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Directed by | |||
| Cameron Crowe | |||
Writing credits | ||
| Aline Brosh McKenna | (screenplay) and | |
| Cameron Crowe | (screenplay) | |
| Benjamin Mee | (book) | |
Produced by | |||
| Paul Deason | .... | co-producer | |
| Marc Gordon | .... | co-producer (as Marc R. Gordon) | |
| Jeffrey Harlacker | .... | associate producer | |
| Ilona Herzberg | .... | executive producer | |
| Michelle Panek | .... | associate producer | |
| Aldric La'auli Porter | .... | co-producer | |
| Julie Yorn | .... | producer | |
Original Music by | |||
| Jon Thor Birgisson | (as Jónsi) | ||
Cinematography by | |||
| Rodrigo Prieto | |||
Film Editing by | |||
| Mark Livolsi | |||
Casting by | |||
| Gail Levin | |||
Production Design by | |||
| Clay A. Griffith | (as Clay Griffith) | ||
Art Direction by | |||
| Peter Borck | (supervising art director) | ||
| Domenic Silvestri | |||
Set Decoration by | |||
| Wayne Shepherd | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Makeup Department | |||
| Garry Allyn | .... | additional hair stylist | |
| Allan A. Apone | .... | assistant department head makeup | |
| Elena Arroy | .... | makeup artist | |
| Jeri Baker | .... | assistant department head hair | |
| Marc Boyle | .... | additional hair stylist | |
| Becky Cotton | .... | makeup artist | |
| Brad Look | .... | makeup artist | |
| Cheri Minns | .... | makeup artist | |
| Barbara Olvera | .... | hair department head | |
| Lisa Rocco | .... | makeup artist | |
| Sherilyn Stetz | .... | additional makeup | |
| Heba Thorisdottir | .... | makeup department head | |
| Laine Trzinski | .... | hair stylist | |
| Teresa Vest | .... | makeup artist | |
| Isabella Wiley | .... | makeup artist | |
| K. Troy Zestos | .... | additional hairstylist | |
Production Management | |||
| Paul Deason | .... | unit production manager | |
| Jeffrey Harlacker | .... | post-production supervisor | |
Art Department | |||
| Andrea Babineau | .... | set decorating coordinator | |
| Pedro Barquin | .... | stand-by greens foreman | |
| Richard J. Bell | .... | greens designer | |
| Clint Carney | .... | conceptual artist: Dylan's art | |
| Chris Carriveau | .... | set dresser | |
| Skip Crank | .... | assistant property master | |
| Shannon Curfman | .... | assistant set decorator | |
| Shannon Curfman | .... | set decoration buyer | |
| Vincent D'Aquino | .... | greens foreman | |
| Michael D'Imperio | .... | props | |
| Marc Martin Del Campo | .... | set dresser | |
| Alex Hill | .... | storyboard artist (as Alex Hillkurtz) | |
| Mathilde Hovsepian | .... | art department assistant | |
| Mathilde Hovsepian | .... | property department production assistant | |
| Patrick Janicke | .... | production illustrator | |
| Daniel R. Jennings | .... | set designer | |
| John Paul 'J.P.' Jones | .... | property master | |
| Richard W. Jones | .... | greens gang boss | |
| Mark Kudra | .... | set dressing gangboss | |
| Brook Mansbridge | .... | propmaker | |
| John Hammer Maxwell | .... | on-set dresser | |
| Gary Metzen | .... | painter | |
| Charlie Montoya | .... | set dresser | |
| Samuel Pactol | .... | paint foreman | |
| Frank Piercy | .... | paint supervisor | |
| Jamie Rama | .... | illustrator | |
| Edmond Scott Ratliff | .... | set dresser | |
| David Saltzman | .... | second unit property master | |
| Clint Schultz | .... | graphic designer | |
| Bruce G. Smith | .... | paint foreman | |
| Eric Smith | .... | paint foreman | |
| Harlan Spatz | .... | set dresser | |
| Angela Stauffer | .... | art department coordinator | |
| Naomi Treuherz | .... | supervising signwriter | |
| Kurt Verbaarschott | .... | set dresser | |
| Mike Villarino | .... | construction coordinator | |
| Frank White | .... | welder gangboss | |
| Gerard Willard | .... | set dresser | |
| Mark Woodworth II | .... | painter | |
