| Brad Ashby | ... | Jimbo | |
| Mia Wasikowska | ... | Sarah Jane | |
| Vladimir Matovic | ... | Joey | |
| Beau South | ... | Rory | |
| Peter Yacoub | ... | Gram | |
| Richard Mueck | ... | Zombie | |
| Anton Enus | ... | Newsreader |
Directed by | |||
| Spencer Susser | |||
Writing credits(in alphabetical order) | ||
| David Michôd | writer | |
| Spencer Susser | writer | |
Produced by | |||
| Nash Edgerton | .... | executive producer | |
| Angie Fielder | .... | producer | |
| Mike Seymour | .... | executive producer | |
| Spencer Susser | .... | executive producer | |
Original Music by | |||
| Michael Lira | |||
Cinematography by | |||
| Adam Arkapaw | |||
Film Editing by | |||
| Spencer Susser | |||
Casting by | |||
| Kirsty McGregor | |||
Production Design by | |||
| Claire Granville | |||
Costume Design by | |||
| Matthew Stegh | |||
Makeup Department | |||
| Paul Katte | .... | special makeup effects supervisor | |
| Nick Nicolaou | .... | special makeup effects supervisor | |
Second Unit Director or Assistant Director | |||
| Jeremy Grogan | .... | assistant director | |
Sound Department | |||
| Ted Caplan | .... | sound designer | |
| John Hardine | .... | sound mixer | |
| Luke Mynott | .... | sound designer | |
| Sasha Zastavnikovic | .... | sound designer | |
Visual Effects by | |||
| Jay Cornelius | .... | visual effects | |
| Rose Draper | .... | matte painting | |
| Alex Fry | .... | visual effects supervisor: Babyfoot Productions | |
| Elliot Goodman | .... | digital artist: Babyfoot Productions | |
| Rumaldo Holguin | .... | visual effects | |
| Harry Hunsberger | .... | visual effects | |
| Matt Leonard | .... | 3D artist | |
| Eric Mainzer | .... | visual effects | |
| John Montgomery | .... | visual effects | |
| Tahl Niran | .... | visual effects | |
| Michael Ralla | .... | digital compositor: Babyfoot Productions | |
| Mike Seymour | .... | visual effects supervisor | |
| Jimmy Shen | .... | visual effects editor | |
| Stuart Willis | .... | visual effects producer: Babyfoot Productions | |
| Victor Wolansky | .... | camera/body tracking | |
Stunts | |||
| Nash Edgerton | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kieran Darcy-Smith | .... | still photographer | |
| Adam Kuiper | .... | key grip | |
| Richard Narramore | .... | Steadicam operator | |
Editorial Department | |||
| Luke Doolan | .... | additional editor | |
| Nash Edgerton | .... | additional editor | |
Thanks | |||
| Lucy Cooper | .... | special thanks | |
| Aaron Downing | .... | special thanks | |
| Fuschia Sumner | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| See I Love Sarah Jane on You Tube | ragazza_fortunata |
| Inspired by Gummo? | jonmars |
| Closing music | wolfdaddy74701 |
| Available on Netflix instant viewing | TracesOfLove |
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| Thumbsucker | Animal Kingdom | King Arthur | Aquamarine | Hocus Pocus |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb Australia section |
This film has done what so many short films and feature films fail to do. it's created a world of its own that has depth. it's created characters with believable actions and reactions. and it creates a free flowing story that progresses naturally through the film.
i've read several reviews that complain about the amount of cussing that the kids do in the film. if this offends you, then you're probably out of your depth watching a genre film to begin with, and if you don't think this is realistic behaviour then you don't know kids (real kids). if you left a handful of kids to their own devices in a post apocalyptic world, what do you think they'd get up to? they'd torture zombies with whatever tools they can get their hands on. they'd swear. they'd drink beer. they'd do anything they wanted, particularly the things they'd been told never to do.
i can't explain how impressed i was by this short film, and i sincerely hope it leads to great success and further features from the writers and director.