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Patrick Melton (screenplay) &
Marcus Dunstan (screenplay)
24 October 2008 (USA) more
You won't believe how it ends. more
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm is tested and follows all the leads he can get until it boils down to a gruesome and bone-crushing finale. | full synopsis
Lionsgate To Continue Saw Franchise
(From Screen Rant. 13 November 2009, 5:46 PM, PST)
Surprise! Saw VII Set For Release Next Halloween!
(From ReelzChannel. 13 November 2009, 1:54 AM, PST)
Not as good as previous installments more (237 total)
Directed by | |||
| David Hackl | |||
Writing credits | ||
| Patrick Melton | (screenplay) & | |
| Marcus Dunstan | (screenplay) | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | |||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Stephanie Gorin | |||
Production Design by | |||
| Anthony A. Ianni | (as Tony Ianni) | ||
Art Direction by | |||
| Elis Lam | (as Elis Y. Lam) | ||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Alex Kavanagh | |||
Makeup Department | |||
| Iantha Goldberg | .... | assistant makeup artist | |
| Stephanie Ingram | .... | key hair stylist | |
| Colin Penman | .... | makeup department head | |
| Sean Sansom | .... | special makeup effects lab technician | |
| Cathy Shibley | .... | assistant hair stylist | |
Production Management | |||
| Matt Cahill | .... | post-production supervisor | |
Art Department | |||
| Sam Agro | .... | storyboard artist | |
| Ronald Bunt | .... | carpenter | |
| Ed Butkus | .... | painter | |
| Douglas Catty | .... | carpenter | |
| John J. Fitzpatrick | .... | head laborer | |
| Ian Kuter | .... | carpenter | |
| Alan Letts | .... | construction coordinator | |
| Francis Livingston | .... | carpenter | |
| Jason Lunn | .... | leadman | |
| James R. Murray | .... | property master (as Jim Murray) | |
| Melissa Olson | .... | on set dresser: second unit | |
| Frank Perna | .... | painter | |
| Sorin Popescu | .... | assistant art director | |
| Sean Scoffield | .... | graphic designer | |
| Blair Slopek | .... | carpenter | |
| Adam Smith | .... | specialty prop fabricator | |
| Jay Sonderer | .... | painter | |
| Cherie Spencer | .... | set dresser | |
| Rob Valeriote | .... | head carpenter | |
| Ian C. Harris | .... | daily construction laborer (uncredited) | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Pat Cassin | .... | boom operator | |
| Bill Devine | .... | adr mixer | |
| Keith Elliott | .... | sound re-recording mixer | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | sound re-recording assistant | |
| Katie Halliday | .... | second assistant sound editor | |
| Jimmy Lifton | .... | adr facility | |
| Colin McLellan | .... | adr recordist | |
| Geoff Raffan | .... | dialogue editor | |
| John Douglas Smith | .... | supervising sound editor | |
| Aran Tanchum | .... | adr mixer | |
| Andrew Tay | .... | sound re-recording mixer | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
| Steve Neal | .... | adr stage assistant (uncredited) | |
Special Effects by | |||
| Jim Peacock | .... | special effects shop key | |
| Jeff Skochko | .... | special effects supervisor | |
| Steve Skochko | .... | special effects technician | |
| Brodie Spaull | .... | special effects technician | |
| Jason Detheridge | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| David Alexander | .... | CGI artist: Switch VFX | |
| Kemal Ally | .... | boujou tracking: Switch VFX | |
| Don Asido | .... | data technician: Switch VFX | |
| Jon Campfens | .... | visual effects supervisor | |
| Peter Denomme | .... | visual effects producer: Switch VFX | |
| Amir Eftekhari | .... | digital compositor: Switch VFX | |
| Gudrun Heinze | .... | digital compositor: Switch VFX | |
| Jason Kozsurek | .... | digital compositor | |
| Jef Lonn | .... | digital compositor: Switch VFX | |
| Seth Martiniuk | .... | digital compositor: Switch VFX | |
| Beau Parsons | .... | digital compositor | |
| Beau Parsons | .... | visual effects coordinator: Switch VFX | |
Stunts | |||
| Shelley Cook | .... | stunt coordinator | |
| Susan Horton | .... | stunt double | |
| Blair Johannes | .... | stunt double | |
Camera and Electrical Department | |||
| Steve Ferrier | .... | electrician | |
| Brian Gedge | .... | camera operator | |
| Kevin Michael LeBlanc | .... | first assistant camera | |
| Robert McRae | .... | gaffer | |
| Monty Montgomerie | .... | key grip | |
| Matthew Napier Andrews | .... | camera trainee | |
| Mike Ohorodnyk | .... | grip | |
| Derek Parkes | .... | best boy grip | |
| Jeremy Settles | .... | camera operator | |
| Steve Van Denzen | .... | grip | |
| Steve Wilkie | .... | still photographer | |
Casting Department | |||
| Misha Rasaiah | .... | casting assistant | |
