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Never Let Me Go (2010)

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The lives of three friends, from their early school days into young adulthood, when the reality of the world they live in comes knocking.

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Writers:

(novel), (screenplay)
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870 ( 119)
7 wins & 26 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Young Kathy (as Isobel Meikle-Small)
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Young Ruth
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Kate Bowes Renna ...
Miss Geraldine
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Amanda
Christina Carrafiell ...
Laura
Oliver Parsons ...
Arthur
Luke Bryant ...
David
Fidelis Morgan ...
Matron
...
Doctor
...
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Storyline

As children, Ruth, Kathy and Tommy spend their childhood at a seemingly idyllic English boarding school. As they grow into young adults, they find that they have to come to terms with the strength of the love they feel for each other, while preparing themselves for the haunting reality that awaits them. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Genres:

Drama | Romance | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for some sexuality and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

15 October 2010 (USA)  »

Also Known As:

Nunca me abandones  »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$111,734, 19 September 2010, Limited Release

Gross USA:

$2,434,652, 16 December 2010

Cumulative Worldwide Gross:

$9,455,232, 16 December 2010
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Composer Rachel Portman described her score as a "chamber piece." She worked with an orchestra of 48 players, including piano, strings, and harp, plus a violin and cello for solos. She felt that a smaller orchestra was needed for a minimal, more restrained intimate score. Because of the film's sad story she wanted the music to have some hope, humanity, and heartbeat. See more »

Goofs

In an establishing shot of Miss Emily's house in 1994, a blue Citroen Saxo is parked outside the house. They were first sold in England in 1996. See more »

Quotes

[first lines]
Title Card: The breakthrough in medical science came in 1952. Doctors could now cure the previously incurable. By 1967, life expectancy passed 100 years.
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Crazy Credits

The Hailsham School Song can be briefly heard at the very end of the credits. See more »


Soundtracks

COUNT YOUR BLESSINGS AND SMILE
Performed by George Formby
Written by Harry Gifford, Fred E. Cliffe (as Frederick Cliffe) and George Formby
Published by Campbell Connelly & Co. Limited
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Frequently Asked Questions

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User Reviews

 
A mixed reaction to an abridgment of greatness
17 September 2010 | by See all my reviews

As a fan of the book I had a mixed reaction to this adequate yet overall uninspiring adaptation of Kazuo Ishiguro's brilliant novel.

Looking back at my viewing experience I was reminded of the early adaptation of 'Uncle Tom's Cabin' from the earliest era of films, in which the filmmakers expected you to have read the book and simply showed you interpretations of various scenes.

Alex Garland's screenplay boasted the ambition of including a little bit of everything from Ishiguro's 300 page book in his slightly under two hour movie. The result is a simple abridgment, we have time to realize the love brewing between the characters, the strained friendship between Mulligan's Kathy and Knightley's Ruth, and the dilemma of their caregivers at Hailsham. But the film lacks much the catharsis and the commentary that made the book so great.

Romanek has proved himself to be a capable director, but here he made some negative decisions which really removed much of the impact of the plot. Adam Kimmel's cinematography is a stand out here, and given the competition so far I wouldn't be surprised if he receives an Oscar nomination for his work.

The calm collection and stoic nature of much of the acting can be seen as insipid or uninteresting to some. But I found the acting to be quite appropriate, the tight lipped, proper British style of this movie provided an nice contrast and balance to a story which could have turned into a mindless melodramatic tear jerker if not handled correctly.

In the end, I think active viewer-ship is of paramount importance to this movie. The film is never interested in simply handing the audience its ideas. Rather it called upon us to dig for meaning. I would say the plot itself served as a bit of a metaphor, and that intrigued me. And, despite some of the negative artistic liberties which were taken in this adaptation, I feel that it did well enough to create an involving, though provoking, and sometimes heartbreaking experience.

Despite its flaws, 'Never Let Me Go' has been one of the few strong film that we've had this year. And, if your one of those people who goes to the movies once or twice a month, I'd say 'Never Let Me Go' is one of your better bets for an agreeable experience at the movies right now.


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