| Ovidie | |||
| Françoise Blanchard | |||
| Dominique | |||
| Maurice Lemaître | |||
| Natalie Perrey | |||
| Jean-Loup Philippe | |||
| Jean Depelley | ... | Homme-chouette | |
| Fabrice Maintoux | ... | Homme-coq | |
| rest of cast listed alphabetically: | |||
| Paul Bisciglia | ... | (archive footage) | |
| Jean-Pierre Bouyxou | ... | (voice) | |
| Catherine Castel | ... | (archive footage) | |
| Louise Dhour | ... | (archive footage) | |
| Cyrille Gaudin | ... | (archive footage) (as Cyrille Iste) | |
| Sabine Lenoël | ... | Femme ailée | |
| Françoise Pascal | ... | (archive footage) | |
| Alexandra Pic | ... | (archive footage) | |
| Isabelle Teboul | ... | (archive footage) | |
Directed by | |||
| Jean Rollin | |||
Writing credits(in alphabetical order) | ||
| Jean Rollin | ||
Produced by | |||
| Jacques Orth | .... | producer | |
Cinematography by | |||
| Norbert Marfaing-Sintes | |||
Film Editing by | |||
| Janette Kronegger | |||
Production Design by | |||
| Béatrice Ferrand | |||
Makeup Department | |||
| Anne-Marie Branca-Martiquet | .... | makeup artist (as Anne-Marie Branca) | |
| David Scherer | .... | prosthetics | |
Art Department | |||
| Johann Gasnereau | .... | first assistant art director | |
Sound Department | |||
| Jérôme Ayasse | .... | sound | |
| Emmanuel Le Gall | .... | sound | |
| Vincent Tulli | .... | sound | |
Camera and Electrical Department | |||
| Véronique Djaouti | .... | still photographer (as Véronique Djaouti-Travers) | |
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| Le frisson des vampires | Tout le monde il en a deux | La science des rêves | Ciao maschio | Batalla en el cielo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Fantasy section | IMDb France section |
"La Nuit des Horloges" was not the last film by Jean Rollin ("Le masque de la Méduse" was), but it sums up his visions in such a unique way that it surely is his testament as a director. Do not watch this movie if you are not familiar with many of his previous works, for it wouldn't make sense to you then. Rollin could be accused of vanity for creating "La Nuit des Horloges" as a homage to himself, but for the audience, it rather is a reflection of past years where many of the old actors appear again, for example Dominique from "Requiem For A Vampire", Natalie Perrey from "Lost in New York" and Jean-Loup Philippe from "Lips of Blood". In that way, it is a movie for fans in the first place, happy memories of graveyards and vampires, you do know what I mean. The important movies are still the ones from the 1970s, but this is the cherry on top. "La Nuit des Horloges" shows a young woman on the traces of writer and director Michel Jean (who stands for Rollin, obviously), and she finds items like the iron rose from "La Rose de Fer" as well as books, the strange mixture of pulp and poetry that was typical of Rollin's influences. Ghosts appear and invite her into the big clock to see more of Michel Jean's world. The lead role is played with sufficient gravity by Ovidie, a tattooed dark haired goth lady, and when I innocently scanned the net what other movies she did before, I found that her works, let's put it this way, are pretty much in line with Brigitte Lahaie's. Jean Rollin certainly had a concept there, like in everything else, and he will be missed.