| Jane Rogers | .... | extras casting | |
| Karen Williams | .... | casting associate | |
Costume and Wardrobe Department | |||
| Ciara Brennan | .... | key costume breakdown artist | |
| Roslyn Hanchard | .... | costume buyer | |
| Leslie Kavanagh | .... | costume set supervisor | |
| Stephanie Lees | .... | assistant costume designer | |
| Susan Nycz | .... | assistant costume set supervisor | |
Editorial Department | |||
| Andrew Coutts | .... | associate editor | |
| Rui Martins | .... | rushes telecine operator | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Chris Wallace | .... | digital intermediate colorist | |
| Motassem Younes | .... | digital intermediate editor | |
Music Department | |||
| Rob Bertola | .... | music editor | |
Transportation Department | |||
| Ben Cekuta | .... | driver | |
| Michael Gabourie | .... | driver | |
| Roland 'Buddy' McGrath | .... | transportation captain | |
| Susan McGrath | .... | driver | |
Other crew | |||
| Claire Adamson | .... | stand-in | |
| Beverley Bremner | .... | key craft service | |
| Cristin L. Cornett | .... | production coordinator | |
| Ashleigh Dac | .... | production assistant | |
| Cynthia Hiley | .... | assistant to director | |
| Kaleigh Kavanagh | .... | assistant to executive producer | |
| Tom Mayclim | .... | scan operator | |
| Amina Nathoo | .... | key craft service | |
| Barbara Pecs | .... | production accountant | |
| Jeremy Pinard | .... | stage manager | |
| Alicia Pleasence | .... | assistant production coordinator | |
| Nate Richmond | .... | production assistant | |
| Erick Salomon | .... | assistant: producers | |
| Nadia Sojak | .... | payroll accountant | |
| Carla Spizziri | .... | first assistant accountant | |
| Charles Taylor | .... | head armorer | |
| Elizabeth Tremblay | .... | script supervisor | |
| Dave Wood | .... | production assistant | |
| Kris Wood | .... | playback coordinator | |
Décadence V (Canada: French title) (dubbed version)
El juego del miedo 5 (Mexico) (Peru) [es]
El juego del miedo V (Argentina) (Venezuela) [es]
Пила 5 (Russia) [ru]
Jogos Mortais 5 (Brazil) [pt]
Pila V (Poland) (poster title) [pl]
Saag V (Estonia) [et]
Saw 5 - A Sucessão (Portugal) [pt]
Saw V (Greece) [el]
Saw V (France) [fr]
Slagalica strave 5 (Croatia) [hr]
Testere V (Turkey: Turkish title) [tr]
more
Rated R for sequences of grisly bloody violence and torture, language and brief nudity.
92 min | 95 min (unrated director's cut)
1.85 : 1 more
SDDS | Dolby Digital | DTS | DTS (Dolby 5.1)
USA:R (certificate #44624) | UK:18 | Australia:MA | Singapore:R21 | Ireland:16 | Canada:18A | New Zealand:R18 | Hong Kong:III | France:-16 | Norway:18 | Argentina:16 | Brazil:18 | Belgium:KNT | Portugal:M/18 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | Sweden:15 | South Korea:18 | Japan:R-15 | Australia:R (director's cut) | Australia:R (DVD) | Germany:18 (uncut) (theatrical release) | Netherlands:16 | South Africa:16LV | Ireland:18 (DVD rating) | Philippines:R-18 (MTRCB) | Finland:K-18 | Germany:18 (cut) (DVD release) | Germany:Not Rated (SPIO/JK) (uncut) (DVD release) | Germany:Not Rated (SPIO/JK) (unrated version) (uncut) | Austria:16 | Iceland:18
Danny Glover was offered a chance to reprise his role in a flashback. He had to decline because of shooting conflicts with the movie Blindness (2008). more
Revealing mistakes: In the part where Agent Strahm is in the room where Jigsaw was killed, when he (Strahm) unveils his phone, he tries to phone someone. When it says 'NO SIGNAL FOUND' if you look carefully at the top-right hand corner, it has 3 bars of reception. more
Agent Strahm: [last lines - to Hoffman] *I KNOW WHO YOU ARE! I KNOW!* more
Referenced in The Fatal Five (2009) (V) more
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| Saw IV | Saw III | The Fugitive | The Midnight Meat Train | Non ho sonno |
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While this is still a watchable, well acted movie that continues on the Saw tradition well I have to give it a lower rating because it just was not as good as the previous installments. The plot and the traps that we have come to be surprised by seemed to be a more predictable and rushed along by the makers of the movie. It seemed like this movie could have just been tossed in with part 4 to make one big movie as the prequel to the next part. So to me it seemed like the studio just split up 1 movie into 2 parts to capitalize on the profits....which they have done well I might add because myself and many other movie goers packed the theater for the 5th Saw installment. So in closing I think this movie may be adequate for the die hard saw fans, not nearly good enough for new comers, and winds up lacking far more than it gives. That is why I can only give this movie a 5 out of 10