When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the skills of a soldier; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. Written by
Ronan escapes from an underground base. Similar to her other movie City of Ember (2008) where she lives in an underground world. She also stars in Lost River (2014) about a city under a lake. See more »
When Marissa is returning fire through the door in the hotel room, the slide of her gun locks back, signifying an empty magazine. However, in subsequent shots, she continues to fire, even though she is never shown reloading her gun. See more »
Words are spoken during the credits. At the end of the first song: "Music: A combination of sounds with a view to beauty of form and expression of emotion". And after the end credits: "Schlaf weiter" (sleep on). See more »
Peer Gynt Suite #1, OP. 46-4, In The Hall Of The Mountain King
Written by Edvard Grieg
Performed by The Czech Philharmonic
Courtesy of Cleopatra Records, Inc.
By arrangement with The Orchard See more »
Bad storyline coupled with great direction / camera / sound. Technically brilliant.
A 'different' movie. Bad storyline coupled with great direction / camera / sound. Technically brilliant. The net result is quite enjoyable. One does have to suspend disbelief to take in the gaps in logic, but once you do that, it's a good ride.
The entire movie is in effect a large chase, and the direction has brought about this element superbly. The camera work and sound kept me glued.
There seems to be quite a few reviews that talk of all the gaps in logic and reasoning in the movie. They are all true, but I found the high levels of technical brilliance more than made up for it.
In the end, not a 'great' movie, but one that I nevertheless quite enjoyed.
153 of 226 people found this review helpful.
Was this review helpful to you?