| Sam Riley | ... | Pinkie | |
| Andrea Riseborough | ... | Rose | |
| Helen Mirren | ... | Ida | |
| John Hurt | ... | Phil Corkery | |
| Philip Davis | ... | Spicer | |
| Nonso Anozie | ... | Dallow | |
| Craig Parkinson | ... | Cubitt | |
| Andy Serkis | ... | Colleoni | |
| Sean Harris | ... | Hale | |
| Geoff Bell | ... | Kite | |
| Steven Robertson | ... | Crab | |
| Maurice Roëves | ... | Chief Inspector | |
| Steve Evets | ... | Mr Wilson | |
| Francis Magee | ... | Pavement Photographer | |
| Adrian Schiller | ... | Registrar | |
| Pauline Melville | ... | Mother Superior | |
| Mona Goodwin | ... | Pretty Girl | |
| Kerrie Hayes | ... | Borstal Girl 1 | |
| Lexy Howe | ... | Borstal Girl 2 | |
| Harry Lloyd-Walker | ... | Child | |
| Dennis Banks | ... | Barman | |
| rest of cast listed alphabetically: | |||
| Tom Austen | ... | Mr. Oakes (uncredited) | |
| Christopher Brown | ... | Youth dressed in Beatles costume (uncredited) | |
| Andrew Care | ... | Policeman (uncredited) | |
| Kenneth Collard | ... | Clergyman (uncredited) | |
| Mark Harris | ... | Detainee (uncredited) | |
| Andre Hopley | ... | Drinker (uncredited) | |
| Adam Nowell | ... | Passer-by (uncredited) | |
| Melissa Stepney | ... | Waitress (uncredited) | |
| John Warman | ... | Policeman (uncredited) | |
Directed by | |||
| Rowan Joffe | |||
Writing credits | ||
| Rowan Joffe | (written by) | |
| Graham Greene | (novel "Brighton Rock") | |
Original Music by | |||
| Martin Phipps | |||
Cinematography by | |||
| John Mathieson | (director of photography) | ||
Film Editing by | |||
| Joe Walker | |||
Casting by | |||
| Shaheen Baig | |||
Production Design by | |||
| James Merifield | |||
Art Direction by | |||
| Paul Ghirardani | |||
Costume Design by | |||
| Julian Day | |||
Makeup Department | |||
| Pauline Fowler | .... | prosthetics: Animated Extras | |
| Kitty Greenwood | .... | makeup artist | |
| Ivana Primorac | .... | hair designer | |
| Ivana Primorac | .... | makeup designer | |
| Andrew Simonin | .... | crowd hairdresser | |
| Matthew Smith | .... | prosthetics makeup artist | |
| Lisa Wood | .... | makeup artist | |
| Sophia Burnage | .... | crowd make-up (uncredited) | |
| Helen Conroy | .... | makeup trainee (uncredited) | |
| Charmaine Fuller | .... | makeup artist (uncredited) | |
| Marianna Kyriacou | .... | hair trainee (uncredited) | |
| Marianna Kyriacou | .... | makeup trainee (uncredited) | |
| Chris Lyons | .... | special effects teeth (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tom Brewster | .... | third assistant director | |
| Sam Haveland | .... | third assistant director: second unit (as Samson Haveland) | |
| Guy Heeley | .... | first assistant director | |
| Candy Marlowe | .... | crowd second assistant director | |
| Charlie Reed | .... | second assistant director | |
| Anthony Wilcox | .... | first assistant director: second unit | |
Art Department | |||
| Gari Bacon | .... | props storeman (as Gary Bacon) | |
| Gari Bacon | .... | set dresser (as Gary Bacon) | |
| Ray Barrett | .... | charge hand carpenter | |
| Billy Bennett | .... | chargehand stand-by | |
| David Creed | .... | chargehand stand-by: Eastbourne (as Dave Creed) | |
| Julia Dehoff | .... | draughtsperson (as Julia Dehoff-Bourne) | |
| Jack Dyer | .... | construction buyer | |
| Trevor Dyer | .... | carpenter | |
| Stephen Ede | .... | carpenter | |
| Lee Gooch | .... | carpenter | |
| Jonny Harris | .... | art department runner | |
| Kevin Harris | .... | construction manager | |
| Martin Lane | .... | chargehand painter | |
| Kat Law | .... | assistant art director (as Katherine Law) | |
| Dean Lee | .... | dressing props | |
| Shay Leonard | .... | charge prop hand | |
| Nick Lloyd | .... | carpenter | |
| Joe Lucas | .... | props trainee | |
| Stephen McGregor | .... | carpenter | |
| Ray Perry | .... | property master | |
| Jessica Sinclair | .... | art department assistant | |
| 'Bugsy' Smalls | .... | stand-by carpenter | |
| Markus Spivey | .... | painter (as Marcus Spivey) | |
| Bob Thorne | .... | stand by props | |
| Kellie Waugh | .... | graphic artist | |
| Kellie Waugh | .... | standby art director | |
