| Rinko Kikuchi | ... | Naoko | |
| Ken'ichi Matsuyama | ... | Toru Watanabe | |
| Kiko Mizuhara | ... | Midori | |
| Eriko Hatsune | ... | Hatsumi | |
| Kengo Kôra | ... | Kizuki | |
| Tetsuji Tamayama | ... | Nagasawa | |
| Reika Kirishima | ... | Reiko Ishida | |
| Shigesato Itoi | ... | Theatre professor | |
| Haruomi Hosono | ... | Record shop owner | |
| Tokio Emoto | ... | Storm Trooper | |
| Yukihiro Takahashi | ... | Gatekeeper | |
| Takao Handa | ... | Midori' father | |
| Kentaro Tamura | |||
| Yuki Ito | |||
| Yusuke | |||
| Makoto Sugisawa | |||
| Kohei Yoshino |
Directed by | |||
| Anh Dung Tran | |||
Writing credits | ||
| Haruki Murakami | (based upon the novel) | |
| Anh Dung Tran | (screenplay) | |
Produced by | |||
| Satoshi Fukushima | .... | co-producer | |
| Joe Ikeda | .... | associate producer | |
| Chihiro Kameyama | .... | executive producer | |
| Kaoru Matsuzaki | .... | associate producer | |
| Mioko Ogawa | .... | assistant producer | |
| Shinji Ogawa | .... | producer | |
| Keizo Shukuzaki | .... | line producer | |
| Masao Teshima | .... | executive producer | |
Original Music by | |||
| Jonny Greenwood | |||
Cinematography by | |||
| Ping Bin Lee | (director of photography) | ||
Film Editing by | |||
| Mario Battistel | |||
Casting by | |||
| Tsuyoshi Sugino | |||
Production Design by | |||
| Norifumi Ataka | |||
| Tran Nu Yên-Khê | (as Yen Khe Luguern) | ||
Set Decoration by | |||
| Tetsuya Nomura | |||
| Ayaki Takagi | |||
Costume Design by | |||
| Tran Nu Yên-Khê | (as Yen Khe Luguern) | ||
Makeup Department | |||
| Satoko Takakuwa | .... | assistant hair stylist | |
| Satoko Takakuwa | .... | assistant makeup artist | |
| Fumi Takeshita | .... | key hair stylist | |
| Fumi Takeshita | .... | key makeup artist | |
Production Management | |||
| Yusuke Taguchi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Hideaki Jimbo | .... | second assistant director | |
| Shozo Katashima | .... | first assistant director | |
| Yu Koreyasu | .... | second assistant director | |
Art Department | |||
| Gen Ito | .... | assistant art director | |
| Kenji Iwai | .... | set dresser | |
| Hironori Iwamoto | .... | assistant art director | |
| Naoko Takemura | .... | property master | |
| Miyuki Tanaka | .... | set dresser | |
Sound Department | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Niels Barletta | .... | sound mastering engineer | |
| Hiroshi Ishigai | .... | dialogue editor | |
| Yujiro Miki | .... | sound recordist | |
| Akihiko Okase | .... | sound effects supervisor | |
| Kazuhiko Tomita | .... | sound recordist | |
| Tomoharu Urata | .... | sound mixer | |
Special Effects by | |||
| Hidekazu Kishiura | .... | special effects supervisor | |
| Chuji Shimajiri | .... | special effects supervisor | |
Visual Effects by | |||
| Hajime Matsumoto | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Ryohei Abe | .... | assistant lighting technician | |
| Shiyi Gao | .... | assistant camera | |
| Alan Gitlin | .... | digital imaging technician | |
| Yoshiyuki Iida | .... | second assistant camera | |
| Arata Ishizuka | .... | best boy grip | |
| Gen Ito | .... | assistant camera: Autumn unit | |
| Hiroki Izumi | .... | Steadicam operator | |
| Yasuyuki Jitsuhara | .... | key grip | |
| Shigeto Kunii | .... | second assistant camera | |
| Hideo Kunimatsu | .... | assistant to camera department | |
| Koichi Kuroda | .... | still photographer | |
| Norito Matsumoto | .... | assistant lighting technician | |
| Takahiro Mizuse | .... | assistant lighting technician | |
| Yûki Nakamura | .... | lighting director | |
| Tai Ouchi | .... | digital imaging technician assistant | |
| Takayuki Sugimura | .... | first assistant camera | |
| Sean Walker | .... | first clapper loader | |
Costume and Wardrobe Department | |||
| Nami Shinozuka | .... | key costumer | |
| Sayaka Takahashi | .... | key costumer | |
Editorial Department | |||
| Yov Moor | .... | digital intermediate consultant: post-production | |
| Chikako Namba | .... | assistant editor | |
Music Department | |||
| John Barrett | .... | assistant score mixing engineer | |
| John Barrett | .... | technical score engineer | |
| Paul Pritchard | .... | assistant scoring engineer | |
| Robert Ziegler | .... | conductor | |
Other crew | |||
| Sachiko Hanaoka | .... | location manager | |
| Naomi Hatta | .... | assistant to the producers | |
| Reiko Katayama | .... | assistant to the producers | |
| Yume Murakami | .... | production accountant | |
| Natsuko Nezu | .... | production accountant | |
| Mariko Nishizawa | .... | assistant to Ms. Luguern | |
| Hana Okazaki | .... | assistant to Mr. Tran | |
| Masatoshi Saito | .... | behind-the-scenes | |
| Atsushi Shimane | .... | location manager | |
| Kazuko Shingyoku | .... | script supervisor | |
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| The Reader | Dokuritsu shonen gasshôdan | La meglio gioventù | Edvard Munch | A Single Man |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
'Norwegian Wood', a Beatles-song from their album 'Rubber Soul' (1965), makes the very clever inspiration here. Its mood amazingly connects with that of the film, as well as that of Haruki Murakami's book from 1987.
Both book and film are very Japanese. So be prepared for a slow pace, allowing you plenty of time to catch up with its story. Be prepared for a Japanese styling as well. The film also follows the book's plot, more precisely than we are used to in our Western world.
Nou doubt the film 'Norwegian wood' peaks with its acting. Here we talk true Japanese high quality. The unfortunate contrast is made by its disappointing picturing. One can only guess if this is due to a lack of money, or to the desire to apply to 1969-shooting methods.
All in all 'Norwegian wood' is an enjoyable & well made film, allowing you a pleasant evening in the cinema. Those around in 1969 will get themselves carried back to their young days.