Up in the Air (2009/I)

Director:

Jason Reitman

Writers (WGA):

Jason Reitman (screenplay) and
Sheldon Turner (screenplay) ...

Release Date:

25 December 2009 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

Arriving this December

Plot:

With a job that has him traveling around the country firing people, Ryan Bingham leads an empty life out of a suitcase, until his company does the unexpected: ground him.

Plot Keywords:

Airport | Economics | Corporation | Business | Airplane

Awards:

Nominated for 6 Golden Globes. Another 17 wins & 27 nominations

US Showtimes:

The Bridge: Cinema de lux

11:45am | 2:15pm | 4:45 | 7:15 | 8:45 | 9:45

(personalize)

Cast

George Clooney	...	Ryan Bingham
Vera Farmiga	...	Alex Goran
Anna Kendrick	...	Natalie Keener
Jason Bateman	...	Craig Gregory
Amy Morton	...	Kara Bingham
Melanie Lynskey	...	Julie Bingham
J.K. Simmons	...	Bob
Sam Elliott	...	Maynard Finch
Danny McBride	...	Jim Miller
Zach Galifianakis	...	Steve
Chris Lowell	...	Kevin
Steve Eastin	...	Samuels
Marvin Young	...	Himself (as Young MC)
Lucas MacFadden	...	Conference DJ (as Cut Chemist)
Adrienne Lamping	...	Tammy

Also Known As:

Mileage, My Life (Japan: English title) [en]
Tra le nuvole (Italy) [it]
V zraku (Slovenia) [sl]

MPAA:

Rated R for language and some sexual content.

Runtime:

USA:109 min | Canada:108 min (Toronto International Film Festival)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

UK:15 | USA:R (certificate #45561) | New Zealand:M | Ireland:15A | Canada:14A (Alberta/Manitoba/Ontario) | Canada:PG (British Columbia) | Japan:G | Canada:G (Quebec)

Filming Locations:

Affton High School, Affton, Missouri, USA

Company:

Cold Spring Pictures

Trivia:

With the exception of the famous actors, every person we see fired in the film is not an actor but a real life recently laid off person. The filmmakers put out ads in St. Louis and Detroit posing as a documentary crew looking to document the effect of the recession. When people showed up, they were instructed to treat the camera like the person who fired them and respond as they did or use the opportunity to say what they wished they had.

Goofs:

Errors in geography: The bar where Ryan first meets Alex is supposed to be in a Dallas airport hotel, but there is a full size Houston Oilers football helmet prominently on display instead of a Dallas Cowboys helmet. Also, the Houston Oilers played their last game in 1996 before the franchise moved to Tennessee, making the helmet even more out of place.

Quotes:

Ryan Bingham: How much does your life weigh? Imagine for a second that you're carrying a backpack. I want you to pack it with all the stuff that you have in your life... you start with the little things. The shelves, the drawers, the knickknacks, then you start adding larger stuff. Clothes, tabletop appliances, lamps, your TV...

George Clooney + Jason Reitman = classic rom-com hit

I attended the World Premiere of "Up in the Air" at the 2009 Toronto International Film Festival. Co-written (with Sheldon Turner), directed, and produced by Academy Award-nominee Jason Reitman from a Walter Kim novel, the film features an all-star cast including George Clooney, Jason Bateman, Anna Kendrick, Vera Farmiga, and Melanie Lynskey.

Ryan Bingham (Clooney) spends most of his life in hotels, airports, and on planes -- "up in the air." When companies need to downsize but don't have the cojones to send in their own people to do it, he's the one they're hiring to do the firing -- hatchet man at-large. It's not a life that lends itself to love -- trees need ground in which to grow. It's a classic rom-com premise that has all the makings of a hit.

The film is primarily a vehicle for George Clooney and he's easily up to the task. There's quite a bit of sadness, though, which was unexpected. But a tour de force for Clooney and a clever script make it memorable. Co-star Anna Kendrick is a star to be reckoned with.

"Up in the Air" is clearly Reitman's vision and he's assembled a team that executes it perfectly. There are no bells and whistles here -- visuals take a back seat to the performers, and Eric Steelberg's cinematography is observant but not intrusive. Dana E. Glauberman's editing is efficient and economical.

This film is so incredibly mass appeal that I can't imagine anyone not enjoying it. The audience was rolling in the aisles. Jason Reitman does it again with a true crowd pleaser.