| Karim Saleh | ... | Riad | |
| Hafsia Herzi | ... | Zahra | |
| Hiam Abbass | ... | Mastour's mother | |
| Sayed Ragab | ... | Hadji Noh | |
| Waleed Abou El Magd | ... | Mastour | |
| Mahmoud Nagui | ... | Zingi | |
| Mohamed Ali Keshta | ... | Abou Ali | |
| Nabil El Deeb | ... | Cheik Jassim | |
| Soheil Abdel Wahab | ... | Iraqi officer | |
| Mostafa Wagih | ... | Hussein | |
| Injy Ashour | ... | Zingi's wife | |
| Mina Soheil | ... | Zahra - child | |
| Amr Ossama | ... | Mastour - child | |
| Abou Baker Nounou | ... | American soldier | |
| Reem Rafaa | ... | Oum Zoheir | |
| Montasser Hassan | ... | Iraqi soldier | |
| Walaa Ossama | ... | Young girl |
Directed by | |||
| Abbas Fahdel | |||
Writing credits(in alphabetical order) | ||
| Abbas Fahdel | written by | |
Produced by | |||
| Oliver Damian | .... | producer | |
| Pascal Verroust | .... | producer | |
Original Music by | |||
| Jürgen Knieper | |||
Cinematography by | |||
| Gilles Porte | |||
Film Editing by | |||
| Sylvie Gadmer | |||
Casting by | |||
| Nevine El Ibiary | (casting: Egypt) | ||
Set Decoration by | |||
| Hussein Baydoun | |||
Costume Design by | |||
| Hussein Baydoun | |||
Makeup Department | |||
| Tamer Dahab | .... | makeup artist | |
| Khaled Othman | .... | hair stylist | |
Production Management | |||
| Mohamed El Gohari | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ibrahim Abla | .... | second assistant director | |
| Shady Youssri | .... | assistant director | |
| Elyes Zrelli | .... | first assistant director | |
Art Department | |||
| Khaled Nagui | .... | assistant decorator | |
Sound Department | |||
| Benjamin Krbetschek | .... | foley editor | |
| Alexis Lardilleux | .... | assistant sound editor | |
| Tobias Oeckler | .... | assistant sound editor | |
| Dominik Raetz | .... | sound re-recording mixer | |
| Christian Riegel | .... | sound mixer | |
| Peter Roik | .... | foley artist | |
| Emmanuel Zouki | .... | sound editor | |
| Emmanuel Zouki | .... | sound recordist | |
Special Effects by | |||
| Hani Farid Abdel Hai | .... | special effects | |
Camera and Electrical Department | |||
| Mostafa El Taher | .... | first assistant camera | |
| Samy Emery | .... | gaffer | |
Casting Department | |||
| Nicolas Lublin | .... | casting: France | |
Costume and Wardrobe Department | |||
| Hussein Baydoun | .... | costumer | |
| Ahmed Kaboria | .... | costume assistant | |
| Afnan Mostafa | .... | costume assistant | |
Editorial Department | |||
| Mathilde Delacroix | .... | color timer | |
| Loïc Lallemand | .... | assistant editor | |
| David Magalhaes | .... | telecine dailies colorist | |
| Tuong Vi Nguyen-Long | .... | assistant editor | |
| Lucile Sautarel | .... | assistant editor | |
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| Kilomètre zéro | Nous les Irakiens | Retour à Babylone | Jarhead | Lektionen in Finsternis |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Iraq section |
There are many films that deal with the war in Iraq, but "Dawn of the World" is probably the most beautiful and less manichean. Playing cleverly on the contrast between the background (the atrocity of the war) and form (sense of beauty), this post-apocalyptic love story remains quite original. Served by a beautiful photography and a stunning music, it looks like an aquatic poem and may suggest "The Odyssey", the pitfalls and the time it takes to regain his homeland after the war, from the perspective of those (women) who wait - Hafsia Herzi and Hiam Abbass are simply sublimes. The film is also a sensitive work full of poetry, which combines visual splendor and emotion and in which every detail make sense. It still works as well in the second vision, and the emotion remains intact. A true gem to discover urgently.