Henjel gwa Geuretel (2007)

Director:

Pil-Sung Yim

Writers:

Pil-Sung Yim (screenplay)
Min-sook Kim (story)

Release Date:

27 December 2007 (South Korea)

Genre:

Drama | Fantasy | Horror | Mystery

Tagline:

A Fairy tale is not end, yet

Plot:

After meeting an mysterious girl on an dark stretch of road, a young salesman is invited to a beautiful house with bizarre secrets and no way to escape.

Plot Keywords:

Forest | Fairy Tale | Cut From Glass | Mother Figure | House In The Woods

Awards:

2 wins & 2 nominations

Cast

Jeong-myeong Cheon	...	Eun-Soo
Young-nam Jang	...	Soojeong
Ji-hee Jin	...	Jung Soon
Kyeong-ik Kim	...	Youngsik
Hee-soon Park	...	Deacon - byun
Eun-kyung Shim	...	Young Hee
Eun Won-jae	...	Manbok

Directed by
Pil-Sung Yim

Writing credits (in alphabetical order)
Min-sook Kim		story
Pil-Sung Yim		screenplay

Produced by
Jae-Won Choi	....	executive producer
Young-mo Kang	....	line producer
Woo-sik Seo	....	executive producer

Original Music by
Byung-woo Lee

Cinematography by
Ji-yong Kim

Film Editing by
Sun-min Kim

Production Design by
Seong-hie Ryu

Art Department
Conti Brothers	....	storyboard artist

Sound Department
Tae-young Choi	....	sound mixer
Shin-yong Kim	....	production sound mixer

Visual Effects by
Seong-jin Jung	....	visual effects supervisor

Production Companies

• Barunson Film Division
• CJ Entertainment
• Cineclick Asia

Distributors

• CJ Entertainment (2008) (South Korea) (theatrical)
• Golden Village Entertainment (2008) (Singapore) (theatrical)
• Impacto Cine (2010) (Argentina) (theatrical)
• Innoform Media (2008) (Singapore) (theatrical)
• MFA Filmdistribution (2008) (Germany) (theatrical)
• Seven Films (2008) (Greece) (theatrical)
• Terracotta Media (2008) (UK) (theatrical)
• Ascot Elite Home Entertainment (2009) (Germany) (all media)
• Audio Visual Entertainment (2011) (Greece) (DVD)
• CatchPlay (2009) (Taiwan) (all media)
• CatchPlay (2010) (Taiwan) (all media)
• Compañía General de la Imagen (CGI) (2009) (Argentina) (all media)
• Compañía General de la Imagen (CGI) (2009) (Chile) (all media)
• Compañía General de la Imagen (CGI) (2009) (Uruguay) (all media)
• Evokative Films (2008) (Canada) (all media)
• Panorama Distributions (2009) (Hong Kong) (DVD)
• SP Films (2010) (Argentina) (DVD)
• Terracotta Media (2009) (UK) (DVD)
• Wild Side Vidéo (2008) (France) (all media)

Special Effects

• E.O.N.

Other Companies

• Dolby Laboratories  sound post-production
• Eastside Communications  publicity: Germany
• HFR  dailies
• HFR  digital intermediate

Also Known As:

"Hansel & Gretel" - International (English title)
"Hansel & Gretel" - Argentina (festival title), Argentina (imdb display title)
"Az erdő foglyai" - Hungary
"Hansel et Gretel" - France
"Jenícek a Marenka" - Czech Republic
"Skoteino dasos" - Greece (DVD title)

Runtime:

117 min

Country:

South Korea

Language:

Korean

Color:

Color

Aspect Ratio:

1.85 : 1

Certification:

South Korea:12 | Singapore:PG | UK:15 | France:-12 (DVD rating) | Argentina:16 | Canada:14A (British Columbia/Manitoba/Ontario) | Canada:13+ (Quebec) | Germany:16

Filming Locations:

Busan, South Korea

Company:

Barunson Film Division

A dark fairytale

Maybe I've been ignoring Korean films for too long because I've seen some good things coming from those regions lately. From the first time I laid eyes on the promotional artwork this films sparked some interest, but I never bothered to pursue that interest. Luckily I finally did get around to seeing the film as this is right up my alley.

Hansel and Gretel is many things and is being marketed as many more. Sadly some people try to tag this film to the Asian horror wave, yet the film is pretty different in tone and execution. Some similar elements to Korean(/Asian) horror films are definitely present but in the end the film presents itself more like a darker fantasy.

Comparing this film to others is not an easy thing. It reminded me of quite a few other films but never as a whole. The setup is somewhat similar to Calvaire, the styling of the film has more than a little of Survive Style 5+ and the atmosphere could've been borrowed from a Korean Burton. But none of those references seem sufficient to describe Hansel and Gretel. In the end it draws its unique flavor from mixing all these influences and making them its own.

The film starts off like many Western films do. A guy in a car in a forest on a mountain road. Car crash anyone? But when Eun-Soo wakes up he sees a girl dressed up like Little Red Ridinghood. When he reaches her house he is confronted by a family of fairytale people, but looking and acting a little off. From those first scenes there's already a pretty weird atmosphere present.

The styling of the house and its inhabitants its absolutely lush, with plenty of attention to detail. Colors are flying off the screen and even though the frame is filled with toys and other colorful objects, the house is meticulously clean. It's these kind of things that help to establish the uneasy atmosphere from the start of the film.

As the story progresses the tone becomes gradually darker, as does the styling. The candy-colors never really fade but are often overshadowed by darker tones. It takes a while to get a good grip on the story as more and more elements are introduced to the film and certainly not all of them fit well together from the start, but about halfway through you should have a good idea of what the hell is going on.

Visually this is a very consistent film, with pretty awesome camera work and a great sense of color. Not unusual for Korean films but surprisingly the editing is not so intervening as to kill the atmosphere. There is plenty of time to admire all the visual sweetness, which has been known to be otherwise in Korean cinema.

The soundtrack too is effective and to the point. No high drama bombast to kill the atmosphere but good film music that aids the feel of the film. It's good to see that for a change the atmosphere of the film is kept consistent and is given room to develop itself. Something the film gratefully makes use of to crawl under your skin.

While the revealing of the mystery is nothing too special and the film knows its share of typical Korean taboo-breaking weirdness, it's that very mysterious, dark and fantasy-like atmosphere that gives the film enough momentum to easily swing past these little imperfections. In the end, Hansel and Gretel is a rather special experience that leaves a solid mark in the world of film.

Rather than call it a horror film, it's a dark fantasy mixed with drama and a touch of horror elements. The film is well acted, looks extremely lush and flies by in no time. And while many parts seem influenced by other films, the mix is completely unique and fresh. A very nice film and interesting take on fairy tale antics. 4.0*/5.0*