| Isabella Ragonese | ... | Camilla | |
| Michele Riondino | ... | Silvestro | |
| Glen Blackhall | ... | Simone | |
| Sergei Zhigunov | ... | Fjodor | |
| Sergey Nikonenko | ... | Prof. Korsakov | |
| Liuba Zaizeva | ... | Liuba | |
| Alice Torriani | ... | Clara | |
| Sara Lazzaro | ... | Maria Antonietta | |
| Francesco Brandi | ... | Niccolò | |
| Luca Avagliano | ... | Ermanno | |
| Francesca Cuttica | ... | Elena | |
| Roberto Nobile | ... | Camilla's Father | |
| Luis Molteni | ... | Doctor | |
| Vinicio Capossela | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Waléra Kanischtscheff | ... | Victor (voice) | |
Directed by | |||
| Valerio Mieli | |||
Writing credits | ||
| Valerio Mieli | (story) | |
| Valerio Mieli | (screenplay) & | |
| Davide Lantieri | (screenplay) & | |
| Isabella Aguilar | (screenplay) | |
| Federica Pontremoli | (screenplay supervision) & | |
| Aleksandr Lebedev | (screenplay supervision) | |
Original Music by | |||
| Francesco De Luca | |||
| Alessandro Forti | |||
Cinematography by | |||
| Marco Onorato | |||
Film Editing by | |||
| Luigi Mearelli | |||
Casting by | |||
| Béatrice Kruger | |||
| Veronika Mancino | |||
Production Design by | |||
| Mauro Vanzati | |||
Costume Design by | |||
| Andrea Cavalletto | |||
Makeup Department | |||
| Donatella Borghesi | .... | key hair stylist | |
| Valentina Iannuccilli | .... | key makeup artist | |
Production Management | |||
| Irene Abrescia | .... | unit manager | |
| Marianna De Liso | .... | unit manager | |
| Alessandro Del Vecchio | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Andrea Piazza | .... | second assistant director | |
| Ciro Scognamiglio | .... | first assistant director | |
Sound Department | |||
| Filippo Ercolani | .... | boom operator | |
| Marco Giacomelli | .... | dialogue editor | |
| Andrea Roversi | .... | sound re-recording mixer | |
| Fabio Russo | .... | assistant boom operator | |
| Guido Spizzico | .... | sound | |
Camera and Electrical Department | |||
| Roberto de Franceschi | .... | camera operator | |
| Francesca Lamura | .... | second assistant camera | |
| Leone Orfeo | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Dejana Sremcevic | .... | assistant costume designer | |
Editorial Department | |||
| Fabrizio Conti | .... | colorist | |
| Emily Greene | .... | first assistant editor | |
| Debora Pignotti | .... | apprentice editor | |
Other crew | |||
| Olivia Alighiero | .... | press | |
| Francesca Cozzolino | .... | production secretary | |
| Lucille Cristaldi | .... | script supervisor | |
| Linda Dombrovszky | .... | director: behind-the-scenes | |
| Tanja Lunardelli | .... | production secretary | |
| Federica Pontremoli | .... | script supervisor | |
| Flavia Schiavi | .... | press | |
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| Les poupées russes | Anna Karenina | Il est plus facile pour un chameau... | Le affinità elettive | Baby Boom |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
*** This review may contain spoilers ***
I'd hoped to enjoy this movie, be engaged by it... sadly neither happened.
It was my wedding anniversary and first film for the 2010 Italian Film Festival playing in Australia in Sep/Oct 2010. So I was looking for something romantic. (In the synopsis Ten Winters is described as a romantic drama, it's definitely not a comedy). With the festival you hope your first picks are good ones as this is encouraging to see more. When the first one like this is a bit of downer it cast doubts over going to other screenings.
For me I knew we were in trouble on 2 or 3 fronts. Firstly the leading players, secondly the locations. What I've seen described elsewhere as a quaint cottage on one of the Venice Islands that the story in Venice is largely centred around. I'd hoped they might have been on the Venice Lido somewhere off the main street. But the cottage just off the end of the pier where the ferry docked looked like a fishing shack, cold, unloved, unappealing.
Of the players the lead actress reminded be of Isla Fisher with the personality turned down. I liked the supporting actresses better, especially the ones who played Silvestros other girlfriends. Likewise with the men. the leading character was a bit geeky. I preferred the actor and the character who played Camilla's boyfriend when she went to live in Russia.
Being an Italian/Russian co-production the film moves to and fro Venice and Russia. Sadly I was looking for a romantic film. This was more drama, with a feeling of back and forth and going around in circles. Perhaps with hindsight I should have seen it coming. Ten Winters as the English title name is a clue. I obviously was after 10 Springs or 10 Summers preferring my films to be light and brighter than this one. But 10 Winters we were stuck with and 10 fairly long ones at that.
I guess the purpose of IMDb is to tell it as you see it, so this was that for me.
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From the Italian Film Festival booklet here's their synopsis
"Ten Winters (Dieci inverni) A decade of missed chances beguiles and rewards the quietly unassuming debut from Valerio Mieli who won the David di Donatello (Italian Academy) Award 2010 for Best First Time Director for this moving tale of two friends who secretly have deeper feelings for one another. TEN WINTERS screened in the Venice International Film Festival's Controcampo sidebar.
Winter, 1999. Camilla (Isabella Ragonese, La Nostra Vita IFF10), a student of Slavic literature, leaves home to take up residence in a semi-derelict house in an overcast Venice devoid of tourists. On the last leg of her journey - a ferry to her island - she's spotted by a would-be Romeo, Silvestro (Michele Riondino, The Past Is a Foreign Land, IFF08). Despite getting the brush-off, Silvestro follows Camilla to her home and manages to insinuate himself as a guest for the night but he fails in his gentle efforts to seduce her. Over the next ten years, Silvestro and Camilla develop a strong bond, and the narrative captures a beautifully painful, reflective push and pull between two souls who keep finding their way back to each other.
Charming performances by leads Michele Riondino and Isabella Ragonese combine with a restrained, intelligent atmosphere to create an involving romantic drama which echoes the mantra "Would've, could've, should've" and highlights that, in life, timing is everything"