| Barbara Sukowa | ... | Lena Brücker | |
| Alexander Khuon | ... | Hermann Bremer | |
| Wolfgang Böck | ... | Holzinger | |
| Branko Samarovski | ... | Lammers | |
| Götz Schubert | ... | Gary Brücker | |
| Frederick Lau | ... | Jürgen Brücker | |
| Astrid Meyerfeldt | ... | Helga | |
| Traute Hoess | ... | Frau Eckleben | |
| Lennart Betzgen | ... | Paulchen I | |
| Axel Siefer | ... | Taxifahrer | |
| Klaus Lehmann | ... | Schieber I | |
| Christian Beermann | ... | Schieber II | |
| Linda Riebau | ... | Nutte I | |
| Susanne Bredehöft | ... | Nutte II | |
| Lucien Le Rest | ... | Paulchen II | |
| Reiner Heise | ... | Kollege Mehlzuteilung | |
| Ruta Birgere | ... | Alte Frau | |
| Janning Kahnert | ... | Soldat LKW | |
| Michael Schütz | ... | Fahrer LKW | |
| Anna Grisebach | ... | Frau LKW | |
| Sybille J. Schedwill | ... | Frau Wehrs (as Sybille Schedwill) | |
| Martin Brambach | ... | Gauredner | |
| Frank Wickermann | ... | Dr. Fröhlich | |
| Wolfram Koch | ... | Gestapomann | |
| Peter Gilbert Cotton | ... | Captain | |
| Christian Kaiser | ... | Major | |
| Heinz-Peter Lengkeit | ... | Pförtner | |
| Josef Quadflieg | ... | Kürschner Claussen (as Joseph Quadflieg) | |
| Wieslawa Wesolowska | ... | Wurstfabrikantin | |
| Sophia New | ... | Lady | |
| Jean-Paul Raths | ... | Intendanturrat | |
| Clayton Nemrow | ... | Engländer | |
| rest of cast listed alphabetically: | |||
| Angelika Gersdorf | ... | Gefangene (uncredited) | |
| Florian Reiners | ... | (uncredited) | |
Directed by | |||
| Ulla Wagner | |||
Writing credits(in alphabetical order) | ||
| Uwe Timm | novel | |
| Ulla Wagner | screenplay | |
Produced by | |||
| Gerd Haag | .... | producer | |
| Volker Ullrich | .... | co-producer | |
| Jeanette Würl | .... | associate producer | |
Original Music by | |||
| Christine Aufderhaar | |||
Cinematography by | |||
| Theo Bierkens | |||
Film Editing by | |||
| Corina Dietz | |||
Production Design by | |||
| Benedikt Herforth | |||
Costume Design by | |||
| Ute Paffendorf | |||
Makeup Department | |||
| Astrid Mariaschk | .... | makeup artist | |
Production Management | |||
| Günter Fenner | .... | production manager | |
| Cornelia Kellers | .... | unit production manager | |
| Kathrin Laugalies | .... | production supervisor | |
| Kristians Luhaers | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Claudia Brede | .... | assistant director | |
Art Department | |||
| Michael Bernardi | .... | construction coordinator | |
| Anik Celikaslan | .... | property master | |
| Christina Heidelmeier | .... | assistant production designer | |
| Claudia Hellwich | .... | assistant production designer | |
| Julia Laubert | .... | assistant property master | |
Sound Department | |||
| Tobias Fleig | .... | sound re-recording mixer | |
| Heinz Freitag | .... | dubbing director | |
| Günther Friedhoff | .... | adr mixer | |
| Markus Hüser | .... | assistant sound | |
| Emil Klotzsch | .... | sound designer | |
| Roland Platz | .... | foley artist | |
| Siddho Varza | .... | sound recordist | |
| Alexander Vitt | .... | adr editor | |
| Alexander Vitt | .... | adr recordist | |
Visual Effects by | |||
| Martin Zwanzger | .... | title designer | |
Camera and Electrical Department | |||
| Ansgar Krajewski | .... | assistant camera | |
| Rudi Kurth | .... | key grip | |
| Tom Trambow | .... | still photographer | |
Casting Department | |||
| Anja Dihrberg | .... | casting | |
Costume and Wardrobe Department | |||
| Sandra Bormann | .... | wardrobe | |
| Verena Reuter | .... | assistant costume designer | |
Editorial Department | |||
| Christian Krämer | .... | assistant editor | |
Music Department | |||
| Daniel Gotz | .... | musician: piano | |
| Andreas T. Lange | .... | conductor | |
| Andreas T. Lange | .... | orchestrator | |
| Martin Offik | .... | score recordist | |
| Tom Pielucha | .... | orchestra contractor | |
Other crew | |||
| Christina Kaschuba | .... | screenplay consultant | |
| Elina Zazerska | .... | production coordinator | |
