Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have ...
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Tel Aviv, Summer 1989. Boaz, a beautiful and alluring linguistics student, receives anonymous, male-written, love letters that undermines his sexual identity and interfere with his peaceful life with his beloved girlfriend.
Martin seeks for a temporary job at Eugenio's house. When they recognize to be childhood friends, Eugenio offers him work for the summer. A power and desire game starts and their relationship grows beyond their friendship.
Best friends Szabolcs and Bernard are playing in the same German football team. After a lost game, Szabolcs decides to go home to Hungary where he meets another boy, Áron with whom they ... See full summary »
Martin, a young Argentine student, is exploring the reactions of his sports coach, Sebastian, while vying for his love and affection. He has an opportunity - one night to push the envelope ... See full summary »
Javier De Pietro,
Brady (Sean Hoagland), who will shortly be going away to college, is a shy, introspective 18 year old, who moves to the coastal seaside town of Rock Haven with his overprotective, widowed ... See full summary »
Laura Jane Coles
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have resurfaced. But all of Malik's problems seem to fade away when he falls for Bilal, the dreamy houseboy at his mother's bourgeois estate. Written by
Outfest Film Festival
This is actually a very good film. the plot-line is intelligent and interesting; it is well acted, directed, and filmed. Its major flaw is that, like most gay oriented films, the major characters are all beautiful. This film deals with real social problems that should be able to move gay audiences particularly, but also a straight public. Why, then, must the action be transported to the realm of the beautiful people, whom the majority of the audience can envy and even empathize with to some extent, but somehow not quite identify with? Having the action take place in beautiful surroundings among beautiful people is, of course, not limited to films that treat gay issues. But it seems to be endemic in films with gay social content, and in that sense, it is particularly harmful. What gay audiences need to see, and what straight people interested in gay issues also need to see, are gay social issues treated as taking place among average looking people in average looking surroundings. These are everyday issues touching the lives of the large majority of gay people. They are not abstractions; they are painful realities. This is no place for physical idealization. The issues are too serious for this type of useless, distracting decoration.
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