| Debbie Wilson | .... | production buyer (as Deborah Wilson) | |
| Lucy Bullen | .... | prop maker (uncredited) | |
| Rohan Harris | .... | scenic artist (uncredited) | |
| Bridie McKie | .... | art department runner: dailies (uncredited) | |
| Claire Page | .... | prop maker (uncredited) | |
| Joanna Pratt | .... | graphic artist (uncredited) | |
Sound Department | |||
| Harry Barnes | .... | supervising sound editor | |
| Gareth Bull | .... | sound re-recording mixer | |
| Martin Cantwell | .... | sound designer | |
| Andrea King | .... | foley artist | |
| Dash Mason-Malik | .... | sound assistant (as Dash Mason Malik) | |
| Adam Mendez | .... | foley recordist | |
| Adam Mendez | .... | sound re-recording mixer | |
| Jack Stew | .... | foley artist | |
| George Trevis | .... | sound maintenance | |
| Martin Trevis | .... | location sound recordist | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Peter Mendonca | .... | dolby sound consultant (uncredited) | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
| Martin Trevis | .... | sound mixer (uncredited) | |
| Philip Young | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Thomas Jones | .... | special effects moldmaker (uncredited) | |
| Tez Palmer | .... | special effects technician (uncredited) | |
| Mark White | .... | special effects (uncredited) | |
| Nigel Wilkinson | .... | senior special effects technician (uncredited) | |
Visual Effects by | |||
| Phil Attfield | .... | visual effects supervisor: additional visual effects, MfM Molinare | |
| Håkan Blomdahl | .... | digital artist: FILMGATE | |
| Fawnda Denham | .... | visual effects producer: additional visual effects, MfM Molinare | |
| Simon Frame | .... | visual effects supervisor: additional visual effects, MfM Molinare | |
| Simon Giles | .... | visual effects supervisor: FILMGATE | |
| Marcus Hindborg | .... | digital artist: FILMGATE | |
| Andreas Hylander | .... | digital artist: FLIMGATE | |
| Vadim Konov | .... | digital artist: FILMGATE | |
| Elin Lindahl | .... | digital artist: FILMGATE | |
| Linus Lindbalk | .... | digital artist: FILMGATE | |
| Martin Malmqvist | .... | digital artist: FILMGATE | |
| Alasdair McNeill | .... | 2d compositor: additional visual effects, MfM Molinare | |
| Daniel Nielsen | .... | digital artist: FILMGATE | |
| Collette Nunes | .... | visual effects editor: additional visual effects, MfM Molinare | |
| Jacob Otterström | .... | visual effects supervisor: FILMGATE | |
| Malin Persson | .... | visual effects coordinator: FILMGATE | |
| Alex Prihodko | .... | digital artist: FILMGATE | |
| Daniel Reidler | .... | digital artist: FILMGATE | |
| Nikolai Waldman | .... | digital artist: FILMGATE | |
| Anthony Webb | .... | 2d compositor: MfM Molinare | |
| Sean Wheelan | .... | visual effects producer: FILMGATE | |
| Matthew Baker | .... | digital restoration (uncredited) | |
| Thomas M. Horton | .... | visual effects executive producer (uncredited) | |
| Emma Hulme | .... | digital restoration (uncredited) | |
| Oskar Larsson | .... | digital compositor (uncredited) | |
| Olle Petersson | .... | visual effects (uncredited) | |
| Suchita Suryamurty | .... | visual effects production manager: Molinare (uncredited) | |
Stunts | |||
| Lloyd Bass | .... | stunt performer | |
| Andy Bradshaw | .... | stunt performer | |
| Scott Brady | .... | stunt performer | |
| Paul Kennington | .... | stunt performer | |
| Kai Martin | .... | stunt performer | |
| Erol Mehmet | .... | stunt performer | |
| Chris Newton | .... | stunt performer | |
| David Newton | .... | stunt performer | |
| Andy Pilgrim | .... | stunt performer | |
| Dominic Preece | .... | stunt performer | |
| Matt Sherren | .... | stunt performer | |
| Andy Smart | .... | stunt performer | |
| Julian Spencer | .... | stunt coordinator | |
| John Street | .... | stunt performer | |
| William Willoughby | .... | stunt performer (as Will Willoughby) | |
Casting Department | |||
| Aisha Walters | .... | casting associate | |
Costume and Wardrobe Department | |||
| Shahida Day | .... | assistant costume designer | |
