| Michelle Williams | ... | Emily Tetherow | |
| Bruce Greenwood | ... | Stephen Meek | |
| Will Patton | ... | Soloman Tetherow | |
| Zoe Kazan | ... | Millie Gately | |
| Paul Dano | ... | Thomas Gately | |
| Shirley Henderson | ... | Glory White | |
| Neal Huff | ... | William White | |
| Tommy Nelson | ... | Jimmy White | |
| Rod Rondeaux | ... | The Indian |
Directed by | |||
| Kelly Reichardt | |||
Writing credits(in alphabetical order) | ||
| Jonathan Raymond | screenplay (as Jon Raymond) | |
Original Music by | |||
| Jeff Grace | |||
Cinematography by | |||
| Chris Blauvelt | (as Christopher Blauvelt) | ||
Film Editing by | |||
| Kelly Reichardt | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| David Doernberg | |||
Art Direction by | |||
| Kat Uhlmansiek | |||
Costume Design by | |||
| Victoria Farrell | (as Vicki Farrell) | ||
Makeup Department | |||
| Linda Andrews | .... | key makeup artist | |
| David Kennedy | .... | key hair stylist | |
| David Kennedy | .... | wig stylist | |
| Jamespatrick Smith Jr. | .... | makeup artist | |
| Leo Won | .... | makeup department head | |
Production Management | |||
| Brett Cranford | .... | unit production manager | |
| Josh Rappaport | .... | post-production supervisor (as Joshua Rappaport) | |
Second Unit Director or Assistant Director | |||
| Chris Carroll | .... | first assistant director | |
| Kyle Eaton | .... | second assistant director | |
| Rose Leiker | .... | additional second assistant director | |
| Matt O'Connor | .... | first assistant director | |
Art Department | |||
| Michael Brophy | .... | storyboard artist | |
| Victoria Farrell | .... | embroidery: title (as Vicki Farrell) | |
| Marlene McCarty | .... | embroidery: title | |
| Guthrie McCarty-Vachon | .... | illustrator: main title | |
| Jason Ruffolo | .... | set dresser | |
| Joe Rynearson | .... | set dresser | |
| Kate Smith | .... | set dresser | |
| Nate Smith | .... | assistant property master | |
| Ryan Warren Smith | .... | property master (as Ryan Smith) | |
| Arly Williams | .... | art intern | |
Sound Department | |||
| Felix Andrew | .... | sound mixer | |
| Javier Bennassar | .... | supervising sound editor | |
| Jean-Michel Beranger | .... | french dubbing mixer | |
| Ryan Collins | .... | assistant sound editor | |
| Lara Dale | .... | foley artist | |
| Ellen Heuer | .... | foley artist | |
| Tim Limer | .... | mix recordist | |
| A. Josh Reinhardt | .... | foley mixer (as Josh Reinhardt) | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Dell Winter | .... | dialogue editor (uncredited) | |
| Mandell Winter | .... | supervising sound editor (uncredited) | |
Special Effects by | |||
| Brad Dunten | .... | fire expert | |
Stunts | |||
| Brian Duffy | .... | utility stunts | |
| Khristian Lupo | .... | utility stunts | |
| Jason Rodriguez | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Eric Hill | .... | still photographer | |
| Stephen MacDougall | .... | first assistant camera | |
| Simon Max Hill | .... | still photographer | |
| Jason McCormick | .... | additional first assistant camera | |
| Kyle Metzger | .... | camera swing | |
| Efrem Peter | .... | gaffer | |
| Eliza Plumlee | .... | second assistant camera | |
| Madison Rowley | .... | camera intern | |
| Greg Schmitt | .... | camera operator: "b" camera | |
| Greg Schmitt | .... | steadicam operator | |
| Matthew Semchee | .... | additional key grip | |
| Chris Strauser | .... | additional second assistant camera | |
| Savannah Teller-Brown | .... | camera loader | |
| Corey Walter | .... | still photographer | |
| Greg Wick | .... | camera swing | |
| Brian Shotzbarger | .... | key grip (uncredited) | |
Casting Department | |||
| Maribeth Fox | .... | casting associate | |
| Simon Max Hill | .... | casting: Oregon | |
Costume and Wardrobe Department | |||
| Grace Ryung Kim | .... | costume maker (uncredited) | |
| Jamespatrick Smith Jr. | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Gordon Bell | .... | first assistant editor | |
| Donnie Creighton | .... | digital intermediate producer | |
| Eric Hill | .... | editorial technical consultant | |
