| Photos (see all 23 | slideshow) | Videos (see all 17) |
Directed by | |||
| David Hackl | |||
Writing credits | ||
| Patrick Melton | (screenplay) & | |
| Marcus Dunstan | (screenplay) | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | |||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Stephanie Gorin | |||
Production Design by | |||
| Anthony A. Ianni | (as Tony Ianni) | ||
Art Direction by | |||
| Elis Lam | (as Elis Y. Lam) | ||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Alex Kavanagh | |||
Makeup Department | |||
| Iantha Goldberg | .... | assistant makeup artist | |
| Stephanie Ingram | .... | key hair stylist | |
| Colin Penman | .... | makeup department head | |
| Sean Sansom | .... | special makeup effects lab technician | |
| Cathy Shibley | .... | assistant hair stylist | |
Production Management | |||
| Matt Cahill | .... | post-production supervisor | |
Art Department | |||
| Sam Agro | .... | storyboard artist | |
| Ronald Bunt | .... | carpenter | |
| Ed Butkus | .... | painter | |
| Douglas Catty | .... | carpenter | |
| John J. Fitzpatrick | .... | head laborer | |
| Ian Kuter | .... | carpenter | |
| Alan Letts | .... | construction coordinator | |
| Francis Livingston | .... | carpenter | |
| Jason Lunn | .... | leadman | |
| James R. Murray | .... | property master (as Jim Murray) | |
| Melissa Olson | .... | on set dresser: second unit | |
| Frank Perna | .... | painter | |
| Sorin Popescu | .... | assistant art director | |
| Sean Scoffield | .... | graphic designer | |
| Blair Slopek | .... | carpenter | |
| Adam Smith | .... | specialty prop fabricator | |
| Jay Sonderer | .... | painter | |
| Cherie Spencer | .... | set dresser | |
| Rob Valeriote | .... | head carpenter | |
| Ian C. Harris | .... | daily construction laborer (uncredited) | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Pat Cassin | .... | boom operator | |
| Bill Devine | .... | adr mixer | |
| Keith Elliott | .... | sound re-recording mixer | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | sound re-recording assistant | |
| Katie Halliday | .... | second assistant sound editor | |
| Jimmy Lifton | .... | adr facility | |
| Colin McLellan | .... | adr recordist | |
| Geoff Raffan | .... | dialogue editor | |
| John Douglas Smith | .... | supervising sound editor | |
| Aran Tanchum | .... | adr mixer | |
| Andrew Tay | .... | sound re-recording mixer | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
| Steve Neal | .... | adr stage assistant (uncredited) | |
Special Effects by | |||
| Jim Peacock | .... | special effects shop key | |
| Jeff Skochko | .... | special effects supervisor | |
| Steve Skochko | .... | special effects technician | |
| Brodie Spaull | .... | special effects technician | |
| Jason Detheridge | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| David Alexander | .... | CGI artist: Switch VFX | |
| Kemal Ally | .... | boujou tracking: Switch VFX | |
| Don Asido | .... | data technician: Switch VFX | |
| Jon Campfens | .... | visual effects supervisor | |
| Peter Denomme | .... | visual effects producer: Switch VFX | |
| Amir Eftekhari | .... | digital compositor: Switch VFX | |
| Gudrun Heinze | .... | digital compositor: Switch VFX | |
| Jason Kozsurek | .... | digital compositor | |
| Jef Lonn | .... | digital compositor: Switch VFX | |
| Seth Martiniuk | .... | digital compositor: Switch VFX | |
| Beau Parsons | .... | digital compositor | |
| Beau Parsons | .... | visual effects coordinator: Switch VFX | |
Stunts | |||
| Shelley Cook | .... | stunt coordinator | |
| Susan Horton | .... | stunt double | |
| Blair Johannes | .... | stunt double | |
Camera and Electrical Department | |||
| Steve Ferrier | .... | electrician | |
| Brian Gedge | .... | camera operator | |
| Kevin Michael LeBlanc | .... | first assistant camera | |
| Robert McRae | .... | gaffer | |
| Monty Montgomerie | .... | key grip | |
