Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007, and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
A cryptic message from Bond's past, sends him on a trail to uncover a sinister organization. While M battles political forces to keep the Secret Service alive, Bond peels back the layers of deceit to reveal the terrible truth behind S.P.E.C.T.R.E.
When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves. Written by
The movie's soundtrack, composed by Thomas Newman, features the most tracks (thirty) for a James Bond film score. The previous record holder in the official franchise had been Casino Royale (2006) with twenty-five, and next is Quantum of Solace (2008) with twenty-four. The previous record holder for any Bond movie, and now second, is the unofficial Never Say Never Again (1983), which has twenty-six tracks. The "Skyfall" album is the second time that a James Bond soundtrack has not featured the title song (which is "Skyfall", sung by Adele). The first time was Chris Cornell's title song "You Know My Name", not appearing on the Casino Royale (2006) soundtrack. This movie's end titles utilize Composer David Arnold's arrangement ("The Name's Bond... James Bond") of Monty Norman's "James Bond Theme", but this also does not feature on the soundtrack. This film's score also contains interpolations of Monty Norman's original "James Bond Theme". The whole score on the soundtrack is composed and conducted by Thomas Newman, except for the "Komodo Dragon" track, which is an instrumental interpolation of the film's "Skyfall" theme song. This is also the first Daniel Craig Bond film to make use of Norman's original "James Bond Theme" throughout the entire film (in Casino Royale (2006), the fully orchestrated version was played during the end credits, and in Quantum of Solace (2008), during the gun barrel sequence, and at the start of the end credits). See more »
When Silva is about to slide down the escalator, Bond runs past the same blonde woman twice between shots. See more »
[Speaking on a blue tooth device]
Ronson's down. He needs a medical evac.
Where is it? Is it there?
Hard drives gone.
It's gone. Give me a minute.
They must have it! Get after them!
I'm stabilizing Ronson.
We don't have the time!
I have to stop the bleeding!
[...] See more »
The opening credits feature Bond periodically shooting at targets, Shanghai dragons, Silva's skull logo, and the Skyfall mansion from which Bond's eyes stare out. At the end of the credits, the sky is seen falling upon the mansion. See more »
A James Bond film made for the modern era, you'd be hard pressed to find any other film series able to stand the test of time and still feel relevant. When it looks like it's lagging behind the competition of the other spy action thrillers, the makers have taken note and re-invented the mould, making it more real and exciting.
To me, Bond had too much of a rigid formula, the cars, the chases, the girls, the gadgets, the megalomaniac villain's and the spectacular set pieces/stunts. After a while though, the older films seem to suffer from a sense of deja vu. It's a case of been there, done that. The structure of the films have become stale and repetitive. Same plot about a group of criminals/organisation hell bent on world domination/destruction, with a beautiful bond girl in tow, Bond and or Bond girl gets capture, ridiculous car chase or stunts with a million of cheesy one liners. Frankly, I had pretty much given up on the Bond films. They have become predictable and tedious with only the change of location to give the film any sort of distinction.
The plot of Skyfall is unlike previous Bond films, starts with the routine chase resulting in Bond being shot and wounded, believed to be dead by MI6. When an attack on MI6 headquarters manifest through a cyber attack and a bombing at the headquarters, Bond returns to uncover who is behind the assault. Struggling from his gun shot wound, Bond has to prove his fitness mentally and physically through some rigorous tests. Sent back into action without being fully fit, Bond embarks on the mission to expose the mastermind. What Bond discovers is a villain who happens to be ex-agent who has a vendetta against M and will stop at nothing to kill her.
First thing you'll notice is the lack of gadgets and the usually bond girl (there is one of sorts but you'll understand when you watch it). Also with a villain who is suave yet as equally menacing as Hannibal Lector, we have a loose cannon who isn't after the world but revenge. It's spy vs spy and the story is more of a evolution of the characters that inhabit the world of Bond. Nods to older Bond films crop up from dialogue, props and even the classic Austin Martin car makes an appearance. It's a homage as well as a resurrection of well known characters.
What we are given here is a Bond with more layers to him and more emotions. Daniel Craig has moulded a Bond who is more relateable. Signs of physical and emotional weakness shows us a Bond who is no longer a super spy with little or no vulnerability. Other characters are given more screen time and provide an emotion gravitas (We are also introduced to Q, a young model who is still wet behind the ears).
In the hands of Sam Mendes and Director of photography Roger Deakins, there has never been a more beautiful shot Bond film. During Bond's fight with a criminal minion we see only their silhouettes, but the eye is drawn to the beauty of the neon Shanghai backdrop. The reserve can be said for the grime, dour and rainy streets of London which captures our the United Kingdom perfectly.
It's a satisfying and enjoyable film, with plenty of action and a surprising emotional core to the narrative. A great development in characters with seeds being sown to allow for a more relateable and mature story telling and for future characters to come to the fore. Skyfall has made me fall in love with Bond films again so here's hoping there's no more rigid formula and routine mundane narratives of past.
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