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| Aimée & Jaguar | Salami Aleikum | Sausages | Salt on Our Skin | Der Leberkasbaron |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Germany section |
*** This review may contain spoilers ***
In the last days of World War II, Lena Brücker (Barbara Sukowa) lives alone in her Hamburg apartment and works for the state-run Food Distribution Agency. At 47, and without any longing for her husband stationed on the eastern front, Lena believes that life and love are passing her by. Her life takes a dramatic turn when she offers shelter to Hermann Bremer (Alexander Khuon), a young sailor on shore leave. Quickly, they become lovers. It is a dangerous game: Hermann is now a deserter and the noise from Lena's apartment is arousing suspicion. Far more threatened by peace than war, Lena attempts to hold on to Hermann by hiding the truth of Germany's imminent defeat.
The 2009 Audi German Film Festival has just finished in Australia being it's 8th season here. Invention of the Curried Sausage was one of 2 films I saw. Before the festival we get a little booklet with a synopsis of the movie (above in this case) and a few still shots. Perhaps it was Barbara's blonde hair and physical bearing that caught my eye initially. And then the synopsis. Hours can be spent working out which of the 30 movies to see! Sausage was my favourite this year by a country mile and probably one of the standouts of the festivals I've been going to for 5 or 6 years..
Fitting across a number of genres, 25% historical background, 20% food, 20% romance, 25% comedy, lead actress Barbara Sukowa in her middle 50s in real life but playing a late 40s woman here is a delight. Her work colleague the chef Holzinger played by Wolfgang Bock was a great comedy foil and I enjoyed the thread of repartee through the movie between them. He's probably very well known in Germany for his TV work.
I should declare that of all foreign films I like a good German movie over a French, Italian or Greek one. A very good Danish or Swedish one as well. My experience with the country film festivals here that Palace Cinemas Australia do each year (Germany in conjunction with the Goethe Institute) is that a selection panel choose the cream of the recent films and also often retrospective screening of older films. This year with the German festival it would have been very easy to see 6 or more very good films. Yet the French Festival this year with a larger number of films you'd be struggling to find 1 or 2.
Watching movies for a genre you are passionate and excited about I'll always wonder if one can get carried away or over estimate the rating. But I was pleased to see here that lead actress Barbara Sukowa won best actress at the 2008 Montreal Film Festival. Bravo Barbara and a special mention should be made of Ulla Wagner who wrote the screenplay an directed the film. She has bought her screenplay to life beautifully. Construction wise "Sausage" has a rhythm and a transition and time line very similar to the Shawshank Redemption when I think about it. Seamless, smooth, very polished. Neither puts a foot wrong as they move from start to finish. Whether or not Ulla (the writer of the screenplay rather than the original novelist) is any relation to Stephen King I cannot be sure but she's certainly very talented.
The stranger I sat next to at Sunday Apr 26 2009 Como Melbourne session turned to me after the film finished and said "wasn't that a great film. It makes you want to go back to Germany" Christopher who introduced himself was right. This film was almost the perfect recipe. And I for one would be keen to visit Hamburg as I also liked the look of the movies locations.
Watch out food based movies.. The Dinner Game, Chocolat, Mostly Martha (the original German version).. Germany has great new entrant! I'm sure those of us fortunate enough to see this movie will think fondly of it for some time after and of the characters and actors playing in this ensemble cast. And keep an eye out for them in the future films. There would have been far worse places to spend the dying days of WW2 in Germany than here. Highly recommended and a wonderful way to spend 106 minutes.