| Emmanuel Mouret | ... | Jean-Jacques | |
| Judith Godrèche | ... | Elisabeth | |
| Déborah François | ... | Aneth | |
| Frédérique Bel | ... | Ariane | |
| Jacques Weber | ... | Le père d'Elisabeth | |
| Dany Brillant | ... | Rudolph | |
| Mikaël Gaudin | ... | Grégoire (as Mikaël Gaudin-Lech) | |
| Frédéric Epaud | ... | Le séducteur (as Fred Epaud) | |
| Frédéric Niedermayer | ... | Jean-Paul | |
| Karine Ventalon | ... | La femme du train | |
| Olivier Galfione | ... | Thomas | |
| Jean-François Fagour | ... | Le vigile | |
| Yongsou Cho | ... | L'ambassadeur (as Young Soo Cho) | |
| Akihiko Nishida | ... | Le ministre des Affaires Etrangères (as Akihiro Nishida) | |
| Philippe Sol | ... | Franck | |
| Teresa Ovídio | ... | Invitée canapé | |
| Zara Prassinot | ... | Soeur Aneth 1 | |
| Laura Boujenah | ... | Soeur Aneth 2 | |
| Audrey DeWilder | ... | Soeur Aneth 3 (as Audrey Dewilder) | |
| Juliet Lemonnier | ... | Soeur Aneth 4 | |
| Hélène Milano | ... | La policière | |
| Aurélie Bouix | ... | Marianne |
Directed by | |||
| Emmanuel Mouret | |||
Writing credits(in alphabetical order) | ||
| Emmanuel Mouret | screenplay | |
Produced by | |||
| Philippe Martin | .... | co-producer | |
| Frédéric Niedermayer | .... | producer | |
Original Music by | |||
| David Hadjadj | |||
Cinematography by | |||
| Laurent Desmet | |||
Film Editing by | |||
| Martial Salomon | |||
Casting by | |||
| Aurélie Bouix | |||
| Asako Furukata | |||
Production Design by | |||
| David Faivre | |||
Costume Design by | |||
| Marie-Laure Pinsard | |||
Makeup Department | |||
| François André | .... | hairstylist: Jacques Weber | |
| Olivia Carron | .... | makeup artist | |
| Sylvy Ferrus | .... | key makeup artist | |
| Rachel Levieux | .... | key hair stylist | |
Production Management | |||
| Audrey Amann | .... | unit manager | |
| Yann Aïm | .... | trainee unit manager | |
| Aurélia De Sambi | .... | assistant unit manager | |
| Benoît De Sambi | .... | trainee unit manager | |
| Thomas de Sambi | .... | assistant unit manager | |
| Tania El Khoury | .... | post-production supervisor | |
| Fanny Gauchery | .... | unit production manager | |
| Gaëtane Josse | .... | production manager | |
| Philippe Le Forestier | .... | trainee unit manager | |
| Mahdi Luizza | .... | trainee unit manager | |
| Adrien Mendoza | .... | trainee unit manager | |
| Clara Tran Dinh | .... | assistant unit manager | |
| Thierry Trion | .... | assistant unit manager | |
| Vincent Trémel | .... | trainee unit manager | |
Second Unit Director or Assistant Director | |||
| Michael Berreby | .... | second assistant director (as Michaël Berreby) | |
| Hélène Serra | .... | trainee assistant director | |
| Pierrick Vautier | .... | first assistant director | |
Art Department | |||
| Pauline Janand | .... | assistant art director | |
| Elodie Juvin | .... | painter | |
| Thomas Kramkimel | .... | carpenter | |
| Claire Massard | .... | first assistant production designer | |
| Anne-Karin Mordos | .... | set dresser (as Anne-Karine Faivre-Mordos) | |
| Thibaud Ponce | .... | assistant art director | |
| Samuel Raimondi | .... | set builder | |
| Christian Roudil | .... | property master | |
| Isabelle Vellard | .... | chief painter | |
Sound Department | |||
| Annabel Acquaviva | .... | sound assistant | |
| Ludovic Delzenne | .... | recordist | |
| Geraldine Falieu | .... | dialogue editor | |
| Maxime Gavaudan | .... | sound | |
| Eric Grattepain | .... | foley artist | |
| Séverine Laumesfeld | .... | recordist | |
| François Méreu | .... | sound editor | |
| Mélissa Petitjean | .... | sound mixer | |
| Matthieu Sibony | .... | supervising sound editor | |
| Florian Thiebaux | .... | recordist | |
Stunts | |||
| Dominique Fouassier | .... | stunts | |
Camera and Electrical Department | |||
| Carole Ardoin | .... | assistant camera | |
| Cécile Arthuis | .... | second assistant camera | |
| Olivier Billard | .... | gaffer | |
| Cécile Bodenes | .... | first assistant camera | |
| Camille Bonin | .... | grip | |
