| Jean-Robert Bourdage | ... | Le propriétaire | |
| Gouchy Boy | ... | Bingo | |
| Benoît Brière | ... | Alix | |
| Paul Cagelet | ... | Antoine | |
| Cali | ... | Baptiste | |
| Antoine Duléry | ... | Auguste | |
| Louis Dussol | ... | Tommy | |
| Rachel Gauthier | ... | Libellule | |
| Marie Gillain | ... | Betty | |
| Holly O'Brien | ... | Alice | |
| Marie-Renée Patry | ... | Fellini | |
| Marcel Sabourin | ... | Dr. Klebs |
Directed by | |||
| Philippe Muyl | |||
Produced by | |||
| Jean-Yves Asselin | .... | executive producer | |
| Jean-Yves Asselin | .... | line producer | |
| Daniel Marquet | .... | associate producer | |
| Maxime Rémillard | .... | producer | |
Cinematography by | |||
| Pierre Gill | |||
Film Editing by | |||
| Richard Comeau | |||
Casting by | |||
| Juliette Denis | |||
| Bruno Rosato | |||
Production Design by | |||
| Roger Martin | |||
Art Direction by | |||
| Martin Tessier | |||
Set Decoration by | |||
| Roger Martin | |||
Makeup Department | |||
| Brigitte Bilodeau | .... | key makeup artist | |
Production Management | |||
| Danny Rossner | .... | production manager | |
| Joe Yared | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Pierre Magny | .... | first assistant director | |
| Thomas Parkinson | .... | second assistant director | |
Art Department | |||
| Jean-Andre Carriere | .... | set designer | |
| Louisa Schabas | .... | set dresser | |
| Jerry Thevenet | .... | storyboard artist | |
Sound Department | |||
| Stéphane Bergeron | .... | sound re-recording mixer | |
| Jocelyn Caron | .... | adr and foley recordist | |
| Dominique Delguste | .... | adr mixer | |
| Guy Francoeur | .... | foley artist | |
| Benoit Leduc | .... | adr recordist | |
| Isabelle Lussier | .... | assistant sound re-recording mixer | |
| Gabor Vadnay | .... | sound recordist | |
Special Effects by | |||
| Carmelle Beaudoin | .... | special effects technician | |
| Jacques Godbout | .... | special effects supervisor | |
Visual Effects by | |||
| Manon Barriault | .... | visual effects line producer: Mokko Studio | |
| Danny Bergeron | .... | visual effects executive producer: Mokko Studio | |
| Arnaud Brisebois | .... | matte painter | |
| Geneviève Labelle | .... | digital compositor: Mokko Studio | |
| Alain Lachance | .... | lead compositor: Mokko Studio | |
| Alain Lachance | .... | visual effects supervisor: MOKKO Studio | |
| Yann Laliberte | .... | digital compositor: Mokko Studio | |
| Benjamin Ribière | .... | flame compositor | |
| Charles Richer | .... | digital compositor: Mokko Studio | |
| Charles Richer | .... | on-set supervisor: Mokko Studio | |
| Greg Rochon | .... | digital compositor | |
| Marc A. Rousseau | .... | visual effects producer: Mokko Studio | |
| Strob | .... | digital effects artist | |
Camera and Electrical Department | |||
| Alain Dahan | .... | epk cinematographer | |
| René Guillard | .... | gaffer | |
| Mathilde Savard-Cloutier | .... | second assistant camera | |
| Stephen Wells | .... | key grip | |
Casting Department | |||
| Adriana Caroli | .... | casting associate: New York | |
| Mike Migliara | .... | casting associate | |
| Stephanie Patrick | .... | casting assistant | |
| Debbie Santelli | .... | casting assistant | |
Music Department | |||
| Valérie Lindon | .... | music supervisor | |
| Bruno Mercere | .... | music recording mixer | |
Other crew | |||
| Phaedra Charlton | .... | production accountant | |
| Alain Dahan | .... | epk director | |
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| Saved! | Ray | Good Bye Lenin! | Junebug | Mamma Mia! |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section |
I can't express how bad this film really was, but I'll give it a go. I don't speak French and in this case it was a blessing. The story was flimsy, unrealistic and to be honest boring. The cast constantly flopped into song, and while I don't mind a musical, these 'songs' were so turgid and sickly I felt like puking on the spot. All sense of realism was discarded, no characterisation was attempted, and the main child actor was so irritating I just wanted to smack him in the face every time he appeared on screen. The only plus was that the photography wasn't terrible, and some of the Canadian scenery was nice. Someone in the cinema fell asleep so I assume I wasn't the only one who felt this way, and in fact my female companion agrees with my comments.
I'll be interested to see if anyone gives this a positive rating.