| Videos (see all 5) |
| Claudio Santamaria | ... | Roberto | |
| Alicélia Batista Cabreira | ... | Lia | |
| Chiara Caselli | ... | Beatrice | |
| Pedro Abrísio da Silva | ... | Osvaldo | |
| Matheus Nachtergaele | ... | Dimas | |
| Ambrósio Vilhava | ... | Nádio | |
| Ademilson Concianza Verga | ... | Irineu | |
| Leonardo Medeiros | ... | Moreira - the farmer | |
| Eliane Juca da Silva | ... | Mami | |
| Fabiane Pereira da Silva | ... | Maria | |
| rest of cast listed alphabetically: | |||
| Taiane Arce | ... | Kinha | |
| César Chedid | ... | Farmer | |
| Temily Comar | ... | Maria's friend | |
| Nelson Concianza | ... | Nhanderu | |
| Luciane da Silva | ... | Rosália | |
| Camila Caetano Ferreira | ... | Elma | |
| Inéia Arce Gonçalves | ... | Maid | |
| Urbano Palácio | ... | Josimar | |
| Poli Fernandez Souza | ... | Tito | |
| Luiz Mário Vicente | ... | Attorney general | |
Directed by | |||
| Marco Bechis | |||
Writing credits | ||
| Marco Bechis | (writer) & | |
| Luiz Bolognesi | (writer) | |
| Lara Fremder | (collaborator) | |
Produced by | |||
| Marco Bechis | .... | executive producer | |
| Marco Bechis | .... | producer | |
| Caio Gullane | .... | executive producer | |
| Caio Gullane | .... | producer | |
| Fabiano Gullane | .... | producer | |
| Sônia Império Hamburger | .... | co-executive producer | |
| Débora Ivanov | .... | co-producer: Brazil | |
| Gabriel Lacerda | .... | co-producer: Brazil | |
| Daniele Mazzocca | .... | executive producer: Italy | |
| Amedeo Pagani | .... | producer | |
Original Music by | |||
| Andrea Guerra | |||
Cinematography by | |||
| Hélcio Alemão Nagamine | |||
Film Editing by | |||
| Jacopo Quadri | |||
Art Direction by | |||
| Clovis Bueno | |||
| Caterina Giargia | |||
Costume Design by | |||
| Valeria Stefani | |||
Makeup Department | |||
| Uirandê Holanda | .... | makeup artist | |
Production Management | |||
| Waltinho Magalhães Filho | .... | production manager | |
| André Montenegro | .... | production manager | |
Art Department | |||
| João Bueno | .... | scenography | |
Sound Department | |||
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Antongiulio Frulio | .... | midi programming | |
| Facundo Paco Girón | .... | boom operator | |
| Jorge Miranda | .... | sound editor | |
| Lisandro Rumeau | .... | assistant foley artist | |
| Gaspar Scheuer | .... | sound | |
Casting Department | |||
| Carla Ascarza | .... | casting research | |
| Mandy Biagi | .... | casting assistant | |
| Patricia Faria | .... | casting research | |
| Diana Galantini | .... | casting research assistant | |
| Lia Raulino Hillel | .... | casting producer | |
| Maysa Lepique | .... | casting research | |
| Urbano Palácio | .... | casting: india | |
| Goga Penha | .... | casting assistant | |
Editorial Department | |||
| Elisa Flora Algeri Bricoli | .... | second assistant editor | |
| André Finotti | .... | editing collaborator | |
| Chiara Griziotti | .... | first assistant editor | |
| Daniel T. Müller | .... | post-production assistant | |
| Patrícia Nelly | .... | post-production coordinator | |
Music Department | |||
| Patrícia Portaro | .... | music consultant and clearances | |
Other crew | |||
| Patricia Alencastro | .... | continuity | |
| Tomaz Aquino | .... | production accountant: Brazil | |
| Luísa Berlitz | .... | first executive production assistant | |
| Chiara Boschiero | .... | executive production assistant: Italy | |
| Brenda da Mata | .... | set manager | |
| Dalva Rufino de Medeiros | .... | production assistant | |
| Edgar do Nascimento | .... | catering manager | |
| Ariene Leite | .... | executive coordinator | |
| Sandra Leite | .... | production office | |
| Manuela Mandler | .... | international coordinator: Brazil | |
| Kelly Mansilha | .... | production secretary | |
| Ana Paula Mello | .... | first accounting assistant: Brazil | |
| Mauro Monachini | .... | financial consultant | |
| Grazia Netti | .... | production accountant: Italy | |
| William Parlapiano | .... | production assistant: Italy | |
| Renata Pimentel | .... | production assistant | |
| Irene Ranzato | .... | production assistant: Italy | |
| Pedro Ribeiro | .... | controller: Brazil | |
| Nereu Schneider | .... | indigenous consultant | |
| Donizetti Soleitão | .... | plateau | |
| Ricardo Tru | .... | scene vehicles producer | |
Thanks | |||
| Enrique Ahriman | .... | in memory of | |
| Duccio Fabbri | .... | special thanks | |
| Antonella Licata | .... | special thanks | |
| Gigi Riva | .... | special thanks | |
| Emiliano Torres | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Set amongst the Guarani-Kaiowa community in their native Brazil, Birdwatchers depicts the breakdown between the white settlers and the ever-decreasing tribe. Tired of living in a designated settlement, stoic community leader Nadio (Ambrosio Vilhava) decides to take back the land that their ancestors are buried on. Only the land has been taken over by white farmers who are making a wealthy living from the land. Tensions increase further when the young Osvaldo (Pedro Abrisio Da Silva), who is learning to cut out indulging in things like red meat and women to become a shamen, begins a friendship with the farmers daughter.
Over the past number of years, hundreds of the Guarani-Kaiowa tribe have committed suicide. Their religion is based around a God they call Nande Ru, and they worship the land they live on and so respect. Like many indigenous tribes, they have seen their land raped and poached, and have been driven off to seek underpaid labour. The film depicts the suicides early on, as Nadio finds two women hanging from nearby trees. He is not shocked, as he has seen this happened many times before. The film gets its real power from the fact that this is reality, and shocked me at my ignorance and the failure of any real coverage of this decreasing community.
The film is also funny, beautiful and moving. Most hilarious is the scene in which Mami (Eliane Juca Da Silva) seduces one of the farmers in order to get hold of his gun. He is seen as a bit of an idiot throughout the film, and Mami and the other tribeswomen mockingly dub him as 'long d**k'. As he has sex with Mami, she is laughing shouting 'long d**k!' at him. It's a strangely funny scene. The actors are probably so effective due to the fact that these are actual members of the Guarani-Kaiowa tribe, and had to be introduced to the concept of cinema before receiving their brief acting lessons. I suspect they didn't need acting lessons, and their emotions and history are written all over their faces.
The film wisely doesn't show everything so simply and one-sided. It is a complex issue that deserves a complex depiction. The farmer Moreira (Leonardo Medeiros), dismayed at the tribe settling on the land where he grows his crops, explains how this is the farm he inherited from generations before him. The land belongs to him as much as it does to the tribe. This is the only land he knows, and what a beautiful land it is. The Brazilian landscape is filmed with a natural beauty, which allows us to understand why the Guarani-Kaiowa worship the land so. A powerful film, and when director Marco Bechis flashes up the charity dedicated to preserving the tribe at the end of the film, it will fill you with guilt that you can live in a world that would fail to recognise their struggle and plight.
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