| Matthew Napier Andrews | .... | camera trainee | |
| Mike Ohorodnyk | .... | grip | |
| Derek Parkes | .... | best boy grip | |
| Jeremy Settles | .... | camera operator | |
| Steve Van Denzen | .... | grip | |
| Steve Wilkie | .... | still photographer | |
Casting Department | |||
| Misha Rasaiah | .... | casting assistant | |
| Jane Rogers | .... | extras casting | |
| Karen Williams | .... | casting associate | |
Costume and Wardrobe Department | |||
| Ciara Brennan | .... | key costume breakdown artist | |
| Roslyn Hanchard | .... | costume buyer | |
| Leslie Kavanagh | .... | costume set supervisor | |
| Stephanie Lees | .... | assistant costume designer | |
| Susan Nycz | .... | assistant costume set supervisor | |
Editorial Department | |||
| Andrew Coutts | .... | associate editor | |
| Rui Martins | .... | rushes telecine operator | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Chris Wallace | .... | digital intermediate colorist | |
| Motassem Younes | .... | digital intermediate editor | |
Music Department | |||
| Rob Bertola | .... | music editor | |
Transportation Department | |||
| Ben Cekuta | .... | driver | |
| Michael Gabourie | .... | driver | |
| Roland 'Buddy' McGrath | .... | transportation captain | |
| Susan McGrath | .... | driver | |
Other crew | |||
| Claire Adamson | .... | stand-in | |
| Beverley Bremner | .... | key craft service | |
| Cristin L. Cornett | .... | production coordinator | |
| Ashleigh Dac | .... | production assistant | |
| Cynthia Hiley | .... | assistant to director | |
| Kaleigh Kavanagh | .... | assistant to executive producer | |
| Tom Mayclim | .... | scan operator | |
| Travis McConnell | .... | set production assistant | |
| Amina Nathoo | .... | key craft service | |
| Barbara Pecs | .... | production accountant | |
| Jeremy Pinard | .... | stage manager | |
| Alicia Pleasence | .... | assistant production coordinator | |
| Nate Richmond | .... | production assistant | |
| Erick Salomon | .... | assistant: producers | |
| Nadia Sojak | .... | payroll accountant | |
| Carla Spizziri | .... | first assistant accountant | |
| Charles Taylor | .... | head armorer | |
| Elizabeth Tremblay | .... | script supervisor | |
| Dave Wood | .... | production assistant | |
| Kris Wood | .... | playback coordinator | |
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| Saw IV | Saw III | The Fugitive | The Midnight Meat Train | Non ho sonno |
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I watched Saw V with a good opening night crowd here in Sydney. I've enjoyed all of the Saw films, predictably liking some episodes a lot more than others, and Saw V is, again, very watchable, with some intense moments and no shortage of grisliness. But I'd still say it's the weakest entry in the series to date. The trouble is that the main narrative addition for this episode, which has to sustain half the running time, turns out to be a dramatically weak one. I don't think a Saw film ever previously failed to create excitement or new meaning via one of its big twisty revelations, but Saw V's add next to nothing. The knowledge gained doesn't force any re-evaluation of the past events it concerns; you just see and know a bit more about them, and to no great effect, except for the fact that Tobin Bell's performance is always compelling, maybe even more so when he's talking to people who aren't stuck in Jigsaw's deathtraps.
The Saw films have demonstrated an unfeasibly high success rate over time in terms of pulling off twist after twist and having them nearly all hit home. With this track record, it seems inevitable that there'd be a significant stumble at some point. They've never been bulletproof films (and thrillers are the genre that are hardest to bulletproof), but I'd say Saw V is definitely the stumble. In spite of this, it still keeps in enough with the series in general for me to be ready for Saw VI in 2009 - which I hope will be better work.