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Mic Macs à Tire-Larigot (2009)

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A man and his friends come up with an intricate and original plan to destroy two big weapons manufacturers.

Director:

(as Jean Pierre Jeunet)

Writers:

(scenario) (as Jean Pierre Jeunet), (scenario) | 1 more credit »
5 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Marie-Julie Baup ...
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Nicolas Marié ...
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Urbain Cancelier ...
Le gardien de nuit de Marconi
Patrick Paroux ...
Gerbaud
Jean-Pierre Becker ...
Stéphane Butet ...
Matéo
Philippe Girard ...
Gravier
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Storyline

Avid movie-watcher and video store clerk Bazil has had his life all but ruined by weapons of war. His father was killed by a landmine in Morocco and one fateful night a stray bullet from a nearby shootout embeds itself in his skull, leaving him on the verge of instantaneous death. Losing his job and his home, Bazil wanders the streets until he meets Slammer, a pardoned convict who introduces him to a band of eccentric junkyard dealers including Calculator, a math expert and statistician, Buster, a record-holder in human cannonball feats, Tiny Pete, an artistic craftsman of automatons, and Elastic Girl, a sassy contortionist. When chance reveals to Bazil the two weapons manufacturers responsible for building the instruments of his destruction, he constructs a complex scheme for revenge that his newfound family is all too happy to help set in motion. Written by The Massie Twins

Plot Summary | Add Synopsis

Genres:

Action | Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for some sexuality and brief violence | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

11 June 2010 (USA)  »

Also Known As:

Micmacs  »

Filming Locations:

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Box Office

Budget:

€27,000,000 (estimated)

Opening Weekend:

£182,529 (UK) (28 February 2010)

Gross:

$1,260,917 (USA) (17 October 2010)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The director himself describes his film as a cross between Delicatessen (1991) and Amélie (2001). See more »

Goofs

When Bazil picks up the brass to determine who manufactured the ammunition which struck him in the head, the name of the manufacturer is stamped on the back of the brass, as is the norm, but there is no primer. Instead, the stamp occupies the entire surface. See more »

Connections

References Lethal Weapon 4 (1998) See more »

Frequently Asked Questions

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User Reviews

Exhilarating bag of tricks
16 February 2010 | by (United Kingdom) – See all my reviews

By the director of Delicatessen and Amelie, this is closer to the earlier one. It's that mad jumble of images and daring camera-work again. And again it turns out to be a film quite unlike the one you were expecting. I'm sure someone has said this somewhere already, but it's worth repeating. I'm talking about Fellini on acid.

After an electrifying prologue in which our hero is orphaned, the screen explodes into a big-budget retro Hollywood opening and the story begins.

Almost right away our man Bazil, played by star of the French screen Danny Boon, is wounded by a stray bullet, losing his job after a long spell in hospital. He's saved from oblivion by a family of freaky misfits who live underground, surviving by rescuing the junk society throws out and giving it new life.

What Bazil really wants is to get his own back on the two arms manufacturers who messed up his life, and his new friends are the perfect mates for carrying out such a scheme. They include a human cannonball, a numbers genius, a circus contortionist and a robot inventor, and their plots are just as wacky as they are.

Talking of plots, the story, packed though it is with fantastic imagery as if it were a story about bad adults written by very clever children, races along regardless. The scene where Bazil gets shot is itself so much more than a simple zap with a bullet. It's a short film in itself, and the whole thing is full of chunks like that. It really is too much to eat at one sitting, and I would recommend a second look. You'll probably see me there, in the front row, my jaw in my lap.


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