| Photos (see all 9 | slideshow) | Videos (see all 15) |
| Kelly Reilly | ... | Jenny | |
| Michael Fassbender | ... | Steve | |
| Tara Ellis | ... | Abi | |
| Jack O'Connell | ... | Brett | |
| Finn Atkins | ... | Paige | |
| Jumayn Hunter | ... | Mark | |
| Thomas Turgoose | ... | Cooper | |
| James Burrows | ... | Harry | |
| Tom Gill | ... | Ricky (as Thomas Gill) | |
| Lorraine Bruce | ... | Tanya | |
| Shaun Dooley | ... | Jon | |
| James Gandhi | ... | Adam | |
| Bronson Webb | ... | Reece | |
| Lorraine Stanley | ... | Nat | |
| Rachel Gleeves | ... | Mel (as Rachel Gleaves) | |
| Mark Devenport | ... | Ashley | |
| Alex Palmer | ... | Paul | |
| rest of cast listed alphabetically: | |||
| Eliza Elkington | ... | Child in Classroom (uncredited) | |
Directed by | |||
| James Watkins | |||
Writing credits(in alphabetical order) | ||
| James Watkins | writer | |
Produced by | |||
| Christian Colson | .... | producer | |
| Richard Holmes | .... | producer | |
| Ivana Mackinnon | .... | associate producer | |
| Diarmuid McKeown | .... | associate producer | |
| Paul Ritchie | .... | co-producer | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Christopher Ross | |||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Julie Harkin | |||
Production Design by | |||
| Simon Bowles | |||
Set Decoration by | |||
| Lisa Chugg | |||
Costume Design by | |||
| Keith Madden | |||
Makeup Department | |||
| Sophie Brice | .... | makeup artist | |
| Sophie Bryce | .... | makeup artist | |
| Clarice Gill | .... | assistant makeup artist | |
| Paul Hyett | .... | prosthetic makeup designer | |
| Kristyan Mallett | .... | prosthetics technician | |
| Leah Mercieca | .... | special makeup effects artist | |
| Kirstie Stanway | .... | makeup designer | |
Production Management | |||
| Jennifer Wynne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alison Banks | .... | second assistant director | |
| Joe Barlow | .... | additional third assistant director | |
| Paul Bennett | .... | additional assistant director | |
| Matt Carver | .... | first assistant director | |
| Clare Glass | .... | third assistant director: dailies | |
| Beatrice Manning | .... | third assistant director | |
Art Department | |||
| Gerry Atkinson | .... | props | |
| Alex Boswell | .... | chargehand stand-by props | |
| John Botton | .... | props | |
| Matthew Broderick | .... | stand-by props | |
| Roy Chapman | .... | property master | |
| Lisa Chugg | .... | production buyer | |
| Melloney Cunnell | .... | assistant art director | |
| Simon Duric | .... | storyboard artist | |
| Robert Haynes | .... | stand-by art director | |
| Ruth Pickard | .... | art department assistant | |
| Ben Vokes | .... | art runner: reshoots | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Ben Barker | .... | supervising sound editor | |
| Sandy Buchanan | .... | adr recordist | |
| Sandy Buchanan | .... | foley recordist | |
| James Corless | .... | sound mix technician | |
| Nina Hartstone | .... | supervising dialogue & adr editor | |
| Andrea King | .... | foley artist | |
| Richard Pryke | .... | sound re-recording mixer | |
| Jack Stew | .... | foley artist | |
| Ivor Talbot | .... | sound mixer | |
| Ian Tapp | .... | sound re-recording mixer | |
| Tarn Willers | .... | boom operator | |
Special Effects by | |||
| Richard Magrin | .... | special effects technician | |
| John Rafique | .... | special effects supervisor | |
| Nick Smith | .... | special effects technician | |
| Chris Watson | .... | special effects technician | |
Visual Effects by | |||
| Håkan Blomdahl | .... | digital artist: Filmgate | |
| Zachary Bloom | .... | scanning and recording: Framestore CFC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Paul Burke | .... | scanning and recording: Framestore | |
| James Cundill | .... | IQ editor | |
| Max Horton | .... | colourist | |
| Mathias Larserud | .... | visual effects artist | |
| Linus Lindbalk | .... | digital artist: Filmgate | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Emelie Nilsson | .... | digital artist: Filmgate | |