| Jane Marcantonio | .... | wardrobe supervisor | |
| Anna Reynolds | .... | wardrobe assistant | |
| Laura Smith | .... | stand by wardrobe | |
| Lauren Angela Coe | .... | costume daily (uncredited) | |
| Lucy McGill | .... | costume daily (uncredited) | |
| Sarah Jane Reichert | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Simon Brasse | .... | assembly editor | |
| Matthew Bristowe | .... | digital intermediate producer | |
| Helen de Winter | .... | delivery consultant | |
| Dan Dolan | .... | digital intermediate scanner and recorder | |
| Paul Ensby | .... | digital intermediate colorist | |
| Richard Lampard | .... | digital intermediate scanner and recorder | |
| Jaime Leonard | .... | on-line editor (as Jamie Leonard) | |
| Cliff Thomas | .... | arri coordinator: international | |
| Dominic Thomson | .... | senior on-line editor (as Dom Thomson) | |
| Thora Woodward | .... | second assistant editor | |
| Matthew Benns | .... | data operations manager (uncredited) | |
| Jodie Davidson | .... | dailies: additional colorist (uncredited) | |
| Todd Kleparski | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Darrell Alexander | .... | music contractor: Cool Music & Chamber Orchestra of London | |
| Ruth Barrett | .... | composer: additional music | |
| Mat Bartram | .... | music recording engineer | |
| Christoph Bauschinger | .... | music editor | |
| BBC Concert Orchestra | .... | musicians | |
| BBC Singers | .... | musicians | |
| Saffron Beagley | .... | music preparation | |
| The Chamber Orchestra of London | .... | musicians | |
| Paul Clarvis | .... | musician: solo drums and percussion, Chamber Orchestra of London | |
| Andrew Connolly | .... | music contractor: BBC Orchestra | |
| Felix Erskine | .... | composer: additional music | |
| Cynthia Fleming | .... | orchestra leader: BBC Concert Orchestra | |
| Gareth Griffiths | .... | music contractor: Cool Music & Chamber Orchestra of London | |
| Nick Holland | .... | musician: solo cello, Chamber Orchestra of London | |
| Benjamin Hughes | .... | musician: solo cello, BBC Concert Orchestra | |
| Jake Jackson | .... | music mixer | |
| Aled Jenkins | .... | music recording engineer | |
| Rob Johnstone | .... | music contractor: RSVP Voices, Brighton Festival Youth Choir | |
| Esther Jones | .... | conductor: Brighton Youth Festival Choir | |
| Lewis Jones | .... | music recording engineer | |
| Stephen Ashley King | .... | music contractor: BBC Singers | |
| Elisa Kustow | .... | music production coordinator | |
| Stephen McLaughlin | .... | music mixer (as Steve McLaugghlin) | |
| Stephen McLaughlin | .... | music producer | |
| Bradley Miles | .... | additional orchestrator | |
| James Morgan | .... | conductor: BBC Singers | |
| Ian Neil | .... | music supervisor | |
| Steve Parr | .... | music recording engineer | |
| Martin Phipps | .... | music producer | |
| Simon Phipps | .... | conductor: BBC Concert Orchestra | |
| Joe Pickering | .... | music recording engineer | |
| Joe Pickering | .... | second engineer: Brighton Youth Festival Choir | |
| Paul Pritchard | .... | music recording engineer | |
| Sonia Slany | .... | leader: Chamber Orchestra of London | |
| David Tindale | .... | music recording engineer | |
| David Tindale | .... | recording engineer: Brighton Youth Festival Choir | |
| Simon Whiteside | .... | conductor: Chamber Orchestra of London | |
| Simon Whiteside | .... | music preparation | |
| Simon Whiteside | .... | orchestrator | |
| Brighton Youth Festival Choir | .... | musicians | |
Transportation Department | |||
| Mark Crowley | .... | unit driver | |
| Michael Geary | .... | action vehicle supplier: Motorhouse | |
| Rob Hempenstall | .... | unit driver | |
| Scott Richardson | .... | driver: minibus | |
| Lewis Wakefield | .... | driver: minibus | |
| Barrie Williams | .... | unit driver | |
| Ken Price | .... | driver: main unit camera truck (uncredited) | |
Other crew | |||
| Aaron Anderson | .... | creative coordinator: UK Film Council | |
| Reno Antoniades | .... | legal services: Lee & Thompson | |
| Jack Arbuthnott | .... | development editor: BBC Films | |
