Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
Dr. Hess Green becomes cursed by a mysterious ancient African artifact and is overwhelmed with a newfound thirst for blood. He however is not a vampire. Soon after his transformation he ... See full summary »
Stephen Tyrone Williams,
Christmas, 1983. A New York postal clerk, a Buffalo Soldier in Italy in World War II, shoots a stranger. In his apartment, police find a valuable Italian marble head, missing since the war. Flashbacks tell the story of four Black soldiers who cross Tuscany's Serchio River, dodging German and friendly fire. With a shell-shocked boy in tow, they reach the village of Colognora. Orders via radio tell them to capture a German soldier for questioning about a counteroffensive. In the village, a beautiful woman, partisans that include a traitor and a local legend, the boy, and the story of a recent massacre connect to the postal worker's anguish forty years later. And the miracle? Written by
When the guys leave the town in Louisiana there is a scene where they turn around on the railroad crossing. The scene and the movie is set in the 1940s. Concrete rail crossings did not start making an appearance until the 2000s. See more »
There's no control in life. Wherever you go, wherever you hide, there's risk.
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Endless, unbearable. Italian actors overacting shamelessly and Spike Lee losing track of his own talents. The self indulgence mixed with the confusion made this "epic" one of the most difficult films to sit through in long, long time. During my visit to Los Angeles I was invited to a few screenings but this one was the one I longed for. Terrible let down. It's been a long time since "Do The Right Thing" and I have the feeling that it has to do with Spike Lee's vision of himself as a filmmaker. There is a lack of humility that blurs everything he does and "Miracle At St Anna" is a perfect example of that. In a way "The Inside Man", his genre commercial outing, was more honest and disciplined than anything his done of late. I can't imagine this film making any money so maybe Mr Lee will have the space to reflect. I certainly hope so because I'm sure he still has some aces up his sleeve.
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