smith | ... | Additional Voice | |
| Michael Ienna | ... | Lincoln (uncredited) | |
Directed by | |||
| Adam Elliot | |||
Writing credits(in alphabetical order) | ||
| Adam Elliot | writer | |
Produced by | |||
| Iain Canning | .... | co-executive producer | |
| Melanie Coombs | .... | producer | |
| Mark Gooder | .... | executive producer | |
| Paul Hardart | .... | executive producer | |
| Tom Hardart | .... | executive producer | |
| Henry Karjalainen | .... | post-production producer | |
| Andrew Mackie | .... | co-executive producer | |
| Bryce Menzies | .... | executive producer | |
| Jonathan Page | .... | executive producer | |
| Richard Payten | .... | co-executive producer | |
| Pauline Piechota | .... | associate producer | |
| Tom Wild | .... | line producer | |
Original Music by | |||
| Dale Cornelius | |||
Cinematography by | |||
| Gerald Thompson | |||
Film Editing by | |||
| Bill Murphy | |||
Casting by | |||
| Brooke Howden | |||
Production Design by | |||
| Adam Elliot | |||
Art Direction by | |||
| Craig Fison | |||
Set Decoration by | |||
| Isabel Peppard | |||
| Claire Tennant | |||
Production Management | |||
| Bridget Callow | .... | art department production manager | |
Second Unit Director or Assistant Director | |||
| Sue Collins | .... | first assistant director | |
| Jemima Daly | .... | assistant director: continuity | |
Art Department | |||
| Daniel Agdag | .... | sets and props | |
| Michael Bazeley | .... | sets and props | |
| Darren Bell | .... | lead sculptor | |
| Darren Burgess | .... | sculptor | |
| Lindsay Cox | .... | sets and props | |
| Jonathan Daw | .... | sculptor | |
| Jonathan Daw | .... | sets and props | |
| Scott Ebdon | .... | armature | |
| Fiona Edwards | .... | plasticine colourist | |
| Roger Ferdinando | .... | sets and props | |
| Craig Fison | .... | sets and props | |
| Robert Gudan | .... | armature assistant | |
| Robert Gudan | .... | sets and props | |
| John Lewis | .... | sculptor | |
| Rob Matson | .... | sets and props | |
| Colin Moore | .... | sculptor | |
| Colin Moore | .... | sets and props | |
| Kailem Nutt | .... | lead sculptor | |
| Shaun Patten | .... | set construction manager | |
| Shaun Patten | .... | sets and props | |
| Isabel Peppard | .... | character painting | |
| Isabel Peppard | .... | sculptor | |
| Darcy Prendergast | .... | lead sculptor | |
| Darcy Prendergast | .... | sets and props | |
| Sophie Raymond | .... | sets and props | |
| Luhsun Tan | .... | model maker assistant | |
| Claire Tennant | .... | sets and props | |
Sound Department | |||
| Laurent Boudaud | .... | sound re-recording mixer | |
| Michael Carden | .... | sound effects editor | |
| Nick Foley | .... | adr recordist | |
| Rick Gould | .... | adr recordist | |
| Jason Hancock | .... | foley recordist | |
| Doron Kipen | .... | sound re-recording mixer | |
| Nick Kray | .... | adr mixer | |
| Frank Lipson | .... | sound effects editor | |
| Andrew McGrath | .... | sound re-recording mixer | |
| Erin McKimm | .... | location sound recording coordinator | |
| Erin McKimm | .... | sound editor | |
| Erin McKimm | .... | sound effects editor | |
| John Simpson | .... | foley artist | |
| Keith Thomas | .... | sound editor | |
| Peter Walker | .... | adr supervisor | |
| Peter Walker | .... | dialogue editor | |
| Peter Walker | .... | supervising sound designer | |
Special Effects by | |||
| Isabel Peppard | .... | mould maker | |
| Claire Tennant | .... | key mold maker | |
Visual Effects by | |||
| Michael Allen | .... | visual effects supervisor | |
| Darren Bell | .... | visual effects artist | |
| Giselle Hunter | .... | visual effects artist | |
| Leath Mattner | .... | visual effects artist | |
| Reece Sanders | .... | visual effects artist | |
| Curt Sundberg | .... | visual effects artist | |
Camera and Electrical Department | |||
| Glen Anderson | .... | camera engineering | |
| Jon Billington | .... | camera operator | |
| Yen Ooi Chi | .... | additional camera assistant | |
| Nic Kocher | .... | assistant camera | |
| Calista Lyon | .... | assistant camera | |
| Robin Plunkett | .... | camera operator | |
| Garry Sneesby | .... | camera engineering | |
| Benjamin P. Speth | .... | camera operator | |
| Gerald Thompson | .... | motion control design and build | |
