Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a ... Written by
The book that Carrie removes from a display, and replaces with her own, when she's on the phone in the bookstore, is "Lucia, Lucia" by Adriana Trigiani, which tells the story of another woman who had planned a lavish wedding, and was left at the altar. See more »
When Carrie interviews the Asian guy for her personal assistant, the coffee cup changes position right after he shows her he is wearing pink high heels. See more »
Year after year, twenty-something women come to New York City in search of the two L's: labels and love.
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I am a big fan of the show. I am one of those people who have seen every episode at least 4 times, and some of them around 10 times. Even so, I still watch the reruns, and I was really looking forward to the movie.
So, it is really upsetting that I have to give it such a bad review. I went to see it with the best of intentions. I really wanted to love it. Unfortunately the movie has nothing to do with the wittiness and character of the series. Even putting aside the wooden and/or exaggerated acting, you fail to recognize the characters who where transformed into caricatures, pathetic versions of themselves.
There were very very few lines that gave a glimpse of the old clever dialog, and they all got lost in a mass of cheesy lines about love and friendship that you even rarely anymore encounter in the corniest of Hollywood's chick flicks, and toiler humor that you only expect from movies like Harold and Kumar. OK, maybe the comparison to Harold and Kumar is a little unfair, but really I had never expected Sex and the City to rely on fart jokes for comic relief.
People comment that those who rate this movie badly are either men, or just not fans of the show. From my perspective the fans of the show should be the ones most disappointed by the travesty that was this film.
We grew to love the show because of its honesty towards sexual issues, its shocking but clever dialog, and its characters who, however unreal with their designer obsessions, uncontrollable spending and lack of real jobs, remained true to their personas regarding sex, relationships, commitment, independence.
The show was about sex. The movie is about love, and treats the subject from the weakest, corniest and most disappointing standpoint.
This movie is a fake Fendi. Dropping 15 designer names in one sentence, showing bulging men's underpants and orgasming at the sight of huge closets, Sex and the City does not make.
As for me, I will keep watching the reruns and pretend this movie never happened.
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