The mother Morran (Johan Rheborg) and the son Tobias (Robert Gustafsson) lives together in a broken house with car wreckage in the garden. They are outsiders of the society and tries to solve every-day problems in unusual ways.
Stig-Helmer takes another vacation with his Norwegian friend Ole. This time it's time for a skiing vacation in the Alps. Of course, Stig-Helmer has never learned downhill skiing, but he ... See full summary »
Sickan, Vanheden and Rocky try to rob the Berns nightclub one night, but Vanheden has made the mistake to invite his constantly drunk cousin, the old dynamiter Dynamite-Harry and he ruins ... See full summary »
In 1929, the film follows the six-year old son of a Swedish country doctor. Åke lives with his parents and his sister Aja in a small provincial town. His best friend is Kalle Nubb. Åke is ... See full summary »
Stig-Helmer Olsson isn't the fashionable jet-set type, but, for the first time in his life, he's going to travel abroad. He chooses a trip to the Canary Islands over Christmas. Before ... See full summary »
In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. ... See full summary »
Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of ... See full summary »
TV series about the doctor Johan Steen who returns to Sweden after working in Somalia. He takes over his father in law's practice in the archipelago and together with his daughter Wilma, they try to make a new life for themselves.
Vibrantly moody and emotionally charged treatment of trademark Jonas Gardell topic themes...
This 4-part mini-series follows the fates of three families in Sweden between 1970 and today, and intertwines everything in their lives from inadequate parenthood, growing pains, homosexuality, alcoholism, neo-nazism, to the devastating heritage of religious bigotry. Mainly shown from the children's point of view, as its title memorably refers to old time family portraits that depicted both living and dead family members.
Scriptwriter Jonas Gardell's trademark dark topic themes (that certainly keeps the anguished drama tradition a' la Bergman & Lars Norén alive) are given a vibrantly moody and emotionally charged treatment, for sure. I guess I could have a go at the one-sided, all-male gender child- and teenhood perspective, but I won't... Told in one of those frantically paced time-overlapping storytelling styles, it keeps the uncertainty hovering and the cliffhanger addiction flying between the episodes, (despite a somewhat unnecessarily solemn tone) to find out exactly how things hang together from past to present.
Although the content may be not too original, it's still pertinent, and when handled as strongly and sensibly as this by director Kaijser, I don't really mind the message repetition at all! Wonderfully acted, mainly by its youngster cast, plus an uproarious performance by Dencik as a mentally abusive husband/control freak. Excellent production values, too, although some uneven make-up qualities distract the eye...
7 out of 10 from Ozjeppe
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