| Photos (See all 12 | slideshow) | Videos (see all 5) |
| Sibel Kekilli | ... | Umay | |
| Nizam Schiller | ... | Cem | |
| Derya Alabora | ... | Halyme | |
| Settar Tanriögen | ... | Kader | |
| Tamer Yigit | ... | Mehmet | |
| Serhad Can | ... | Acar | |
| Almila Bagriacik | ... | Rana | |
| Florian Lukas | ... | Stipe | |
| Nursel Köse | ... | Gül | |
| Alwara Höfels | ... | Atife | |
| Ufuk Bayraktar | ... | Kemal | |
| Blanca Apilánez | ... | Carmen | |
| Rosa Enskat | ... | Manuela | |
| Gümec Alpay | ... | Zeynep | |
| Ayla Arslancan | ... | Ayten | |
| Ynci Sen | ... | Asuman | |
| Turgay Tanülkü | ... | Odhan | |
| Hayrullah Evrenos | ... | Ismet | |
| Orhan Güner | ... | Turgay | |
| Marlon Pulat | ... | Duran | |
| Mustafa Jouni | ... | Mete | |
| Sinan Akdeniz | ... | Oktay | |
| Ali Biryar | ... | Onan | |
| Sohel Altan Gol | ... | Tarik | |
| Aram Arami | ... | Kenan | |
| Edin Hasanovic | ... | Serhad | |
| rest of cast listed alphabetically: | |||
| Seckin Orhan | |||
Directed by | |||
| Feo Aladag | |||
Writing credits | ||
| Feo Aladag | ||
Produced by | |||
| Feo Aladag | .... | producer | |
| Züli Aladag | .... | producer | |
| Karsten Aurich | .... | line producer | |
| Julia Radke | .... | associate producer | |
Original Music by | |||
| Stéphane Moucha | |||
| Max Richter | |||
Cinematography by | |||
| Judith Kaufmann | |||
Film Editing by | |||
| Andrea Mertens | |||
Casting by | |||
| Ulrike Müller | |||
| Harika Uygur | |||
Production Design by | |||
| Silke Buhr | |||
Costume Design by | |||
| Gioia Raspé | |||
Makeup Department | |||
| Mina Ghoraishi | .... | makeup artist | |
| Monika Münnich | .... | makeup artist | |
Production Management | |||
| Alpay Algür | .... | unit manager | |
| Elke Andreas-Möller | .... | post-production supervisor | |
| Milanka Comfort | .... | production manager | |
| Jan Schäfer | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Ömer Alkin | .... | trainee assistant director | |
| Mirko Borscht | .... | assistant director | |
| Christian Hoyer | .... | assistant director (part two) | |
| Matthias Junge | .... | assistant director: pre-production | |
Art Department | |||
| Simon Blum | .... | property master | |
| Tolga Dundar | .... | set dresser: Turkey | |
Sound Department | |||
| Alexej Ashkenazy | .... | adr recordist | |
| Oliver Göbel | .... | boom operator | |
| Jörg Kidrowski | .... | sound mixer | |
| Roland Kirchner | .... | sound mix technician | |
| Stefan Korte | .... | sound re-recording mixer | |
| Jörn Poetzl | .... | foley artist | |
| Tobias Poppe | .... | sound effects editor | |
| Helene Seidl | .... | foley editor | |
| Philipp Sellier | .... | foley recordist | |
| Alexander Vitt | .... | adr editor | |
| Alexander Vitt | .... | adr supervisor | |
| Alexander Vitt | .... | dialogue editor | |
| Guido Zettier | .... | sound designer | |
| Guido Zettier | .... | supervising sound editor | |
Special Effects by | |||
| Michael Apling | .... | special effects office coordinator: Berlin | |
| Nils Bleeck | .... | special effects technician: Berlin | |
Stunts | |||
| Tomas Jester | .... | stunts | |
| Rainer Werner | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mathias Beier | .... | best boy | |
| Matthias Biber | .... | steadicam operator | |
| Timm Brückner | .... | gaffer | |
| Martin Handrow | .... | best boy | |
| Nicola Hens | .... | video operator | |
| Christian Hüning | .... | clapper | |
| Andres Lizana Prado | .... | assistant camera: second unit | |
| Maike Maier | .... | grip | |
| Michael Ole Nielsen | .... | steadi-cam operator | |
| Dario Raspudic | .... | assistant grip | |
| Henrik Sauer | .... | camera: second unit | |
| Henrik Sauer | .... | first assistant camera | |
| Benjamin Treplin | .... | Steadicam operator | |
| Christian von Spee | .... | assistant camera: a-cam | |
| Michael Wähner | .... | electrician | |
Casting Department | |||
| Pep Armengol | .... | casting: Spain | |
| Vicky Cohn | .... | casting assistant | |
| Luci Lenox | .... | casting: Spain | |
Costume and Wardrobe Department | |||
| Martina Carl | .... | costume assistant | |
| Gunes Coban | .... | wardrobe | |
| Maximiliane Hermes | .... | wardrobe | |
Editorial Department | |||
| Özlem Konuk | .... | assistant editor | |
| Manfred Turek | .... | digital colorist | |
Music Department | |||
| Benjamin Caillaud | .... | music editor | |
| Yvan Cassar | .... | musician: solo piano | |
| Bertrand Cervera | .... | musician: solo violin | |
| Elena Cheah | .... | musican: cello | |
| Steffen Irlinger | .... | music supervisor | |
| Annette Kudrak | .... | music editor | |
| Elissa Lee | .... | musician: violin | |
| Stéphane Reichart | .... | music scoring mixer | |
| Max Richter | .... | musican: piano | |
Other crew | |||
| Frauke Ahlers | .... | assistant to producer | |
| Benan Baf | .... | location manager: Turkey | |
| Peter Futschik | .... | production accountant | |
| Recai Hallac | .... | interpreter | |
| Franziska Jahnke | .... | location manager | |
| Christoph Kukula | .... | production assistant | |
| Norbert Maass | .... | marketing and sales consultant | |
| Volker Otte | .... | filmfunding manager | |
| Marie Elisa Scheidt | .... | production trainee | |
| Nergis Usta | .... | continuity | |
| Yesim Zolan | .... | location scout | |
Thanks | |||
| Züli Aladag | .... | dedicatee (as Züli) | |
| Bettina Böhler | .... | thanks | |
| Christoph Heller | .... | thanks | |
| Vanessa Jopp | .... | thanks | |
| Michael Schmid-Ospach | .... | thanks | |
| Harald Will | .... | thanks | |
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| Gegen die Wand | Auf der anderen Seite | Lola + Bilidikid | Five Minarets in New York | Im Juli. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Germany section |
The basic plot is simple: a young lady with a crazy in-laws feds up and leaves making her a total outcast. The acting seemed a bit too dramatic and overly polished. The actors are obviously talented and have done their best, but it showed that they were trying too hard, which took away the realism I was anticipating. More than a few scenes were simply yelling and slapping which I've found quite raw. The close-ups were nice generally with beautiful faces, occasionally with oblique views. At times, when we were shown a scene with people staring at each other silently which meant that the discussion was over, I wondered if that was really the case and not if we were witnessing a zen moment. As a side note, I just have to point out that the subject of film has little to do with religion or being a "muslim". The problem is far too deep which is really a sociological phenomena rooted in dogmatic cultural upbringings and a feudal life style (mostly) of the eastern part of country where people are just a dot in the family picture rather than individuals with autonomy. You could see that nobody in the family wanted to be a part of what was going on but they could not behave otherwise -- they were slaves of their communities even thousands of miles away.