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Directed by | |||
| Tomas Alfredson | |||
Writing credits | ||
| Bridget O'Connor | (screenplay) & | |
| Peter Straughan | (screenplay) | |
| John le Carré | (novel) | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| Hoyte Van Hoytema | (director of photography) | ||
Film Editing by | |||
| Dino Jonsäter | |||
Casting by | |||
| Jina Jay | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Tom Brown | (supervising art director) | ||
| Zsuzsa Kismarty-Lechner | |||
Set Decoration by | |||
| Tatiana Macdonald | |||
Costume Design by | |||
| Jacqueline Durran | |||
Makeup Department | |||
| Felicity Bowring | .... | makeup and hair designer | |
| Sophia Burnage | .... | makeup and hair artist: dailies | |
| Konnie Daniel | .... | makeup and hair artist: dailies | |
| Alison Hanken | .... | makeup artist: daily | |
| Tara McDonald | .... | hair and makeup artist: daily | |
| Donald McInnes | .... | key makeup artist (key hair stylist) | |
| Sharon O'Brien | .... | makeup and hair artist: dailies | |
| Jutta Russell | .... | makeup artist: second unit | |
| Luca Saccuman | .... | makeup and hair artist: dailies | |
| Sue Wyburgh | .... | crowd supervisor: makeup and hair | |
| Wakana Yoshihara | .... | hair and make up artist | |
Second Unit Director or Assistant Director | |||
| Yagiz Alp Akaydin | .... | first assistant director: Turkey | |
| Zoltán Bonta | .... | first assistant director: Hungary | |
| James Chambers | .... | third assistant director: second unit | |
| Laura De Selincourt | .... | crowd second assistant director | |
| Mark Hopkins | .... | second assistant director | |
| Robert Karn | .... | assistant director | |
| Miklos Keleti | .... | third assistant director: Hungary | |
| Zoe Liang | .... | co-second assistant director | |
| Mikael Marcimain | .... | second unit director | |
| Andrew McEwan | .... | first assistant director: second unit | |
| Paul Mindel | .... | second assistant director: second unit | |
| Alex Oakley | .... | first assistant director | |
| Tracey Warren | .... | second assistant director: second unit | |
Art Department | |||
| John Allen | .... | carpenter | |
| Adam Chard | .... | painter | |
| David Chisholm | .... | property storeman | |
| Dean Coldham | .... | set plasterer | |
| Deano Harry Coldham | .... | apprentice plasterer | |
| Chris Cull | .... | property master | |
| Laszlo Demeter | .... | stand-by art director: Hungary | |
| Gary Dempsey | .... | stand-by painter | |
| Jonathan Downing | .... | stand-by prop | |
| Ayberk Dorukhan Erdogdu | .... | standby prop/picture cars: Turkey | |
| Tunc Erguden | .... | prop master: Turkey | |
| Gill Farr | .... | production buyer | |
| András Gaál | .... | stand-by props: Hungary | |
| Gavin Gordon | .... | hod carpenter | |
| Deniz Göktürk | .... | art director: Turkey | |
| Felicity Hickson | .... | graphic artist | |
| Claire Holland | .... | painter | |
| Jonathan Hurst | .... | dressing prop/standby prop | |
| Magnus Jonason | .... | storyboard artist | |
| Julianna Kasza | .... | graphic artist | |
| Rob MacPherson | .... | dressing prop | |
| Simon Marsay | .... | art department assistant | |
| Adolf Mezei | .... | carpenter: Budapest | |
| Zsuzsa Mihalek | .... | set decorator: Hungary | |
| Craig Narramore | .... | propshop supervisor | |
| Sophie Phillips | .... | assistant set decorator | |
| Simon Riley | .... | props | |
| Tom Roberts | .... | props | |
| James M. Spencer | .... | art department assistant | |
| Sarah Stuart | .... | stand-by art director | |
| Béla Tollay | .... | props: Hungary | |
| Luisa Uribe | .... | graphics assistant | |
| Lloyd Vincent | .... | set dresser | |
| Ian Whiteford | .... | greensman | |
| Carl Wildeman | .... | painter | |
| Greg Winter | .... | scenic artist | |
| Charlotte Öberg | .... | assistant set decorator | |
| Anthony Szuch | .... | drapes master (uncredited) | |
Visual Effects by | |||
| Jörundur Rafn Arnarson | .... | compositor | |
| Valdimar Baldvinsson | .... | animator: Framestore | |
| Max Berman | .... | previs artist | |
| Matthias Bjarnason | .... | animator: Framestore | |
| Zachary Bloom | .... | scanning and recording: Framestore | |
| Henry Bush | .... | pipeline lead: framestore | |
| Pete Capelluto | .... | head of pipeline | |
| Chris Cooper | .... | matchmove artist: Framestore | |
| Aimee Dadswell | .... | visual effects producer: Framestore (as Aimee Dadswell-Davies) | |
| Oz Dolphin | .... | matchmove artist: framestore | |
| Dadi Einarsson | .... | visual effects supervisor: Framestore Reykjavik | |
| Sigurður Eyþórsson | .... | visual effects editorial | |
| Matt Fox | .... | head of production: Framestore | |
| T.O.M. Hand | .... | VFX editor: Framestore | |
| Jonathan Harris | .... | composite stills photographer | |
| Frederic Heymans | .... | visual effects artist | |
| Sara Hilmarsdóttir | .... | matchmove artist: Framestore | |
| Aron Hjartarson | .... | cg supervisor | |
| Victoria Hodson | .... | matchmove artist | |
| Mats Holmgren | .... | digital colourist | |
| Jason Horley | .... | concept artist: Framestore | |
| Paul Ingram | .... | matchmove artist | |