| Michael Jean Bretones | .... | gaffer | |
| Arthur Chamaillard | .... | grip | |
| Pascal Chantier | .... | still photographer | |
| Etienne Cohet | .... | grip | |
| Sébastien Courtain | .... | gaffer | |
| Pierre Emily | .... | key grip | |
| Joseph Emiélot | .... | grip (as Joseph Emeliot) | |
| Eric Fontenelle | .... | grip | |
| Didier Larate | .... | gaffer (as Didier Laratte) | |
| Guillaume Leturgie | .... | gaffer | |
| Claire Nicol | .... | still photographer | |
| Olivier Rodriguez | .... | gaffer | |
| Olivier Rodriguez | .... | grip | |
| Olivier Sargatal | .... | electrician | |
Costume and Wardrobe Department | |||
| Virginie Petit | .... | costumer | |
Editorial Department | |||
| Mathilde Delacroix | .... | color timer | |
| Raphaëlle Dufosset | .... | digital dailies colorist: Eclair | |
| Gwenaëlle Hubert | .... | assistant editor (as Gwen Hubert) | |
| Aurélie Laumont | .... | color timer | |
Music Department | |||
| Stéphane Reichart | .... | music scoring mixer | |
Other crew | |||
| Diana Angulo | .... | administrator | |
| Arnaud Bigeard | .... | making-of director | |
| Juliette Chenais | .... | trainee production assistant (as Juliette Chesnais) | |
| Martine Dorin | .... | production assistant | |
| Ariane Guez | .... | administrator | |
| Mathieu Laemlé | .... | location scout (as Matthieu Laemle) | |
| Marjorie Marramaque | .... | location scout | |
| Pauline Pellegri | .... | trainee production assistant | |
| Edith Roux | .... | location scout | |
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| Les chansons d'amour | La science des rêves | Bitter Moon | Damage | Something's Gotta Give |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section |
Jean-Jacques (Emmanuel Mouret himself) and Ariane (Frédèrique Bel) live together happily in their playful world, till the day Jean-Jacques admits to have met another woman. Although he tries to tell her otherwise, Ariane is convinced that he desires this other woman, Elisabeth. With the impending risk of having their relationship end over this supposed desire, she tells him to give in to temptation to quench his desire. Although not wholeheartedly convinced himself, Jean-Jacques none the less goes out to meet the mysterious Elisabeth. It turns out to be a very eventful evening.
Emmanuel Mouret is rapidly establishing himself as a modern master of comedy, theatrical-style, even if he is still perfecting his art. "Fais-Moi Plaisir" stands clearly in line with his previous comedies of "Changement d'adresse" and "Un baisir s'il vous plait", and hopefully not the last either! It is a pity to ruin the thread of unfolding events which take you from one sketch to another, but perhaps an illustration of a -here Jacques Tati style humour- scene:
When Jean-Jacques arrives at Elisabeth's front door, he takes out a piece of paper on which he had written her doorcode and starts punch it in. And it continues being long enough to be the international phone number of someone in central India. But the door opens. He steps into the hall and into an elevator. Jean-Jacques quickly notices that there are no buttons. Even before the confusion can settle, he hears a voice bidding him welcome into the elevator, and asking him which floor he would like to go to. He replies: "4". The elevator voice asks him to repeat which floor he would like to go to. He says "Eh, fourth floor". The elevator again says that is does not understand, and asks him to repeat. Jean Jacques says: "I'd like to go to the fourth floor please" and the doors close
As Jean-Jacques charms all the beautiful ladies surrounding him, we too are swept along through the romantic dreamy world of wide-eyed starlets in hidden corners till our brutal awakening back to earth: the ending. While in itself unremarkable, it still comes along as floodlights in the night. It is a curiosity to leave a comedy unsettled, but the ending is out of character with the film. A blemish on a creative and humorous achievement but watch it none the less...