| Nick Atkinson | .... | creative coordinator: UK Film Council | |
| Mona Benjamin | .... | production coordinator | |
| Helen Bingham | .... | accounts assistant | |
| Kate Bone | .... | assistant production coordinator | |
| Caroline Bowker | .... | script supervisor: second unit | |
| Keith Bryant | .... | laboratory contact: Technicolor Creative Services | |
| James Buckler | .... | production and delivery coordinator: BBC Films | |
| Daniel Budd | .... | assistant production accountant (as Dan Budd) | |
| Antony Buonomo | .... | title designer | |
| Neil Calder | .... | completion guarantor: Film Finances | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Paula Casarin | .... | script supervisor | |
| Ed Clarke | .... | head of development: Kudos Pictures | |
| Tonia Cohen | .... | clearances | |
| Camilla Davies | .... | runner: crowd ad | |
| Charles Dawson | .... | legal services: Lee & Thompson | |
| Christian De-vos | .... | head of security (as Christian Devoss) | |
| Nazmeen Dhansey | .... | accounts assistant | |
| Gayle Dickie | .... | floor runner | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Elton Farla | .... | paramedic | |
| Sandra Frieze | .... | dialogue coach | |
| Robert Grundy | .... | armorer: Bapty and Co. | |
| Stuart Hendry | .... | assistant stills photographer | |
| Jon Hills | .... | location security/support | |
| Ruth Hodgson | .... | completion guarantor: Film Finances | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Rachel James | .... | post production accountant | |
| Richard Jones Jr. | .... | runner: rushes (as Richard Jones) | |
| Tracey Larcombe | .... | epk: Edd Creative Productions | |
| Kerrie Lloyd | .... | production runner | |
| Cathy Lorimer | .... | utility stand in | |
| Dan MacRae | .... | head of development: Optimum Rekeasing | |
| Mark Martin | .... | runner: crowd ad | |
| Jamie Mayers | .... | accountant: Kudos Pictures | |
| Charles McDonald | .... | unit publicist | |
| Christos Michaels | .... | legal services: Lee & Thompson | |
| John Miles | .... | production accountant | |
| Deba Mithal | .... | head of finance: Kudos Pictures | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Jack Murphy | .... | choreographer | |
| Joe Naftalin | .... | assistant to producer: Kudos Pictures | |
| Simon Osborn | .... | legal and business affairs manager: BBC Films | |
| Scott Penrose | .... | magician | |
| Danny Perkins | .... | chief operations officer: Optimum Releasing | |
| Michelle Pianca | .... | assistant location manager | |
| Richard Rogan | .... | production runner | |
| Joss Spry | .... | assistant to director | |
| Isabelle Stewart | .... | production and acquisitions executive: Optimum Releasing | |
| Lesley Stewart | .... | head of physical production: Optimum Releasing | |
| Jason Wheeler | .... | location manager | |
| Anna Wilton | .... | production assistant | |
| Michael Wood | .... | production executive: BBC Films | |
| Andy Young | .... | utility stand in (as Andrew Young) | |
| Samantha Bolter | .... | production assistant (uncredited) | |
| Tom Misselbrook | .... | runner (uncredited) | |
| Charlotte Wright | .... | assistant location manager: Brighton & Eastbourne (uncredited) | |
Thanks | |||
| Richard Attenborough | .... | special thanks (as Lord Richard Attenborough) | |
| Eddie Dias | .... | thanks | |
| Rob Garvie | .... | special thanks | |
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I am not good at long reviews but I didn't see the original or read the book. Therefore I am judging this as a movie in itself rather than comparing it to the original. I thought it was excellent, the drab interiors, the plain simplicity of Rose, so well acted and the sadness in her innocence, all made this quite emotional for me. Helen Mirren was a delight to the eye, so beautiful, wrinkles and all. No cosmetic surgery there. I think they did a good job of making Brighton 1960s and sensibly only showed one CGI shot of the West pier, rather than trying to re-create what it looked like. It held my attention throughout and I very nearly cried at the end. Sad its getting bad reviews. Perhaps it was too British for some people.