| Valerio Mastandrea | ... | Bruno Michelucci - 2009 | |
| Micaela Ramazzotti | ... | Anna Nigiotti in Michelucci - 1971-1981 | |
| Stefania Sandrelli | ... | Anna Nigiotti in Michelucci - 2009 | |
| Claudia Pandolfi | ... | Valeria Michelucci - 2009 | |
| Sergio Albelli | ... | Mario Michelucci | |
| Marco Messeri | ... | Il Nesi | |
| Fabrizia Sacchi | ... | Sandra | |
| Aurora Frasca | ... | Valeria Michelucci - Bambina | |
| Giacomo Bibbiani | ... | Bruno Michelucci - Bambino | |
| Giulia Burgalassi | ... | Valeria Michelucci - 1981 | |
| Francesco Rapalino | ... | Bruno Michelucci - 1981 | |
| Isabella Cecchi | ... | Zia Leda Nigiotti | |
| Emanuele Barresi | ... | Roberto Lenzi | |
| Dario Ballantini | ... | Avvocato Cenerini | |
| Paolo Ruffini | ... | Cristiano Cenerini | |
| Fabrizio Brandi | ... | Giancarlo - 2009 | |
| Jacopo Dini | ... | Giancarlo - 1981 | |
| Michele Crestacci | ... | Luciano Vallesi | |
| Roberto Rondelli | ... | Armando Mansani (as Bobo Rondelli) | |
| Alessio Colombini | ... | Anselmo Viani | |
| Paolo Giommarelli | ... | Conte Augusto Paoletti | |
| Alessia Innocenti | ... | Contessa Paoletti | |
| Giorgio Algranti | ... | Vicesindaco | |
| Claudio Marmugi | ... | Presentatore 'Miss Pancaldi 1971' | |
| Alessandra Cantini | ... | Elena Talini - 1981 | |
| Edoardo Ferrari | ... | Andrea Baldacci - 1981 | |
| Domenico Cirianni | ... | Andrea Baldacci - 2009 | |
| Elena Bernardini | ... | Giovane Farmacista | |
| Isabelle Adriani | ... | Luciana Cenerini | |
| Marcellina Ruocco | ... | Giuliana Cenerini - 2009 | |
| Marco Risi | ... | Dino Risi | |
| Raffaele Vannoli | ... | Fotografo di Scena (as Lele Vannoli) | |
| Diego Salvadori | ... | Aldo | |
| Alessio Silipo | ... | Sergio | |
| Lucilla Serchi | ... | Professoressa | |
| Giovanni Rindi | ... | Marcello Mastroianni | |
| Franca Antongiovanni | ... | Dirimpettaia | |
| Ada Antongiovanni | ... | Dirimpettaia | |
| Maria Pia Aricó | ... | Chiara | |
| Daniela Carrozzi | ... | Cuoca | |
| Toto Barbato | ... | Traslocatore | |
| Sara Mannucci | ... | Infermiera |
Directed by | |||
| Paolo Virzì | |||
Writing credits | ||
| Paolo Virzì | (story and screenplay) and | |
| Francesco Bruni | (story and screenplay) and | |
| Francesco Piccolo | (story and screenplay) | |
Produced by | |||
| Ferdinando Bonifazi | .... | line producer | |
| Marco Cohen | .... | producer | |
| Fabrizio Donvito | .... | producer | |
| Lorenzo Gangarossa | .... | assistant producer | |
| Benedetto Habib | .... | producer | |
| Gabriele Muccino | .... | producer | |
| Carlo Virzì | .... | producer | |
| Paolo Virzì | .... | producer | |
Original Music by | |||
| Carlo Virzì | |||
Cinematography by | |||
| Nicola Pecorini | |||
Film Editing by | |||
| Simone Manetti | |||
Casting by | |||
| Elisabetta Boni | |||
| Dario Ceruti | |||
| Lorenzo Grasso | |||
Production Design by | |||
| Tonino Zera | |||
Set Decoration by | |||
| Donato Tieppo | |||
Costume Design by | |||
| Gabriella Pescucci | |||
Makeup Department | |||
| Massimo Gattabrusi | .... | hair designer | |
| Paola Gattabrusi | .... | key makeup artist | |
| Daniela Tartari | .... | hair stylist | |
Production Management | |||
| Alessandro Mascheroni | .... | production manager | |
| Irma Misantoni | .... | post-production supervisor | |
| Christian Schiozzi | .... | production manager | |
Art Department | |||
| Tommaso Dubla | .... | head painter | |
| Erminio Lauri | .... | set finishing supervisor | |
Sound Department | |||
| Paolo Amici | .... | sound effects editor | |
| Daniela Bassani | .... | sound editor | |
| Alberto Battocchi | .... | boom operator | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Luigi Melchionda | .... | boom operator | |
| Daniele Quadroli | .... | sound effects editor | |
| David Quadroli | .... | sound effects editor | |
| Fabrizio Quadroli | .... | sound effects editor | |
| Marco Streccioni | .... | sound engineer | |
| Antonio Tavassi | .... | assistant audio engineer | |
Special Effects by | |||
| Massimiliano Bianchi | .... | special effects rigger | |
Visual Effects by | |||
| Andrea Baracca | .... | digital color timing | |
| Niccolò Barbero | .... | digital compositor | |
| Valentina Bologna | .... | visual effects | |
| Gaia Bussolati | .... | visual effects | |
| Stefano Camberini | .... | digital restoration artist | |
| Roberto D'Ippolito | .... | digital compositor (as D'Ippolito Roberto) | |
| Chiara Feriani | .... | visual effects | |
