Chronicles comedian Eddie Izzard's rise to fame from early influences - losing his mother to cancer at a young age before being sent with his brother to boarding school - to his close relationship today with his father.
"Life, the universe, and...everything. Here's what the critics are saying about Eddie's tour: Eddie makes us believe we can surf World 2.0 instead of just being swallowed up by it. As ... See full summary »
Eddie Izzard returns to stage in 2013 with the biggest stand-up comedy world tour ever & his best live performance yet, Force Majeure Live. Filmed during his mammoth 2013/14 tour around 27 ... See full summary »
Eddie Izzard's routine has a loose trajectory from the beginning of the Old Testament and the creation of the world in seven days to Revelations; God, in the voice of James Mason, makes ... See full summary »
Executive transvestite Eddie Izzard takes his show to San Francisco to give a brief history of pagan and Christian religions, the building of Stonehenge, the birth of the Church of England ... See full summary »
Eddie Izzard, brings his wry wit and absurd observations in front of a sold-out crowd of 44,000 over 4 nights at the Wembley Arena in London. Eddie deals with important issues ranging from ... See full summary »
Town Hall, New York City, 26 June 2000. An evening with Eddie Izzard in which he moves back and forth in time, with religion as the loose but constant theme. He begins with Pope John Paul ... See full summary »
Believe chronicles comedian Eddie Izzard's rise to fame from his early influences - losing his mother to cancer at a young age before being sent with his brother to boarding school to his close present day relationship with his supportive father. Written by
Raindance Film Festival
Eddie Izzard stumbled around stages aimlessly for years before he sorted out his skill set and how to play an audience. His self belief and dogged determination set him apart from doubtless scores of others you've never heard of because they gave up too soon. This film charts his glacial rise from obscurity to toast of the town and offers a bizarre media story that heretofore escaped notice on this continent. Some dirt box at a Brit TV show no one in the U.S. cares about called out Eddie as a "fraud" for saying he was using new material on his latest tour, when what he does (which had been pains-takingly spelled out for major media outlets) is start with big pieces of his old tour and introduce new material as the tour progresses. But it turned into a whole big kerfluffle and the ratings grab put Eddie on ice for a while as he tried to absorb this unjust accusation. (Many comics do the SAME EXACT material for YEARS or for the LIFE of their career. Eddie is a champion of fresh material.) "Believe" is full of clips from Izzard's shows, his childhood, and some archival footage of some of his first attempts at taking the stage. Intercut with all of these is present-day narrative of what Izzard thinks the key to his success thus far has been. The task of editing this material seems simple compared to how hard it must have been to source it all and figure out what to use where. One scene in particular casts the Pin-Drop Effect on the whole auditorium. My mascara ran. It's a great combination of self-revelation and self-promotion. Very inspiring. 10/08/09
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