Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
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That's Not Us is an intimate portrait of three twenty-something couples as they travel to a beach house to enjoy the last days of summer. But what should be a fun and carefree weekend ... See full summary »
Forty-something Pierre is serving a fourteen year prison sentence. His mother, who is approaching eighty, visits him every week. Suzanne, Pierre's current wife, has moved on since he was ... See full summary »
Ruth is the story of a painful adolescence. Ruth decides on a whim to leave her small village in the Bas Saint-Laurent for the "real world" of the big city, Montreal. There she meets up ... See full summary »
We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else? Written by
A poster of the band Prinzhorn Dance School can be seen on the wall where Greenberg hangs the drawing made by Florence' niece. It's a reference to LCD Soundsystem's James Murphy, who was responsible for the soundtrack. Murphy is the boss of the DFA record label, who released the 'Prinzhorn Dance School' album. See more »
In the final scene just after Roger received the second doll he walks screen right. As the camera pans with his movement, it appears as though the camera is visible in the bathroom mirror at the back of the scene. See more »
This film was slightly misadvertised. It is not a "funny movie," it is a pseudo-slice of life movie with an eccentric but believable character. It is a comedy in the sense that it is not a tragedy.
I enjoyed this film immensely. I found it very cathartic and realistic. It is "funny" in the sense that Ben Stiller is socially inappropriate at times, but honestly, it's not a "funny" film, and sometimes the film tries to be funny and definitely falls flat. The story is also a little slow to start. That said, it's still a good film.
Some people clearly don't "get" this film...Anyone who says "it wasn't funny!!" or "nothing happened!" is missing the point. This is one of those rare movies based entirely on character, with a very realistic plot progression. It's not the best movie of the year or anything, but it's a really good example of a character-driven story. If you don't care about or "get" Greenberg, there is nothing for you here.
I must protest the people who say the film is unbelievable. It *is* very believable, but not necessarily relatable. It portrays a man bordering on mental instability *very* well.
Ultimately, this movie is similar to Woody Allen pics in affect, although much less "funny." But it still has that "world through the eyes of a neurotic" gimmick, as well as the laissez-faire plot progression.
Ben Stiller also deserves praise for a great, "real" performance as Greenberg, and he is supported by a mixed cast (some great, some poor).
I recommend this film to anyone familiar with OCD, anxiety, or anyone over 40 who asks "what happened?"
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