| Tony Leung Ka Fai | ... | Shatuo Zhong | |
| Chao Deng | ... | Pei Donglai | |
| Carina Lau | ... | Empress Wu Zetian | |
| Bingbing Li | ... | Shangguan Jing'er (as Li Bing Bing) | |
| Andy Lau | ... | Detective Dee | |
| Jean-Michel Casanova | ... | General Aspar (as Michel) | |
| Sos Haroyan | ... | Assistant to Umayyad Ambassador | |
| Jialin Zhao | ... | Interpreter | |
| Yan Qin | ... | Jia Yi | |
| Jinshan Liu | ... | Xue Yong | |
| Deshun Wang | ... | Xiazi Ling | |
| Shenming He | ... | Prison Officer | |
| Lu Yao | ... | Li Xiao | |
| Yanming Jiang | ... | Undertaker | |
| Huang Yonggang | ... | Zhang Xun | |
| Richard Ng | ... | Wang Lu - before face-lift | |
| Teddy Robin Kwan | ... | Wang Lu - after face-lift (as Teddy Robin) | |
| Xiao Chen | ... | Lu Li | |
| Liz Veronica Foo | ... | Wife of Jia Yi | |
| Nan Xu | ... | Chamberlain | |
| Jin Chai | ... | Qiu Shenji | |
| Yingxin Shen | |||
| Qian Jiang | |||
| Jialu Zhang | |||
| Hongjun Cheng | |||
| Xuehai Jiao | |||
| Ming Lu | |||
| Jinhu Jia | |||
| Zhengbing Yuan |
Directed by | |||
| Hark Tsui | |||
Writing credits(in alphabetical order) | ||
| Kuo-fu Chen | ||
| Lin Qianyu | original story | |
| Jialu Zhang | screenplay | |
Produced by | |||
| Felice Bee | .... | co-producer | |
| Peggy Lee | .... | producer | |
| Nansun Shi | .... | producer | |
| Hark Tsui | .... | producer | |
Original Music by | |||
| Peter Kam | |||
Cinematography by | |||
| Chi Ying Chan | (director of photography) | ||
| Chor Keung Chan | (director of photography) | ||
Film Editing by | |||
| Chi Wai Yau | |||
Production Design by | |||
| Sung Pong Choo | |||
Art Direction by | |||
| Chi Pang Terrance Chung | |||
Costume Design by | |||
| Bruce Yu | |||
Second Unit Director or Assistant Director | |||
| Hsun-Wei David Chang | .... | assistant director | |
Art Department | |||
| Tak Fu Chou | .... | set designer | |
| Yu Hang Tsang | .... | assistant art director | |
Visual Effects by | |||
| Yanming Jiang | .... | visual effects supervisor | |
| Phil Jones | .... | visual effects supervisor | |
| Changbae Kang | .... | visual effects | |
| Janghyung Kim | .... | senior effects technical director | |
| Jinny Ko | .... | effects technical director: AZworks | |
| Yong-gi Lee | .... | visual effects | |
| Sang-woo Nam | .... | visual effects | |
Stunts | |||
| Sammo Hung Kam-Bo | .... | action director | |
Camera and Electrical Department | |||
| Saeed Adyani | .... | still photographer | |
| Benjamin Childs | .... | still photographer | |
| Marc Ehrenbold | .... | camera operator | |
Editorial Department | |||
| Hideyuki Mako | .... | post production supervisor | |
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| Max Payne | Rush Hour 2 | Jiang shan mei ren | Batman Begins | Chuen jik sat sau |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb China section |
I loved many of Tsui Hark's epics from the 80s/90s, but haven't seen anything from the director recently, so I probably went in with fairly neutral expectations.
This was an enjoyable ride. Like others have noted, it's comparable to a Chinese "Sherlock Holmes" (the recent Guy Ritchie version), or a movie-length, Tang-dynasty-set "CSI". Overall, it was a rather original experience - more than I can say for most movies nowadays. There are several intriguing characters and the pace and acting are solid. While the central murder mystery - whodunnit and howdunnit - is not exactly a head-scratcher, it does provide a good structure for some exciting and beautiful visuals.
Was the CGI completely up to the director's vision? Definitely not, but to naysayers, I say, loosen up! The budget for this movie is less than that of a typical Jennifer Aniston romantic comedy! I appreciated and enjoyed the whole movie enough that I wasn't overly distracted by the not-so-special effects.