In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war, discovering her full powers and true destiny.
In the near future, Major Motoko Kusanagi (Scarlett Johansson) is the first of her kind: A human saved from a terrible terrorist attack, who is cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people's minds and control them, Major Kusanagi is uniquely qualified to stop it. As she prepares to face a new enemy, Major Kusanagi discovers that she has been lied to: her life was not saved, it was stolen. She will stop at nothing to recover her past, find out who did this to her and stop them before they do it to others. Written by
The film credits contain a remixed version of Kenji Kawai's soundtrack from the original film. It is not the first time the music has been remixed as "Beneath the Mask" by Kenji Kawai and Makai was a drum and bass version from 1998. Oddly, the UK release of the original film had alternate music on the credits - "Three Minute Warning" by Brian Eno and The Edge. See more »
When Cutter confronts Aramaki in his office from across the desk, Cutter's hands don't match. When the camera is behind Cutter, his hands are balled up and he is leaning on the desk on his knuckles. When the camera is behind Aramaki, Cutter's hands are flat and he is leaning on the desk with his fingers straight. See more »
Oxygen levels are dropping... Brain function normal... Cerebral salvage ready to proceed... Robotic skeleton prepared and waiting for brain insertion... Initiate Project 2571...
See more »
The title appears on screen twice. Once during the creation of the Major and again at the end of the opening credits. See more »
When you read this review, keep in mind that I had expected Ghost in the Shell to be a solid 10/10, and that it could quite possibly be one of the best movies of this decade. Instead, it's tepid. I didn't hate it, but it was a bit like a nice, but not great roller-coaster: nice entertainment for the moment, but nothing you write home about.
It has lots of great CGI effects, but the characters are seriously lacking. It's like they didn't want to give the characters any texture or depth because that could detract the viewer from the special effects. I think this is more a question of direction and editing rather than acting.
Typically, I feel I can re-watch a good sci-fi movie a couple times. Whether it's more action like Minority Report or more drama like Interstellar, the rewatchability factor to me is more a question about the feeling I get from watching the movie. Sadly, the rewatchability factor for this movie is basically 0 on my part. In the end, it's like watching a very long movie sequence in a video game - but in a video game, the film sequences are just a small part of the whole experience. And that's how this movie feels in the end: like it is lacking a big part of the experience.
242 of 426 people found this review helpful.
Was this review helpful to you?