| Videos (see all 5) |
| Karin Viard | ... | Marie-Laurence 'ML' Claverne | |
| Dany Boon | ... | Piotr | |
| Marina Foïs | ... | Mélanie Carcassonne | |
| Patrick Bruel | ... | Le docteur Alain Carcassonne | |
| Emmanuelle Seigner | ... | Sarah Mattei | |
| Christopher Thompson | ... | Lucas Mattei | |
| Marina Hands | ... | Juliette | |
| Patrick Chesnais | ... | Erwann | |
| Blanca Li | ... | Manuela | |
| Laurent Stocker | ... | Jean-Louis Mauzard | |
| Pierre Arditi | ... | Henri | |
| Jeanne Raimbault | ... | Doris | |
| Isabelle Cagnat | ... | Mme Bollet | |
| Marc Rioufol | ... | Daniel Laurent | |
| Cyrille Eldin | ... | Le démonstrateur (as Cyrille Eldiri) | |
| Michèle Brousse | ... | Mme Andrieux | |
| Michel Motu | ... | M. Andrieu | |
| Guillaume Durand | ... | Guillaume Durand | |
| Zahia Said | ... | L'infirmière | |
| Anne Agbadou-Masson | ... | L'attachée de presse (as Anne Agbdou Masson) | |
| Paul Bonfiglio | ... | Le fromager | |
| Stéphane Lauret | ... | Le vendeur Lagonda | |
| Georges Roche | ... | Le maître d'hôtel | |
| Sonia Dufeu | ... | Femme restaurant | |
| David Lasserre | ... | Professeur danse | |
| Jérémy Bardeau | ... | L'interne | |
| Julie Villers | ... | La réceptionniste | |
| Pedro Ramirez Rey | ... | Danseur flamenco | |
| Juan Pedro Delgado | ... | Danseur flamenco | |
| Javier Cobo Nebrera | ... | Danseur flamenco | |
| José Maria Maldonado | ... | Danseur flamenco | |
| Segui | ... | Danseur flamenco | |
| rest of cast listed alphabetically: | |||
| Claire Chazal | ... | Elle-même - à la TV | |
| Eric Moreau | ... | (uncredited) | |
| Jenny Rieu | ... | Spectatrice #7 (uncredited) | |
Directed by | |||
| Danièle Thompson | |||
Writing credits(in alphabetical order) | ||
| Christopher Thompson | writer | |
| Danièle Thompson | writer | |
Produced by | |||
| Christine Gozlan | .... | producer | |
| David Poirot-Gozlan | .... | executive producer | |
| Alain Terzian | .... | producer | |
Original Music by | |||
| Nicola Piovani | |||
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Sylvie Landra | |||
Casting by | |||
| Constance Demontoy | |||
Production Design by | |||
| Michèle Abbé-Vannier | |||
Art Direction by | |||
| Benoît Bechet | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Stéphane Desmarez | .... | key hair stylist | |
| Sylvie Lonchamp | .... | makeup artist: extras | |
| Karine Meyer | .... | key makeup artist | |
| Kay Philips | .... | key hair stylist | |
Production Management | |||
| Boris Azemar | .... | trainee unit manager | |
| Nathalie Chery | .... | assistant unit manager | |
| Yvon Crenn | .... | production manager | |
| Alex Grden | .... | assistant production manager | |
| Nicolas Mestrallet | .... | assistant unit manager | |
| Gatien Nida | .... | assistant unit manager | |
Art Department | |||
| François Barre | .... | key construction grip | |
| Pascal Chevé | .... | plasterer | |
| François Combastel | .... | construction coordinator | |
| Thierry Doerflinger | .... | plasterer | |
| Pascal Fasola | .... | painter | |
| Antoine Martial | .... | key carpenter | |
| Pascal Martin | .... | property master | |
| Liliane Vos-Conil | .... | key painter | |
| Catherine Werner-Schmidt | .... | set decorator | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Philippe Dongé | .... | sound mix technician | |
| Jean-Pierre Duret | .... | sound | |
| Eric Ferret | .... | foley recordist | |
| Alexandre Hecker | .... | foley editor | |
| Micki Joanni | .... | synchron editor | |
| Pierre-Jean Labrusse | .... | assistant foley recordist | |
| Frédéric Le Louet | .... | supervising sound editor | |
| Alain Lévy | .... | post synchronization | |
| Avril Noviant | .... | boom operator | |
| Florian Penot | .... | assistant foley artist | |
| Philippe Penot | .... | foley artist | |
| Julien Perez | .... | sound re-recording mixer | |
| Igor Thomas-Gerard | .... | dialogue editor | |
Visual Effects by | |||
| Anais Bertrand | .... | visual effects coordinator | |
| Alain Carsoux | .... | visual effects supervisor | |
| Florian Chauvet | .... | visual effects coordinator | |
| Jean-Nicolas Costa | .... | digital compositor | |
| Natalène Darfeuille | .... | visual effects production assistant | |
| Bertrand de Saint Seine | .... | titles and credits | |
| Christophe Dehaene | .... | digital compositor | |
| Ludivine Ducrocq | .... | production administration | |
| Vincent Frei | .... | digital compositor | |
| David Gourmaud | .... | visual effects editor | |
| Aurélien Grand | .... | retouch and restoration | |
| Guillaume Le Gouez | .... | digital compositor | |
| Elodie Ly Tri | .... | retouch and restoration | |
| Jean-Francois Michelas | .... | digital compositor | |
| Frank Petit | .... | digital compositor | |
| Joel Pinto | .... | visual effects supervisor | |
| Elisa Pretta | .... | digital compositor | |
| Etienne Salançon | .... | digital compositor | |
| Christian Simon | .... | digital compositor | |
| Jeremy Séguin | .... | digital compositor | |
Casting Department | |||
| Jen Dabancens | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Amelie Caillart-Milhau | .... | set costumer | |
| Camille Janbon | .... | assistant costume designer | |
