6.3/10
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138 user 85 critic

Dorian Gray (2009)

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1:31 | Trailer

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A corrupt young man somehow keeps his youthful beauty eternally, but a special painting gradually reveals his inner ugliness to all.

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Writers:

, (novel)
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Popularity
2,682 ( 607)
1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Patrol Policeman
Cato Sandford ...
Rent Boy
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Victor
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Agatha
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Lady Radley
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Gladys
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Lord Radley
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Lady Victoria Wotton
Nathan Rosen ...
Young Dorian
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Lord Kelso (as Jeffrey Lipman Snr)
Louise Kempton ...
Prostitute
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Alan Campbell
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Storyline

A naïve young man. A lovelorn artist. A corruptible Lord. A deal with the Devil. It all paints a dark picture of a Victorian London and how the rich and infamous party at their peril. Here, the telling of time and its consequence of experience for life's treasures' takes its toll on the body, mind and soul. The haunting and bleak tale of power, greed, vanity and inevitable self-destruction is ever present amongst the deceit, opium dens and sin. Written by Cinema_Fan

Plot Summary | Plot Synopsis

Taglines:

Forever Young. Forever Cursed.


Motion Picture Rating (MPAA)

Rated R for sexual content including nudity, violence and some drug use | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

9 September 2009 (UK)  »

Also Known As:

El retrato de Dorian Gray  »

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Box Office

Opening Weekend:

£883,148 (United Kingdom), 13 September 2009, Limited Release

Cumulative Worldwide Gross:

$20,563,362, 22 August 2010
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director Oliver Parker has previously directed two other films based on works by Oscar Wilde: An Ideal Husband (1999) and The Importance of Being Earnest (2002). The latter of these also stars Colin Firth as one of the leads. See more »

Goofs

In the opening shot, horse drawn carriages travel along a London street. The film is set in the 1890s but the road is smoothly tarmacked, a surface treatment invented in 1902 and only commercialised some years later. See more »

Quotes

Dorian Gray: [On a girl he saw, who just departed with a man] That was probably her husband.
Lord Henry Wotton: Yes, very sensible... People die of common sense, Dorian, one lost moment at a time. Life is a moment. There is no hereafter. So make it burn always with the hardest flame.
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Crazy Credits

In the closing credits, one of the pieces of music played is listed as Haydn's "Sting Quartet" Op 76 No 4. See more »

Connections

Version of Das Bildnis des Dorian Gray (1917) See more »

Soundtracks

Sadness Waltz
Written by H.C. Lumbye (as Hans Christian Lumbye)
Performed by Tivoli Symphony Orchestra
Courtesy of Naxos Records/Marco Polo 8.225223
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Frequently Asked Questions

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User Reviews

 
Enjoy it for what it is: A picture show and nothing more.
15 September 2009 | by See all my reviews

The Picture of Dorian Gray, as penned by the Irish wit Oscar Wilde (1854 - 1900), is a tale of high-brow debauchery and limitless pleasures of body and soul and the corruption, by one Lord Henry Wotton, of the young, handsome and soon to be narcissistic 19th century rock 'n roll hell-raiser Dorian Gray.

Ealing Studios have translated Wilde's controversial novel into a celluloid den of iniquity that somehow comes across as rather shallow. Like the characters seen here too; it seems that as a work of symbolic gesture of how the upper classes conduct their sordid lifestyle of hypocrisy, deceit and lust it lacks any deep and thoughtful intrigue that any good 19th century Gothic horror story should be.

To fully understand the ethics of a Victorian London that Oscar Wilde has so wonderfully reflected with his novel here, we see, too, with this latest interpretation using, as Wilde may have done, the picture purely as a metaphorical means. Yes, we see the selling of souls here and the lamb to the slaughter and the hedonistic teachings of Lord Wotton, but toward the end, the whole sordid affair becomes predictable.

Penned with an undercurrent of realism and too fantasy of the love of sin. It's a dark, dirty, dingy setting of a self-indulgent Victorian London that we are lead to believe is prim and proper on the surface but lurking just below this weak, temperate society lies pure greed, greed for experience, experience that will transcend the mind, body and soul to the wondrous dealings of what life has to offer. For, as always, a price, a price both Oscar Wilde and Dorian Gray would pay the highest sacrifice.

It is with a taint of sorrow that this latest performance too has paid a price too high, sensationalism over content, ironies aside, the film seems too concerned to show the sordid details of this lifestyle and its inhabitants'. It lingers on too far in the bedrooms of London and strays too far from the mental anguish that may have been. We see the trouble mind of our young (looking) man but we see not enough of his fears, regrets, sorrows and repentance, which are cast aside and squandered. Welcome to the 21st century Mr. Wilde.

By the time the chimes of time are echoing in the distance we have Dorian fading into the far reaches of the eternal abyss of the afterlife. With all the time in the world we are still wanting more to feed our palates, it's all to aesthetically pleasing, but at the same time oh so unrewarding, a taster we are given but the full flavour we are, regrettably, spared.

This too may have its target audience and in so having picked its target out it may have trouble standing the test of time, due to its lack of wit, lack of diversity and a lack of daring and commitment of its original source. It is a sad loss that such a literary work of historical meaning and wealth should have been robbed of its qualities.


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