In 1941, three men attempt to flee communist Russia, escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife, spent much of his youth outdoors, and knows how to live in the wild. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comedic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, as well as many moral and ethical dilemmas throughout the journey towards freedom. Written by
<firstname.lastname@example.org>, Shahob, Bellingham, WA, US
Renowned historian Anne Applebaum, who won the 2004 Pulitzer Prize for Non-Fiction for "GULAG: A history"(2003), worked as a historical consultant on this movie. She said about the historical accuracy: "I read the script a couple of times. I know that other people read the script as well. He [director and co-writer Peter Weir] sent it to another historian at Stanford and he sent it to a couple of the survivors whose names I'd given him. And I have to say I thought the result was superb. You know, there may be little licenses you have to take in order to convey to an audience that doesn't know the story, what's going on. Sometimes the guards say things they might not have said because they are explaining things to the audience. But given that he needed to do things like that, I think it's extraordinary. It's amazingly real. You understand exactly how claustrophobic it was. Many of the incidents that you see in the movie come from real stories or come from gulag survivor and writer Varlam Shalamov or come from other gulag writers. I can see them almost exactly. I think it's an extremely well-done film and about as true-to-life as you could make a movie." See more »
When Irena is being carried in the desert, the film gets flipped. First she was on the left side, then during a close-up she is on the right, then when they go back out she's on the left again. See more »
This was a long film but I was unaware of the length because I was so thoroughly engrossed. The scenery and the photography were simply spell binding but more than that, this was a story about the indomitable spirit of people faced with desperate odds told with sensitivity and at times, humour. Others have commented on the quality of the acting, the accuracy of the story and the cinema-photography; I want to comment on a different aspect of the film. We hear and see a great deal about the crimes of the Nazis during this period but very little about the crimes of the Soviet system. This film is not a "dull metaphor" of the Cold War as one reviewer has said If this films sparks a little enquiry amongst its audiences it will have done a great service to the memory of Poles and other eastern Europeans who suffered the double tragedy of Nazi and then Communist occupation. When Nazism was defeated in 1945, half of Europe was just beginning a sentence in Communist bondage that was to last another thirty five years. This aspect of the story is all the more effective because it is told through the eyes of a small group of people and at a personal level. At the end of this film, the entire audience sat still for about fifteen seconds. There was not the usual end of film scrum. People just needed a moment to absorb what they had sen. This was the best film of the year!
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