| Jackson Antunes | ... | Pai | |
| Aninha Bimba | ... | Mãe da Menina Morta | |
| Conceição Camaroti | ... | Das Graças (as Conceição Camarotti) | |
| Bita Catão | ... | Cabocla (as Bitta Catão) | |
| Juliano Cazarré | ... | Tadeu | |
| Daniel de Oliveira | ... | Santinho | |
| Laureane Gomes | ... | Lúcia | |
| Paulo José | ... | Padre | |
| Cássia Kiss | ... | Mãe | |
| Rosa Malagueta | ... | Malagueta | |
| Dira Paes | ... | Diana | |
| Papaguara | ... | Seu Ciço | |
| Ednelsa Sahdo | ... | Tia (as Ednelza Sahdo) | |
| Douglas Teixeira | ... | Índio Breaker |
Directed by | |||
| Matheus Nachtergaele | |||
Writing credits(in alphabetical order) | ||
| Hilton Lacerda | writer | |
| Matheus Nachtergaele | writer | |
Produced by | |||
| Vânia Catani | .... | producer | |
| Rui Pires | .... | executive producer | |
Original Music by | |||
| Matheus Nachtergaele | |||
Cinematography by | |||
| Lula Carvalho | |||
Film Editing by | |||
| Cao Guimarães | |||
| Karen Harley | |||
Art Direction by | |||
| Renata Pinheiro | |||
Production Management | |||
| André Montenegro | .... | production manager | |
| Gustavo Ribeiro | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Janaina Ferreira | .... | second assistant director | |
| Kity Féo | .... | first assistant director | |
| Marina Puech Leão | .... | breakdown assistant director | |
| Paula Lima | .... | second assistant director | |
Sound Department | |||
| Tiago Bello | .... | foley editor | |
| Ricardo Cutz | .... | sound re-recording mixer | |
| Sergio Guidoux Kalil | .... | foley mixer | |
| Jesse Marmo | .... | sound re-recording mixer assistant | |
| Felipe Burger Marques | .... | foley artist | |
| Frederico Massine | .... | boom operator | |
| Paulo Ricardo Nunes | .... | sound recordist | |
| Vampiro | .... | boom operator | |
| Waldir Xavier | .... | sound editor | |
Visual Effects by | |||
| Luis Ignacio Barrague | .... | conforming editor | |
| Marcelo Ferreira PeeJay | .... | digital effects artist | |
| Fabian Gamarra | .... | data manager | |
| Rogério Marinho | .... | visual effects | |
| Karina Vanes | .... | post production coordinator | |
| Ariel Wollinger | .... | film scanning and recording supervisor | |
| Mariana Zdravca | .... | post production coordinator | |
Camera and Electrical Department | |||
| Israel Basso | .... | grip | |
| Gabriel Hoffmann | .... | assistant camera | |
| Gabriel Hoffmann | .... | vtr operator | |
| Ulisses Malta Jr. | .... | gaffer | |
Editorial Department | |||
| Fábio Fatorelli | .... | assistant editor | |
| Fabian Remy | .... | assistant editor | |
Other crew | |||
| Henrique Castelo Branco | .... | location manager | |
| Jair Neto | .... | production assistant | |
| Leandro Scorsafava | .... | archival supervisor | |
Thanks | |||
| Laura Wu | .... | thanks | |
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| Rainhas | Eu Não Quero Voltar Sozinho | Carandiru | Café com Leite | Meu Nome Não É Johnny |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Brazil section |
Brazilian film industry keeps selling the same sort of movies. Is this disturbing and brutal perspective becoming the new face of Brazilian movies? Hope not. When I first heard about this film directed by a fantastic actor I thought that it'd be absolutely innovating. But I'm afraid that is not true. The brutality brought in makes it very hard to stand. That's why it reminds me of Claudio Assis. And that is why it is quite disappointing. Oliveira plays a tricky character and now and then commits a few acting mistakes. Furthermore the mix of hopelessness and violence does not match the beautiful film location at all! Brazil doesn't always have to be shown in a mystical, raw and tough way. I think we've had enough of these dark impressions. Salute.