| Stefano Leoni | .... | visual effects | |
| Roberta Longo | .... | visual effects | |
| Mauro Moretti | .... | visual effects | |
| Gabriele Motta | .... | rotoscope artist | |
| Alessandro Pantanella | .... | digital compositor | |
| Alessandro Pantanella | .... | title designer | |
| Gianni Silvestri | .... | visual effects | |
| Andrea Zimbaro | .... | visual effects | |
Casting Department | |||
| Elisa Becchere | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Maria Cristina La Parola | .... | set costumer | |
| Rossano Marchi | .... | costume assistant | |
| Massimo Cantini Parrini | .... | assistant costume designer | |
| Carolina Paterni | .... | wardrobe assistant | |
| Allegra Mori Ubaldini | .... | wardrobe assistant | |
Editorial Department | |||
| Elide Camberini | .... | colorist | |
| Pasquale Cuzzupoli | .... | color timer | |
| Irma Misantoni | .... | post-production coordinator | |
| Ilario Pacinotti | .... | first assistant editor | |
| Claudio Pisano | .... | first assistant editor | |
| Erica Sacco | .... | assistant editor | |
Music Department | |||
| Antonello Navarra | .... | music producer | |
| Davide Settembrino | .... | music consultant | |
| Marco Streccioni | .... | score recording engineer & mixer | |
| Antonio Tavassi | .... | assistant music engineer | |
| Paola Vanoni | .... | music licensing | |
| Paola Vanoni | .... | music production assistant | |
Other crew | |||
| Andrea Buchetti | .... | labour department | |
| Costanza Coldagelli | .... | production coordinator | |
| Giulia Contino | .... | script supervisor | |
| Federica De Vita | .... | payroll accountant | |
| Ester Ligori | .... | production coordinator | |
| Marco Malfi | .... | post production supervisior | |
| Mauro Monachini | .... | financial controller | |
| Simone Moraca | .... | backstage | |
| Alga Pastorelli | .... | post production co-ordinator | |
| Livia Pastorelli | .... | accountant | |
| Miuta Paterni | .... | production secretary | |
| Salvatore Ricciardi | .... | conform supervisor | |
| Giampaolo Rossi | .... | dialogue transcriptor | |
| Marco Ruggieri | .... | finishing | |
| Marco Spagnoli | .... | labour department | |
| Marco Spoletini | .... | permissions | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
I live near director's town of birth, the town where this movie is set, too, and I had, last summer, the great opportunity to see how this man works, and I can say he's so nice and he tries to be calm, even when the actors (the younger ones, in particular) couldn't do that he wants.
But I've noticed an other thing: production was very very rich (in economical terms), and maybe my judge could be partial, but when I've seen this movie, I've seen a beautiful story, rich of messages and themes (family, and the incapability to repudiate that; impossibility to escape from past and nostalgia; against the drug, even if it could seem the opposite etc..), so great job as regards the screenplay; acting is good, although many actors were very young, and "for first time on screen"; photograph is quite good (some scene have a big and quite bad using of color correction), and sounds are right.
I think (joking) Virzì is happy whenever he reaches to export his accent in the world, and his own crusade includes, in my opinion, the justice for the speaking, which before him it was the same for Florence and Tuscany's Coast. In this way, actors like Mastrandrea and Pandolfi show their great capability to give a great interpretation even with a different accent (both come from Rome).
But the worst side of the movie I think it's the shoots. They aren't bad, but probably I believed Virzì's work had a greater attention for originality, and I asked me why, with the big quantity of entourage and money he had, he forgot the attention for the originality in shooting. The shoots are many times ordinary, far from other great movies, like Fellini's Amarcord, which the review Ciak had compared with this.
With an other kind of shoots (or maybe is just the video editing, I hope) which gives to movie that "ordinary taste", breaking a little part of amazing magic of the movie, this could be one of the greatest works of Virzì, because is a personal and introspective work, like Italians know to do very well.
Although this, "La Prima Cosa Bella" is able to move the spectator, and it's a good movie, but just a little better than the standard of the genre. My final vote is a 7,5.