| Lee Rankin | .... | scanning and recording: Framestore CFC | |
| Jacob Svensson | .... | digital artist: Filmgate | |
| Sean Wheelan | .... | visual effects producer: FILMGATE | |
| Pat Wintersgill | .... | on-line editor | |
Stunts | |||
| Richard Bradshaw | .... | stunt coordinator | |
| Tony Christian | .... | stunt double | |
| Rick English | .... | stunt double | |
| Belinda McGinley | .... | stunt double | |
| Andy Wareham | .... | stunt double | |
Camera and Electrical Department | |||
| Theo Berman | .... | camera trainee | |
| James Chesterton | .... | camera trainee | |
| Philippe Cointepas | .... | focus puller: dailies | |
| Johann Cruickshank | .... | best boy: re-shoots | |
| Warwick Drucker | .... | key grip | |
| Stuart Hurst | .... | gaffer: re-shoots | |
| Sebastian Lamb | .... | camera runner | |
| Andy McBrearty | .... | gaffer | |
| Barry McCullagh | .... | electrician | |
| Richard Miles | .... | electrician | |
| James Perry | .... | additional clapper loader | |
| Ang Richards | .... | second assistant camera | |
| Ang Richards | .... | second assistant camera: "a" camera | |
| John Taylor | .... | Steadicam operator | |
| Roger Tooley | .... | Steadicam operator | |
| Nick Wall | .... | still photographer | |
| Jimmy Ward | .... | second assistant camera: second unit | |
| John Watters | .... | camera operator: "b" camera | |
Costume and Wardrobe Department | |||
| Kate Laver | .... | key costume stand-by | |
| Holly Smart | .... | costume stand-by | |
Editorial Department | |||
| Siobhan Boyes | .... | post production coordinator | |
| Tamsin Jeffrey | .... | first assistant editor | |
| Laura Jennings | .... | assistant editor | |
Music Department | |||
| Dana Niu | .... | orchestrator | |
| Alison Wright | .... | score coordinator: Air Edel | |
Other crew | |||
| David Barr | .... | floor runner | |
| Ajay Bhatt | .... | medic | |
| Caroline Bowker | .... | script supervisor | |
| Nicky Coats | .... | production accountant | |
| Matt Curtis | .... | title designer | |
| Lara Davis | .... | production secretary | |
| Kathryn Deighan | .... | runner | |
| Elton Farla | .... | medical coordinator | |
| Lee Francis | .... | production assistant | |
| Dorothee Freytag | .... | location assistant: re-shoots | |
| Sam Holmes | .... | floor runner | |
| Steve Mortimore | .... | location manager | |
| Asha Sharma | .... | assistant location manager: re-shoots | |
| Joss Spry | .... | runner | |
| Katherine Tibbetts | .... | production coordinator | |
| Ben Vokes | .... | runner | |
| Jason Wheeler | .... | location manager | |
|
|
|
|
|
| The Last House on the Left | House of Wax | I corpi presentano tracce di violenza carnale | Friday the 13th | Wanted |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
| Add this title to MyMovies |
From start to finish this film is a masterclass in confronting our views on revenge and on how we choose which 'side' to be on in any given situation.
The two adult leads are almost immediately plunged into a nightmare where children have the upper hand and where respect for adults is thrown out of the window yet the adults still view the amoral, feral youth as children (at least initially).
Eden Lake plays as virtually a documentary of Britain in 2008 and as a film gives us a stark reflection of what is happening in this country today. The only difference being that Eden Lake takes place in the countryside while the real violence in the UK takes place on our city streets.
James Watkins has managed to create real tension, real suspense and some real terror in his directorial debut. So many UK horror films come with great expectations and so many fail, but with Eden Lake, Watkins has crafted a contemporary film that is instilled with the nastiness and vicious spirit of 70s/early 80s horror such as 'Last House on the Left'.
Disturbing, challenging, thought provoking and downright electrifying in places, this is one of the best horror films of the past few years and one of the best British films this decade.