Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture ... See full summary »
Follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.
A story of friendship, a retrospective, and a look at haute couture as business: we watch Valentino Garavani (1932- ) and partner Giancarlo Giammetti from preparation for the 2006 Spring/Summer Collection in Paris to a July 2007 retrospective of Valentino's 45-year career, which included dressing Jacqueline Kennedy. The film documents a year of work, shows, business changes, and decisions. We follow a creation from sketch to runway: he's always in pursuit of beauty. We're in Paris, Rome, and Venice. He receives the French Legion of Honor medal; his acceptance speech brings tears. Reporters ask when he'll retire. Is the Roman retrospective his career's finale? Cue Puccini. Written by
As told to Elvis Mitchell on KCRW's The Treatment (May 6, 2009), Director Matt Tyrnauer recounted that the film almost never made it to a commercial release. Both Giancarlo and Valentino hated the film on first viewing during a private screening in London and "were completely in shock". Although Tyrnauer had final cut, it took him over five months of negotiations before finally showing the film at the Venice film festival. At Venice the entire audience stood and gave a standing ovation to Valentino after the screening and Valentino apparently now loves the film. See more »
In the closing credits, the archival footage from ZIEGFELD GIRL is credited as a "Warner Brothers" movie. It was an MGM movie but is released on home video by Warner Home Video. See more »
Well, we don't want to have nasty rails do we?
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A fascinating look behind the scenes at the man who always dreamed of beautiful things.
The peek into the emotions and thoughts of Valentino was a rare treasure. Usually we just see the finished product, not the process.
One thing that is clear in the process is the driven nature of Valentino. He is always dressed and acts as if he is on display. He cannot relax for a moment. He once comments he worked 40 hours straight. As someone who worked 23 hours straight once, I applaud that. But one has to think that a multimillionaire can relax sometime. Not Valentino.
He may not have been happy giving permission to enter his world, but we are richer for it.
You certainly don't have to be gay to work in this industry, but it sure helps as you stare at breasts all day.
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