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Directed by | |||
| Nanni Moretti | |||
Writing credits | ||
| Nanni Moretti | (written by) and | |
| Francesco Piccolo | (written by) and | |
| Federica Pontremoli | (written by) | |
Produced by | |||
| Jean Labadie | .... | producer | |
| Nanni Moretti | .... | producer | |
| Domenico Procacci | .... | producer | |
Original Music by | |||
| Franco Piersanti | |||
Cinematography by | |||
| Alessandro Pesci | |||
Film Editing by | |||
| Esmeralda Calabria | |||
Production Design by | |||
| Paola Bizzarri | |||
Costume Design by | |||
| Lina Nerli Taviani | |||
Makeup Department | |||
| Massimo Allinoro | .... | additional hair stylist | |
| Raffaella Iorio | .... | makeup artist | |
| Silvia Persica | .... | makeup artist | |
Production Management | |||
| Fabrizio Amato | .... | unit manager | |
| Alessandro Del Vecchio | .... | production secretary | |
| Ezio Orita | .... | production manager | |
| Andrea Piazza | .... | production secretary | |
Art Department | |||
| D'Ubaldi Cinzia | .... | digital intermediate assistant | |
| Erminio Lauri | .... | art department | |
| David Orlandelli | .... | storyboard artist | |
| Melina Ormando | .... | first assistant art director | |
| Gianpaolo Rifino | .... | assistant art director | |
Sound Department | |||
| Laurent Boudaud | .... | sound re-recording mixer | |
| Simone Carnesecchi | .... | boom operator | |
| Andrea Caucci | .... | sound effects editor | |
| Alberto Doni | .... | sound mixer | |
| Alessandro Zanon | .... | sound | |
Special Effects by | |||
| Tiberio Angeloni | .... | special effects coordinator | |
| Franco Galiano | .... | special effects supervisor | |
Visual Effects by | |||
| Gilberto Arpioni | .... | compositor | |
| Francesca Baiardi | .... | visual effects coordinator | |
| Andrea Baracca | .... | digital color timing | |
| Francesca Bellettato | .... | compositor | |
| Chiara Costantini | .... | compositor | |
| Francesco Dell'Anna | .... | digital compositor | |
| Stefano Ferrera | .... | visual effects artist | |
| Saul Galbiati | .... | compositor | |
| Denis Kosar | .... | compositor | |
| Ali Moravec | .... | compositor | |
| Jirí Sindelár | .... | compositor | |
| Guido Tognoni | .... | visual effects artist | |
| Ruggero Tomasino | .... | compositor | |
| Mario Zanot | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Mauro Belli | .... | electrician | |
| Alessandro Brambilla | .... | steadicam operator | |
| Emiliano Canevari Intoppa | .... | focus puller camera "b" | |
| Emanuele Chiari | .... | additional camera operator | |
| Aniello Grieco | .... | additional camera operator: HD | |
| Marco Sacerdoti | .... | b camera operator | |
| Fabrizio Vicari | .... | camera operator | |
| Davide Zanetti | .... | additional assistant camera | |
| Luciano Teolis | .... | additional first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Gaia Calderone | .... | assistant costume designer | |
| Caterina Micheli | .... | costume assistant | |
| Alexandra Toesca | .... | assistant costume designer | |
Editorial Department | |||
| Andrea Baracca | .... | colorist | |
| D'Ubaldi Cinzia | .... | digital intermediate assistant | |
Music Department | |||
| Angelo Giovagnoli | .... | orchestra coordinator | |
| Roma Film Orchestra | .... | music performed by | |
Transportation Department | |||
| Paolo Bernardini | .... | production driver | |
Other crew | |||
| Bruno Di Bartolomei | .... | accountant | |
| Maurizio Di Bartolomei | .... | cashier | |
| Alessandro Luzi | .... | cashier | |
| Emanuela Valente | .... | accountant | |
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| Roma | 8½ | L'udienza | Angels & Demons | Il divo: La spettacolare vita di Giulio Andreotti |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Not much to look at, commercial film with no foundation in reality, a tool for bringing religion back to disappointed believers.Clumsy attempt at imitation of the movie "La vita è Bella" which makes it even more transparent. The role of the Pope was entrusted to a good actor, I admit to that. I thought the concept of rapid mixing of unusual, funny and serious situation used only to receive a consolation prize at film festivals, but there are still people who would throw big money at the same thing. On the other hand, one can see why they selected the actors of this caliber and the language of course had to be Italian. Making it to be like some Hollywood blockbusters would not fare well, but at least this can be used by the Vatican, provided they obtain a minimal positive reviews.