| Sylvie Néant | .... | set costumer | |
Editorial Department | |||
| Nafi Dicko | .... | assistant editor | |
| Soline Guyonneau | .... | assembly editor | |
| Fabien Napoli | .... | colorist: dailies | |
| Fabien Pascal | .... | colorist | |
| Edouard Perchet | .... | trainee assistant editor | |
Music Department | |||
| Alexandre Hecker | .... | music editor | |
| Valérie Lindon | .... | music supervisor | |
| Nicola Piovani | .... | conductor | |
| Aidan Zammit | .... | musician: keyboards, programming | |
Other crew | |||
| Aurélie David | .... | assistant script | |
| Florent Durand | .... | assistant location manager | |
| Charlotte Frances | .... | production coordinator | |
| Agathe Grau | .... | script supervisor | |
| Giuseppe Leanza | .... | caterer | |
| Elsa Maillet | .... | production assistant | |
| Dominique Segall | .... | press attache | |
| Julien Segard | .... | set production assistant: trainee | |
| Pierre Selinger | .... | production attorney | |
| Fang Sun | .... | production assistant | |
| Fabrice Touze | .... | production administrator | |
Thanks | |||
| Roman Polanski | .... | thanks | |
| Christopher Thompson | .... | thanks | |
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| Rois et reine | La règle du jeu | Potiche | Persepolis | Saving Face |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
In this French comedy directed by Danièle Thompson and written by Danièle Thompson and Christopher Thompson, the story centers around a summer dinner party where ten acquaintances come together for food, wine, and friendship, while trying to cover up their own personal troubles. Consisting of mostly middle aged couples, if they are not having affairs, they are dissatisfied with their life, or going through family issues. With an all-star ensemble cast from France, the characters each have their own story which are intertwined with one another.
I admit I'm generally turned off by "comedies" involving infidelity. There are always some dislikeable characters, the "comedy" isn't really funny, and rarely have I ever seen a good ending. The poster for Change of Plans displayed multiple characters from the chest down playing footsies under a dinner table, which reminded me of a typical episode from Three's Company. Add to that, a film that boasts an "ensemble cast" usually suffers from a lack of focus and over-simplified storytelling. To add, this is a French film, whereas a subject like this is as typical as a British outdoor breakfast scene on PBS.
Unexpectedly, though, I enjoyed this film. True, there's a typicality to the situations in this film, but it was well-executed. I appreciated the snappy dialogue, the character interactions, and the surprisingly poignant moments. Its wit is sharper than many films of this ilk. The characters react realistically. Dialogue drives this film more than the situations. Admittedly, the characters are relatively jaded and cynical, which adds to the humor. I found it interesting that the film isn't as interested in the affairs of the characters as much as it is about reconciliation. Advertisement
While the centerpiece of this film is the dinner party amongst a group of friends and colleagues, a good chunk of the film is shown in flashbacks, revealing back stories of many of the characters, as well as the relationships that develop after the party. We are told these middle-aged characters have children, but we never see themperhaps it helps the film keep its focus. We are introduced to ML (Karin Viard), a divorce lawyer, who hosts the dinner party. The guests consist of her teacher Manuela (Blanca Li) from her flamenco class, her husband Piotr (Dany Boon), and her younger sister Juliette (Marina Hands), a costume designer who is dating a much older man Erwann (Patrick Chesnais). There's also the kitchen designer Jean-Louis (Laurent Stocker) who designed ML's new kitchen, oncologist Alain (Patrick Bruel) and his gynecologist wife, Melanie (Marina Fois), who secretly wants to end their marriage and run off with her lover. Attorney Lucas (Christopher Thompson) arrives to the party with his wife Sarah (Emmanuelle Seigner), who is Piotr's old college flame. An unexpected guest is ML's father, Henri (Pierre Arditi), who has had a strained relationship with Juliette ever since he had run off from the family.
Thompson manages to keep the stories working together logically. When characters change, it's realistic. The film moves at a leisure pace, but is always interesting thanks to the film's characters, dialogue, and occasional poignant surprises. Admittedly, those who already have problems with talky French films with subtitles will not have their minds changed here. I enjoyed the zigzag table conversations and different topics that go off tangent. I liked how the film didn't try to be too comedic. There are some great emotional scenes, such as the ones between Henri and Juliette. The actors and actresses all bring fine performances. It's true that these are not stories I normally gravitate towards, but the film's little surprises, wit, and characters made the experience more than palatable.
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