From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual ... Written by
The glass-and-wood home that George and Jim shared is The Schaffer Residence, a real house built in 1949, in Glendale, California, by mid-century Modernist architect John Lautner. See more »
Several fonts used did not exist in the 1960s. The university office door signs and the movie's titles use Gotham, introduced in 2000. The bank logo uses Trajan, created in 1989, and Gill Sans, popularized in the US in the 1970s. See more »
Would you like to meet Charlton Heston? He's our scorpion. Every night we throw in something new to him and watch him kill it. Daddy says it's like a Coliseum. Daddy says he wants to throw you into the Coliseum.
No kidding. Why?
Well, he says you're light in your loafers. But you're not even wearing any loafers.
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Tom Ford's debut has an immediate effect and an after effect. We are taken immediately by the "preciousness" of the image. Limpid, exquisite and slightly detached. The after effect is a whole other story. Colin Firth's face comes to haunt you. His pain and his deep period of reflection has a powerful, contagious effect. Colin Firth creates a character that contains a doses of his D'Arcy of Pride and Prejudice and a pinch of his Adrian LeDuc of Apartment Zero but the rest is totally inedited. His middle age man that spends a day drowning in a memory that tortures him has a resonance that touches countless personal memories. Love without other implications, because love is all there is. I applauded until my hands hurt when I found out that Firth had won the Copa Volpi at the 2009 Venice Film Fest for this role. This was so richly deserved. I doubt I'll see a better performance this year. Bravo!
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