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The Runaways (2010)

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A coming-of-age biographical film about the 1970s teenage all-girl rock band The Runaways. The relationship between band members Cherie Currie and Joan Jett is also explored.

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(screenplay), (book)
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2,586 ( 1,560)
6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Band Member
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Storyline

In 1975, San Fernando Valley teen Joan Larkin reinvents herself as Joan Jett, a guitarist who wants to form an all-girl punk band. She pitches the idea to a sleazy manager, Kim Fowley, who pairs her with a drummer and then searches for a face: he finds Cherie Currie, at age 15, the perfect jailbait image for his purpose; by luck, she can sing. Two others round out the band, The Runaways. Fowley books a tour, signs them to Mercury Records, and packs them off to crowds in Japan. Seeds of conflict sprout early: Fowley puts Cherie front and center in the publicity, she's soon strung out on drugs and vodka, and jealousies arise. Without adult supervision, where can Joan and Cherie end up? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

In rock 'n' roll, there's a first time for everything. Based on a true story. See more »

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language, drug use and sexual content - all involving teens | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 March 2010 (USA)  »

Also Known As:

Neon Angels  »

Filming Locations:

 »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

CAD 91,253 (Canada) (21 March 2010)

Gross:

$3,571,735 (USA) (30 May 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Prior to filming, Kristen Stewart worked closely with Joan Jett to perfect her mannerisms, stage presence, vocal tone, attitude and musical skill. Jett later praised Stewart for her dedication and overall performance stating the portrayal made her proud. See more »

Goofs

When we see Cherie Currie drop the phonograph needle on a vinyl record of David Bowie's 1973 album "Aladdin Sane", the RCA label is black with the company name printed in block letters. Nipper, the dog listening to "His Master's Voice", is pictured on the side. This version of the record label was not introduced until 1977, a year after The Runaways released their first album. The correct RCA label would have been either orange or gold with the company name printed in the block letters they introduced in 1968 and without Nipper who disappeared from the label at that time, not to return until 1977. See more »

Quotes

Cherie Currie: What is this?
Sandy West: It ain't baby shampoo. I call it the dirty sink. A little bit of everything from my parent's liquor cabinet. Just a little, so they can't tell I'm dipping into their stash.
Cherie Currie: My dad would notice - he likes his booze.
Sandy West: Is he an alcoholic?
Cherie Currie: No, he just likes it. He says that's the difference. He likes to drink, he doesn't need to drink.
Sandy West: I like to drink.
Joan Jett: The dirty sink is where we're gonna be puking that shit up tomorrow.
Sandy West: Hey, Salt 'n' Pepper - race you down the hill.
Joan Jett: You're fucking on.
See more »

Connections

References Frankenstein (1931) See more »

Soundtracks

School Days
Written by Kim Fowley and Joan Jett
Performed by The Runaways
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Engrossing tale of innocence lost ... with great music!
16 March 2010 | by (Los Angeles) – See all my reviews

Just caught a special screening of The Runaways last night at the Laemmle on Sunset, and it more than exceeded expectations. The leads (Kristen Stewart, Michael Shannon and Dakota Fanning) do an admirable job playing the sullen budding rock star, whacked-out manager and reluctant front girl. At first, it looked as though Stewart was going to fall back on her woe-is-me (woe-is-us who have to suffer through it) Bella character in Twilight, but her performance as Joan Jett soon showed a shyness and vulnerability that made the role three dimensional and overall enjoyable. Shannon gives a wonderful turn as Kim Fowley, The Runaways' too-brilliant-for-his-own-good manager and has some of the best lines in the movie (my friend and I were giddy every time he opened his mouth). But the real star here is Fanning as the innocent Cherie Curie, who didn't ask to be a star but was thrust into the spotlight nevertheless. Watching her downward spiral from innocent young woman (the film opens with her getting her first period) to trying to buy a jug of vodka for breakfast is where this movie soars above others of its ilk. With her big baby blues (wow, those eyes), Fanning portrays innocence lost more effectively than any other actress I can remember. She should be considered for many awards for her performance. Did I mention those eyes?

All in all, The Runaways is a fantastic movie. The direction, though "arty" at times, fits in well with the rock 'n' roll themes. The script is nearly pitch perfect without being preachy or excessive. The performances great. The soundtrack genius (from Bowie to The Stooges to The Sex Pistols - and even a few Runaways songs). But what really adds to the authenticity of the 70's period piece are the costumes and set design, which transport the audience back into a time when women rockers were practically unheard of. Some of the fashion (where did they find all those platform heels?) even takes on a life of its own. Looking forward to watching this little gem again.


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