Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
In the early 1970s during the Cold War, the head of British Intelligence, Control, resigns after an operation in Budapest, Hungary goes badly wrong. It transpires that Control believed one of four senior figures in the service was in fact a Russian agent - a mole - and the Hungary operation was an attempt to identify which of them it was. Smiley had been forced into retirement by the departure of Control, but is asked by a senior government figure to investigate a story told to him by a rogue agent, Ricky Tarr, that there was a mole. Smiley considers that the failure of the Hungary operation and the continuing success of Operation Witchcraft (an apparent source of significant Soviet intelligence) confirms this, and takes up the task of finding him. Written by
As this movie is about the uncovering of an infiltrator into the British Secret Service and the director's previous film was called 'Let the Right One In' [Let the Right One In (2008)], this film was jokingly referred to as 'Get the Wrong One Out'. See more »
Julio Iglesias' cover of the song 'La Mer' used in the movie's final scene is from a live album recorded in 1976 ('En Directo Olympia'); it wouldn't have been on the turntable at the last Christmas party which had Control and Prideaux in attendance, as that was presumably in 1972. See more »
John Le Carre is without doubt one of the literary greats of the late 20th Century . A master of complex story telling his novels are often composed of characters standing around discussing complicated geo-political situations and the human condition . This means that his novels are fundamentally uncinematic , a fact reflected that so little of his work has been adapted to the silver screen . With this adaptation of his 1974 novel I doubt if anyone was expecting a James Bond thriller and I know I wasn't but even so you're struck as to how a Le Carre thriller doesn't lend itself to mainstream cinema
You can't fault the film for its production values . It contains a who's who of prestigious big hitting British character actors such as Oldman , Hurt and Firth alongside up and coming peers such as Hardy and Cumberbatch . We also get a host of under rated actors in Strong and Burke and at a casting level none of this can be faulted . The look of the film is fantastic with the brownish dull hues reflecting both Communist Eastern Europe and run down Britain in the early 1970s and a day after seeing the movie my abiding memory of the film is the cinematography
The problem is that - and I'm afraid to admit this - is that I didn't have a clue what was going on most of the time . A British agent is shot and caputured in Hungary and MI6 believes he was set up by a mole . I understood this but then we cut to a character after character discussing who the mole might be , do we have a mole and we don't have a mole and very soon I was very lost . This film topped the film charts in Britain for a grand total of three weeks and one suspects by way of a backhanded compliment many people went to the cinema for a second and third time in order to unravel the plot . This is all well and good but illustrates the fact highly regarded novels often don't lend themselves to great cinema . Let's not forget two of the most memorable movies of the 1970s THE GODFATHER and JAWS were based on novels dismissed as trash
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