Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Sam Bell has a three year contract to work for Lunar Industries. For the contract's entire duration, he is the sole employee based at their lunar station. His primary job responsibility is to harvest and periodically rocket back to Earth supplies of helium-3, the current clean and abundant fuel used on Earth. There is no direct communication link available between the lunar station and Earth, so his only direct real-time interaction is with GERTY, the intelligent computer whose function is to attend to his day to day needs. With such little human contact and all of it indirect, he feels that three years is far too long to be so isolated; he knows he is beginning to hallucinate as the end of his three years approaches. All he wants is to return to Earth to be with his wife Tess and their infant daughter Eve, who was born just prior to his leaving for this job. With two weeks to go, he gets into an accident at one of the mechanical harvesters and is rendered unconscious. Injured, he ... Written by
The name of the Lunar station, and written on one of the mineral tubes that Sam unloads from the mining machine has the word Sarang written in English and Korean. Sarang is Korean for "love". Sarang also means peacock in Sanskrit language, and means nest in the Malay language as well. See more »
In some scenes outside the station the dust moves as if there was an earth-like atmosphere. See more »
[Sam is making a video phone call from the Moon to his home on Earth, while covering the camera with his hand]
Is this the Bell residence?
This is the Bell residence. Could you call back? There's something wrong with the picture.
I'm trying to reach Tess Bell.
I'm sorry, she passed away some years ago.
Are you sure?
Yeah, I think so. I'm her daughter. Can I help you?
[...] See more »
The letters in the credits at the beginning of the movie, are sitting parallel to the surfaces that are shown and are also casting shadows/reflections on these surfaces. See more »
I saw this last night and it was fabulous. It's hard to discuss for fear of giving away any spoilers but I'll try.
I thought it a magnificent film and when compared to the bloated, nonsensical 'lets have more pointless explosions' of Transformers 2 it shows that you can still have such thought, style and cleverness in a film for a fraction of the budget.
Normally with the independent art-house films they are set on Glaswegian council estates. If remotely sci-fi they are almost forced to have a horror - sex element to help them sell to the teen market.
This was so refreshing for demonstrating genuine craft and story telling. A film that even as your mind is racing ahead to predict the typical ABC outcome of film, manages to keep surprising you.
There were no silly twists or WTF moments to make up for the writers lack of logic and it offered a subject matter that resonated with you long after.
Sam's performance was stellar but it is frustrating that one can't elaborate for fear of giving stuff away. I know the film didn't have a big cinema push, well certainly not in the UK, and was only out to piggy back the anniversary of the lunar landings, but I really hope it gets some more exposure.
Sam deserves recognition for his talent as does the writer and director. I've enjoyed some good films this year but that was certainly the freshest, most inventive and well executed one that I've seen so far.
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