Pål dreams about success within the musical world, but he has an obstacle; himself. His deep thoughts keeps him end up in trouble. We follow Pål on a emotional inner travel to find his call on the swedish west coast of Gothenburg.
The mother Morran (Johan Rheborg) and the son Tobias (Robert Gustafsson) lives together in a broken house with car wreckage in the garden. They are outsiders of the society and tries to solve every-day problems in unusual ways.
Sickan, Vanheden and Rocky try to rob the Berns nightclub one night, but Vanheden has made the mistake to invite his constantly drunk cousin, the old dynamiter Dynamite-Harry and he ruins ... See full summary »
The landlubber Stig-Helmer and his Norwegian friend Ole get on a barge by mistake. They arrive to an island in the archipelago and have to spend Midsummer among the fancy rich people, their... See full summary »
Mona Bergström is a sweet euro-vision-obsessed woman in her 30's. She is married to a lazy husband and have 4 children, all named after her favorite Swedish euro-vision pop stars. Her ... See full summary »
Stig-Helmer takes another vacation with his Norwegian friend Ole. This time it's time for a skiing vacation in the Alps. Of course, Stig-Helmer has never learned downhill skiing, but he ... See full summary »
Stig-Helmer Olsson isn't the fashionable jet-set type, but, for the first time in his life, he's going to travel abroad. He chooses a trip to the Canary Islands over Christmas. Before ... See full summary »
Vibrantly moody and emotionally charged treatment of trademark Jonas Gardell topic themes...
This 4-part mini-series follows the fates of three families in Sweden between 1970 and today, and intertwines everything in their lives from inadequate parenthood, growing pains, homosexuality, alcoholism, neo-nazism, to the devastating heritage of religious bigotry. Mainly shown from the children's point of view, as its title memorably refers to old time family portraits that depicted both living and dead family members.
Scriptwriter Jonas Gardell's trademark dark topic themes (that certainly keeps the anguished drama tradition a' la Bergman & Lars Norén alive) are given a vibrantly moody and emotionally charged treatment, for sure. I guess I could have a go at the one-sided, all-male gender child- and teenhood perspective, but I won't... Told in one of those frantically paced time-overlapping storytelling styles, it keeps the uncertainty hovering and the cliffhanger addiction flying between the episodes, (despite a somewhat unnecessarily solemn tone) to find out exactly how things hang together from past to present.
Although the content may be not too original, it's still pertinent, and when handled as strongly and sensibly as this by director Kaijser, I don't really mind the message repetition at all! Wonderfully acted, mainly by its youngster cast, plus an uproarious performance by Dencik as a mentally abusive husband/control freak. Excellent production values, too, although some uneven make-up qualities distract the eye...
7 out of 10 from Ozjeppe
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