| Nopachai Chaiyanam | ... | Nop (as Nopporn Chaiyanam) | |
| Porntip Papanai | ... | Nymph | |
| Wanida Termthanaporn | ... | May | |
| Chamanun Wanwinwatsara | ... | Korn |
Directed by | |||
| Pen-Ek Ratanaruang | |||
Writing credits(in alphabetical order) | ||
| Pen-Ek Ratanaruang | screenplay | |
Produced by | |||
| Wouter Barendrecht | .... | co-producer | |
| Saksiri Chantarangsri | .... | producer | |
| Aphiradee Iamphungporn | .... | producer | |
| Charoen Iamphungporn | .... | producer | |
| Michael J. Werner | .... | producer | |
Original Music by | |||
| Koichi Shimizu | |||
Cinematography by | |||
| Chankit Chamnivikaipong | |||
Film Editing by | |||
| Patamanadda Yukol | |||
Production Design by | |||
| Saksiri Chantarangsri | |||
Sound Department | |||
| Akritchalerm Kalayanamitr | .... | sound designer | |
| Koichi Shimizu | .... | sound | |
Editorial Department | |||
| Max Tersch | .... | assistant editor | |
Other crew | |||
| Navarutt Roongaroon | .... | script supervisor | |
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| Sud pralad | Big Fish | The Ghost and Mrs. Muir | Shutter | Okoge |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Thailand section |
The wrong film at the wrong time. So my expectations are slightly to blame, having read it was a drama/fantasy, I thought it would be a nice film for a Sunday morning. How wrong I was! The fantasy is very light, and could just be described as weird. It all starts fantastically enough with an amazing shot. The camera pans through a woodland as though itis searching for a story to tell. It soon comes across two men chasing a woman. We then hear breathing and realise this shot is the perspective of someone/something. It seems to ignore the events and soon rises higher and higher, making it obvious this is no human. As it looks down we see the two men, dead, in a river. This one shot contains more excitement, thought, and technical brilliance than the remainder of the running time. Nymph forces you to suffer through endless glaring at trees and shots of people with flashlights gradually turning around. It's a painfully tame and tedious film.