| Chris Zimmerman | .... | on-set stand-by painter | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Ron Bartlett | .... | sound re-recording mixer | |
| Don Coufal | .... | boom operator | |
| Susan Dawes | .... | supervising dialogue editor | |
| Tim Gomillion | .... | sound recordist | |
| John Guentner | .... | foley mixer | |
| Warren Hendriks | .... | sound effects editor | |
| Jeffrey A. Humphreys | .... | sound utility | |
| Mildred Iatrou | .... | supervising sound editor (as Mildred Iatrou Morgan) | |
| R.J. Kizer | .... | adr editor | |
| Jonathan Klein | .... | foley editor | |
| Ai-Ling Lee | .... | additional sound mixer | |
| Ai-Ling Lee | .... | supervising sound editor | |
| Skip Longfellow | .... | first assistant sound editor | |
| Helen Luttrell | .... | dialogue editor | |
| Beauxregard Neylon | .... | adr mixer | |
| Dan O'Connell | .... | foley artist | |
| Ric Schnupp | .... | adr recordist | |
| Thomas W. Small | .... | foley editor | |
| Jeff Wexler | .... | production sound mixer | |
Special Effects by | |||
| Burt Dalton | .... | special effects coordinator | |
Visual Effects by | |||
| Richard Alonso | .... | computer graphics | |
| Patrick Clancey | .... | digital opticals | |
| Christina Graff | .... | visual effects producer | |
| Paul Graff | .... | visual effects supervisor | |
| Rachel Faith Hanson | .... | visual effects coordinator | |
| Joshua LaCross | .... | compositor | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| Adam Matis | .... | digital compositor: Crazy Horse Effects | |
| Luke McDonald | .... | on-set digital effects supervisor: CHE | |
| Saravanan Sala | .... | lead paint artist | |
| Brian Sales | .... | lead compositor: Crazy Horse Effects | |
| Doug Spilatro | .... | visual effects artist | |
| Carl Stern | .... | digital compositor | |
| Judy Webster | .... | visual effects coordinator: Crazy Horse Effects | |
| Magdalena Wolf | .... | visual effects producer: Crazy Horse Effects | |
Stunts | |||
| Thomas Robinson Harper | .... | stunt coordinator | |
| Christopher Leps | .... | stunt double: Matt Damon | |
| Chris O'Hara | .... | stunt performer | |
Casting Department | |||
| Cody Bayne | .... | extras casting assistant | |
| Jeremy Gordon | .... | casting associate | |
| Rich King | .... | extras casting | |
| Doug Ritzenthaler | .... | extras casting assistant | |
| Alex Zahn | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kohl V. Bladen | .... | wardrobe assistant | |
| Sarah Bowman | .... | additional costume assistant | |
| Bren Cook | .... | ager/dyer | |
| Phyllis Corcoran-Woods | .... | costumer | |
| Emily Egge | .... | set costumer | |
| Brandon Kelly | .... | costume assistant | |
| Beth Koenigsberg | .... | key costumer | |
| Barnaby Smith | .... | costumer: Mr. Damon | |
| Ivory Stanton | .... | ager/dyer | |
| Lori Stilson | .... | costume supervisor | |
| Jack Taggart | .... | head ager and dyer | |
| Laura Wolford | .... | set costumer | |
| Deborah Zimmerman | .... | key set costumer | |
Editorial Department | |||
| David Bilow | .... | first assistant editor | |
| Kenny Dodson | .... | editorial production assistant | |
| Joe Hutshing | .... | additional editor | |
| Élodie Ichter | .... | colorist assist: Efilm | |
| Lara Khachooni | .... | assistant editor | |
| William Kruzykowski | .... | additional editor | |
| Yvan Lucas | .... | digital film colorist: Efilm | |
| David Matusek | .... | assistant editor | |
| Tom Reiser | .... | second colorist: Efilm | |
Music Department | |||
| Mark Graham | .... | head of music preparation | |
| Joel Iwataki | .... | music scoring mixer | |
| Carlton Kaller | .... | music editor | |
| Victor Pesavento | .... | music preparation | |
| Mauricio Yazigi | .... | guitar | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Tony Mouradian | .... | driver | |
| Dave Robling | .... | transportation coordinator | |
