| Brady Corbet | ... | Jack | |
| rest of cast listed alphabetically: | |||
| David Call | ... | Louis | |
| Ross Francis | ... | Hunter | |
| Ritchie Montgomery | ... | Dr. Benjamin | |
| Lindsay Soileau | ... | Dell | |
| Karen Young | ... | Bess | |
Directed by | |||
| Alistair Banks Griffin | |||
Writing credits(in alphabetical order) | ||
| Alistair Banks Griffin | written by | |
Produced by | |||
| Dustin Bowlin | .... | associate producer | |
| Antonio Campos | .... | executive producer | |
| Sean Durkin | .... | executive producer (as T. Sean Durkin) | |
| Josh Mond | .... | producer | |
| Andrew Renzi | .... | producer | |
| Zachary Stuart-Pontier | .... | associate producer | |
Original Music by | |||
| Daniel Bensi | |||
| Saunder Jurriaans | |||
Cinematography by | |||
| Jody Lee Lipes | |||
Film Editing by | |||
| Brady Corbet | |||
| Alistair Banks Griffin | |||
Casting by | |||
| Randi Glass | |||
| Susan Shopmaker | |||
Production Design by | |||
| Kris Moran | |||
Art Direction by | |||
| William Logan | |||
Costume Design by | |||
| Lisa Hennessy | |||
Makeup Department | |||
| Carlos Savant | .... | special makeup effects artist | |
Production Management | |||
| Dustin Bowlin | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Alexander Norton | .... | second assistant director | |
| Zachary Stuart-Pontier | .... | first assistant director | |
Sound Department | |||
| Dan Flosdorf | .... | sound designer | |
| Dan Flosdorf | .... | sound editor | |
| Dan Flosdorf | .... | sound re-recording mixer | |
Editorial Department | |||
| Nicholas Metcalf | .... | colorist | |
Other crew | |||
| Cassidy George | .... | production assistant | |
Thanks | |||
| Katherine Cecil | .... | special thanks | |
| Mary Corbet | .... | special thanks | |
| Daryn DeLuco | .... | special thanks | |
| Katie McClain | .... | special thanks (as Kathryn McClain) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
While the film has some attractive imagery, it is effectively summarised as my title suggests. This short work, which played tonight at the London Film Festival, doesn't particularly satisfy in any area.
The Mississippi landscape is nice enough, and some of the style works as good verite, but really the thing needs to re-cut to focus to give the film any centre whatsoever.
I don't know whether I fully understood the little that was happening, and the intrusive soundtrack didn't help. While the film has no Antichrist moments that make you regret art-house cinema, this only makes the grade at a festival with slender merits.
French subtitles merely added to the puzzlement.