| Scott Venner | .... | assistant camera | |
| Scott Venner | .... | motion control assistant | |
| Suzy Wood | .... | behind the scenes stills photographer | |
Animation Department | |||
| Daniel Agdag | .... | animation assistant | |
| Darren Burgess | .... | animator | |
| Lindsay Cox | .... | animation assistant | |
| Pierce Davison | .... | animation assistant | |
| Jonathan Daw | .... | animation assistant | |
| Dick Jarman | .... | animator | |
| Anthony Lawrence | .... | animator | |
| John Lewis | .... | animator | |
| Jason Lynch | .... | animator | |
| Al Oldfield | .... | animation assistant | |
| Darcy Prendergast | .... | animation assistant | |
| Sophie Raymond | .... | animation assistant | |
| Craig Ross | .... | animator | |
Editorial Department | |||
| Patrick McCabe | .... | second assistant editor | |
| Dee McClelland | .... | DI colorist | |
| Nic Smith | .... | digital intermediate technical director | |
| Glen Whelan | .... | first assistant editor | |
Music Department | |||
| Dale Cornelius | .... | music editor | |
| Will Larsen | .... | arranger | |
| Will Larsen | .... | conductor | |
| Will Larsen | .... | music editor | |
| Leanne Smith | .... | music supervisor | |
Other crew | |||
| Stephen Carroll | .... | production runner | |
| Melanie Etchell | .... | title design | |
| Samantha Fitzgerald | .... | assistant: mr elliot | |
| Monika Gehrt | .... | production accountant | |
| Lynn Johnson | .... | caterer | |
| Anna Kaplan | .... | set/prop librarian | |
| Stella Kinsella | .... | set/prop librarian | |
| Anthony Lawrence | .... | mould maker | |
| John Lewis | .... | mould maker | |
| Jason Lynch | .... | on-set nurse | |
| Patrick McCabe | .... | digital post production assistant | |
| Patrick McCabe | .... | first aid officer | |
| Bryce Menzies | .... | legal services: Marshalls & Dent | |
| Shaun Miller | .... | legal services: Marshalls & Dent | |
| Isabel Peppard | .... | mould maker | |
| Elvis Pramod | .... | additional production assistant | |
| Leanne Smith | .... | producers associate | |
| Claire Tennant | .... | mould maker | |
| Rita Walsh | .... | set/prop librarian | |
| Bree Whitford | .... | digital post production assistant | |
Thanks | |||
| Scott Meek | .... | thanks | |
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| Rois et reine | In Her Shoes | Running with Scissors | Dzien swira | Muriel's Wedding |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Animation section |
| IMDb Australia section |
In 1976, in Australia, the misfit and outcast eight-year old girl Mary Daisy Dinkle lives in Mount Waverley with her alcoholic shoplifter mother Vera Lorraine Dinkle that is addicted in Sherry and her absent father Noel Norman Dinkle that works in the Earl Grey Factory attaching strings in the teabag and spends his leisure time in his hobby - taxidermy. Mary has absolutely no friends and is teased by her schoolmate Benny Clifford. She has a complex because of her brown birthmark in the forehead and she adores her favorite cartoon The Noblets that she watches with her rooster Ethel and condensed milk. Meanwhile, in New York, the lonely forty-four year-old Max Jerry Horowitz has Asperge Syndrome and trouble to sleep and is obese since he eats chocolate hot-dogs to compensate his anxiety. He frequently goes to the Overeaters Anonymous Meeting. Max does not have any friend, only the invisible Mr. Ravioli, and also loves The Noblets. His life goals are to have a friend, Noblets and chocolate. One day, Mary picks Max address out of an American phone-book and she decides to write to him to ask from where babies come in America. Along their lives, they become pen pals and their unusual friendship oscillates due to the anxiety attacks of the unstable Max.
"Mary and Max" is an unforgettable and heartbreaking bleak tale of friendship and loneliness. The story is bittersweet and witty, with an ironic black humor and provokes the most conflictive emotions in the viewers, funny in a moment, and depressive in the other. The excellent animation follows the dark style of Tim Burton and the screenplay is a profound insight in human behavior. My vote is nine.
Title (Brazil): "Mary and Max Uma Amizade Diferente" ("Mary and Max A Different Friendship")