| Tom Sweeney | .... | transportation dispatcher | |
| Dean Winton | .... | driver | |
Thanks | |||
| Thomas R. Baker | .... | very special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
-- www.Ramascreen.com --
And the 2011 most feel-good movie goes to WE BOUGHT A ZOO. It's one of the most heartwarming, delightful, pleasant family films you'll see this Holiday season. It's also an excellent grief-themed movie. Great ensemble cast, across the board. This is much lighter than what we usually expect from Cameron Crowe who brought us Jerry Maguire, Almost Famous, and Vanilla Sky, but after leaving us with the meditational Elizabethtown, which I didn't enjoy very much, and then 6 years hiatus, WE BOUGHT A ZOO is a very sweet, very nice comeback, a breath of fresh air
What I enjoy about Crowe's movies is that there's always something personable about them, and it's no different with WE BOUGHT A ZOO. This film is not preachy, it doesn't hit you like a ton of bricks, it doesn't drag, it doesn't get too sentimental either. It's tender yet firm, a bit predictable yet entertaining. It's one of those movies that make anything seem possible, somewhat of an underdog story, the kind that's generally liked, it's a good way for Crowe to tell the world that he's still in the game, without having to alienate his old fans, while embracing some new ones. Be glad that this is not a talking animal movie. The animals in WE BOUGHT A ZOO serve as a way to challenge the humans on their road to healing and triumph.
Matt Damon is a fantastic actor because he can be action man in one movie and he can be your next door regular neighbor joe schmoe in another. As the single dad, Benjamin Mee, Damon channels a certain vulnerability that comes with fatherhood. And Damon shows the sorrow and exhaustion of a newly single parent. I think it's great to see Scarlett Johansson utilizing more than just her good looks. She shows some range that we remember from Lost In Translation, Girl With A Pearl Earring and The Horse Whisperer. Johansson is not believable as a zookeeper, I mean, let's face it,.. if you were to name someone who handles a zoo or cleans animal crap for a living, Johansson would probably the last person on your list, but she seems self-composed, which allows her character to be Mee's listening ear. Outstanding work by the teens in this film, Colin Ford who plays Mee's angry son, Dylan and Elle Fanning who plays the socially awkward Elle Fanning. Their characters embody stereotypical teens and their usual problems with parents and also with peers their age. Ford and Fanning are actors who are going to rock Hollywood someday, you just wait and see.
Some things don't work for me, although I admit Maggie Elizabeth Jones who plays the little daughter Rosie is absolutely adorable, I think the film plays out her cuteness way too often, way too much. And I think it's sad that Patrick Fugit who was practically the star of Crowe's 2000 Oscar worthy movie, Almost Famous, doesn't get to have a substantial role in this film. All he mostly does is stand there in the background with a monkey on his back, how sad. Aside from the zoo aspect, the story itself, in its core, is nothing unique but that doesn't necessarily mean a bad thing. It's about difficulties of moving on. The loss of his wife, the mother of his children, leaves a mark that can't easily be replaced by the appeal an unconventional new home. But as the film suggests, sometimes plans change, and all of a sudden it's not about you anymore. And it's not a Crowe movie without such memorable lines like 'Show me the money' and 'you had me at hello', WE BOUGHT A ZOO has a hopeful message of taking chances and gambling on life through 20 seconds of insane courage, loving people, and adventurous, unadulterated joy. And if you're still asking why you should watch this movie, just say to yourself.. why not?!
-- www.Ramascreen.com --