| David Brazil | ... | Eoin | |
| Kate Duchêne | ... | Lynne (as Kate Duchene) | |
| Martin Firket | ... | Paul | |
| Jack Gleeson | ... | Dara | |
| Imogen Jones | ... | Bella | |
| Austin Moulton | ... | Theo | |
| Lara Persain | ... | Valerie | |
| Thierry Waseige | ... | Claude | |
| David Wilmot | ... | Julian |
Directed by | |||
| Alicia Duffy | |||
Produced by | |||
| Jonathan Cavendish | .... | producer | |
| Gaetan David | .... | line producer | |
| Tom Dercourt | .... | producer | |
| Carlo Dusi | .... | executive producer | |
| Sophie Erbs | .... | producer | |
| Ed Guiney | .... | producer | |
| Andrew Lowe | .... | producer | |
| Bénédicte Mellac | .... | preproduction line producer | |
| Patrick Quinet | .... | producer | |
| Thomas Santucci | .... | line producer | |
| Martin Wady | .... | line producer | |
| Tora Young | .... | producer | |
Original Music by | |||
| Daniel Figgis | |||
| Andrew Liles | |||
| Steve Stapleton | |||
Cinematography by | |||
| Nanu Segal | |||
Film Editing by | |||
| Nicolas Chaudeurge | |||
Casting by | |||
| Oonagh Kearney | |||
Production Design by | |||
| Igor Gabriel | |||
Art Direction by | |||
| Paul Rouschop | |||
Set Decoration by | |||
| Jenny Oman | |||
Costume Design by | |||
| Lorna Marie Mugan | |||
Makeup Department | |||
| Garance Van Rossum | .... | key makeup artist | |
Production Management | |||
| Jim Duggan | .... | post-production supervisor | |
| Stephane Quinet | .... | production manager | |
Art Department | |||
| Julien Denis | .... | construction | |
| Thomas Gollas | .... | construction | |
| Ian Letort | .... | art department runner | |
| Ivan Lippens | .... | property master | |
Sound Department | |||
| Peter Blayney | .... | dialogue editor | |
| Niall Brady | .... | sound designer | |
| Emma Butt | .... | foley editor | |
| Olivier de Laveleye | .... | sound effects crew | |
| Andrew Felton | .... | boom operator | |
| Ken Galvin | .... | sound re-recording mixer | |
| Tony Hogan | .... | foley recordist | |
| James Shannon | .... | dolby sound consultant | |
| Ruth Sullivan | .... | foley artist | |
| Simon J. Willis | .... | sound recordist (as Simon Willis) | |
Visual Effects by | |||
| Aled Rhys Jones | .... | visual effects | |
| Jan Rubens | .... | steadycam operator | |
Casting Department | |||
| Gerda Diddens | .... | supporting casting director | |
Costume and Wardrobe Department | |||
| Ruth Power | .... | wardrobe trainee | |
| Cathy Young | .... | wardrobe assistant | |
Editorial Department | |||
| Gary Curran | .... | digital intermediate colorist | |
| Warren Dowling | .... | digital intermediate finishing artist | |
| Rebecca Lloyd | .... | first assistant editor | |
Music Department | |||
| Nicolas Chaudeurge | .... | music editor | |
Other crew | |||
| Alexandre Arnaud | .... | location manager | |
| Louise Cornally | .... | production finance executive | |
| Sile Dorney | .... | post production accountant | |
| Eric Ferla | .... | location assistant | |
| Paula Heffernan | .... | production assistant | |
| Jamie Hewitt | .... | production assistant | |
| Fabien Jankowiak | .... | location manager | |
| Jean-Edouard Kulenkamp | .... | rush runner | |
| Farid Loucif | .... | location assistant | |
| Maxime Maisin | .... | production coordinator | |
| Aine Maire Ni Thaibhis | .... | continuity | |
| Julie Perron | .... | production assistant | |
| Nicolas Robichez | .... | location assistant | |
| Sanjay Sharma | .... | assistant to executive producer | |
| Sandrine Surget | .... | production accountant | |
| Emmanuel Van Melkebeke | .... | legal counsel | |
| Sylvie Van Ruymbeke | .... | producer asst | |
| Bernard Vander Donckt | .... | head accountant | |
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| Possession | The Fallen Idol | The Pillow Book | Nouvelle-France | Joyeux Noël |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Ireland section |
Sometimes you happen upon something marvelous not by intention but by mistake, like when you miss a bus only to meet a dearly missed friend a few minutes later.
It was in one of these instances that I stumbled upon All Good Children, upon hearing Catfish was sold out I settled instead for a film and director I knew nothing about and was treated to 88 minutes of quality film making.
Rather than dissect the film in detail I will simply urge you to go see this. It is beautifully shot, perfectly paced and we are treated to some mesmerizing performances from the young actors.