| Mikael Jaeger Jensen | .... | reference photographer | |
| Christian Kaestner | .... | set vfx supervisor: Framestore | |
| Andreas Bravin Karlsson | .... | digital compositor | |
| Nick King | .... | visual effects coordinator | |
| Oskar Larsson | .... | visual effects supervisor | |
| Henrik Linnet | .... | compositor | |
| Peter Marin | .... | compositor: Framestore | |
| Joseph McLamb | .... | matte painter | |
| Ruslan Ogorodnik | .... | visual effects | |
| Guo Kun Pan | .... | render support: framestore | |
| Adam Parker | .... | prep artist: Framestore | |
| Olle Petersson | .... | visual effects | |
| Lee Chan Popo | .... | prep artist | |
| Sirio Quintavalle | .... | visual effects supervisor: Framestore | |
| Aatesh Shah | .... | systems engineer: Framestore | |
| Mirek Suchomel | .... | visual effects compositor | |
| Simon Hjalti Sverrisson | .... | cg modeler: Framestore | |
| Ivan Tiunov | .... | matchmove artist | |
| Ivan Tiunov | .... | render support | |
| Michael Todd | .... | paint/roto artist: Framestore | |
| Sara Trezzi | .... | vfx producer: Framestore | |
| Graham Wood | .... | matchmove artist | |
| Christian Zeh | .... | digital compositor | |
| Christophe Meslin | .... | head of systems (uncredited) | |
| Martin Stegmayer | .... | digital compositor: Framestore (uncredited) | |
Stunts | |||
| Andy Bennett | .... | stunt coordinator | |
| Nellie Burroughes | .... | stunt double | |
| Tony Christian | .... | stunt double | |
| Bela Kasi | .... | assistant stunt coordinator | |
| Béla Unger | .... | stunt coordinator: Budapest unit | |
Animation Department | |||
| Black Heart | .... | background artist | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Dixie Chassay | .... | child casting | |
| Alex Duxbury | .... | casting assistant | |
| Louis Elman | .... | adr voice casting | |
| Katy Lake | .... | casting assistant | |
| Zsolt Ferenc Maier | .... | extras casting | |
| Veronika Varjasi | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jill Avery | .... | costume assistant: second unit | |
| Bartholomew Cariss | .... | costume assistant | |
| Rosaria Coppola | .... | seamstress | |
| Andrea Cripps | .... | assistant costume designer | |
| Safa Demirkan | .... | costume assistant: Turkey | |
| Safa Demirkan | .... | wardrobe assistant | |
| Dan Grace | .... | costume supervisor | |
| Jamie Harvey | .... | wardrobe assistant | |
| Gábor Homonnay | .... | costume supervisor | |
| Edith Kähler | .... | set costumer | |
| Sinéad O'Sullivan | .... | costume assistant | |
| Nadine Powell | .... | additional costume assistant | |
| Nicholas Roche-Gordon | .... | key set costumer | |
| Edwina Sercombe | .... | costume assistant: daily | |
| Hilal Sezer | .... | assistant costume designer: Turkey | |
| Adrian Simmons | .... | costume assistant: second unit | |
| Beril Sinan | .... | costume assistant: Turkey | |
| Guy Speranza | .... | additional costume assistant | |
| Katalin Ujvari | .... | principal dresser: Hungary | |
Editorial Department | |||
| Tamás Albert | .... | post production engineer | |
| Jill Bilcock | .... | additional editor | |
| Jonas Jangvad | .... | technical coordinator: post-production | |
| Emma McCleave | .... | additional assistant editor | |
| Sofie Palage | .... | post-production coordinator | |
| Cheryl Potter | .... | assistant editor | |
| Mark Trend | .... | first assistant editor | |
| Simona Harrison | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| James Bellamy | .... | music editor | |
| Nicholas Bucknall | .... | musician: clarinet | |
| Javier Casado | .... | musician: piano | |
| Andrew Crowley | .... | musician: trumpet (as Andy Crowley) | |
| Isobel Griffiths | .... | orchestra contractor | |
| Vicki Williams | .... | music coordinator | |
Transportation Department | |||
| Mark Beeton | .... | unit driver | |
| Sue Beeton | .... | unit driver | |
| Fergus Cotter | .... | unit driver | |
| Márton Ivanov | .... | transportation captain: Hungary | |
| Zsolt Somogyi | .... | action vehicle coordinator: Hungary | |
| Zsolt Somogyi | .... | transportation coordinator: Hungary | |
| Barrie Williams | .... | transportation captain | |
Thanks | |||
| Jane Cornwell | .... | special thanks | |
| Bridget O'Connor | .... | dedicatee | |
| Josh Wood | .... | special thanks | |
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| The Good Shepherd | Die Stille nach dem Schuß | Topaz | The Interpreter | L'affaire Farewell |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Great cast of actors. Great visuals. But... the chronological editing of events is just too confusing. It goes back and forth through time and you've no idea of when a transition occurs, that is, if the next scene is a continuation of the last one or gone back in time or back to the present. I couldn't tell if there were 10 or 50 time changes. I could tell from the silence in the auditorium last night that no one else understood it either, perhaps this is why the critics have given it such high ratings. I think this gratuitous confusion added to the film really takes away from it. I won't bother trying to watch and understand it again.