| Michael D. Most | .... | digital intermediate colorist (as Mike Most) | |
| Jon Pehlke | .... | on-line editor | |
| Tim Safarik | .... | colorist: dailies | |
| Tomas Vengris | .... | first assistant editor | |
| David Waters | .... | digital intermediate producer | |
| Tricia Chiarenza | .... | color timer (uncredited) | |
| Paul Amadeus Kim | .... | on-line editor (uncredited) | |
Music Department | |||
| Dave Eggar | .... | music producer | |
| Dave Eggar | .... | musician: cello | |
| Jeff Grace | .... | music producer | |
| Stefan Karrer | .... | soundtrack album producer (uncredited) | |
Other crew | |||
| George Adams | .... | assistant production coordinator | |
| Sotirios Bakouros | .... | set intern | |
| Arpita Banker | .... | production accountant | |
| Morgan Bateman | .... | animal trainer | |
| Gordon Bell | .... | script supervisor | |
| Mike Brantley | .... | set teacher | |
| M.E. Buckner | .... | historical consultant | |
| John Burnside | .... | translator: Nez Perce language | |
| Barbara Carr | .... | representative: American Humane Association | |
| Rives Curtright | .... | production assistant | |
| Scott Davis | .... | animal trainer | |
| Sarah Devere | .... | office production assistant | |
| Greta Emang | .... | set medic | |
| Rosario Estrella | .... | set intern | |
| Roger D. Faires | .... | location manager (as Roger Faires) | |
| Evan Franulovich | .... | production assistant | |
| Sam Gaty | .... | production assistant | |
| Nicole Hawkins | .... | production accountant | |
| Mark Jarrett | .... | additional locations | |
| Matt Jay | .... | production assistant | |
| Michael J. Jones | .... | historical consultant | |
| Paul Kohler | .... | additional locations | |
| Rosen Lewis | .... | production legal | |
| Marlene McCarty | .... | title designer: main and end titles | |
| Kalen Mendenhall | .... | set intern | |
| Kellen Molica | .... | production office intern | |
| Mike Morris Jr. | .... | animal trainer (as Mike Morris) | |
| Kristen Parr | .... | translator: Nex Perce language | |
| David Parson | .... | production assistant | |
| John Parson | .... | production assistant | |
| Paul Parson | .... | set intern | |
| Lance Rosen | .... | production legal | |
| Erin Shelley | .... | animal trainer | |
| Alison R. Smith | .... | animal trainer (as Alison Smith) | |
| Cody Smith | .... | animal trainer | |
| Diana Smith | .... | animal trainer | |
| Tanya Smith | .... | production coordinator | |
| Sara Suffriti | .... | chef: dinner | |
| Scott Tuning | .... | medical supervisor | |
| Nicholas Van Atta | .... | chef assistant: dinner (as Nick Van Atta) | |
| Zoe Bower | .... | post facilities manager (uncredited) | |
| Tana David | .... | post facilities coordinator (uncredited) | |
| Evan Franulovich | .... | craft service (uncredited) | |
Thanks | |||
| Matthew Ebert | .... | thanks | |
| Larry Fessenden | .... | thanks | |
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| Camminacammina | Seraphim Falls | Creation | The Painted Veil | The Kite Runner |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
It is telling that Reichardt chose to shoot this film in Academy ratio. Right away we know this will not be a romantic image of the Old West, with breathtaking, expansive vistas (although the cinematography is lovely in its own way). Instead, we are constricted, claustrophobic, uncertain of what lies just beyond our limited field of vision. It is a film of quiet desperation, hard-scrabble survival in painstaking detail, and growing mistrust. In some ways it evokes the horror genre, perhaps something like a subdued BLAIR WITCH PROJECT, as the severity of the situation deepens and doubt takes hold. The film manages a sense of gritty realism without resorting to overstating the harsh conditions for dramatic effect. The travelers aren't stumbling around filthy and bloody, they maintain a semblance of civility even as the promise of civilization seems more and more doubtful. The ending will no doubt frustrate many, but didn't bother me one bit.
As for the cast, Michelle Williams impresses me again with her thoughtful restraint, and I'm always pleased to see Shirley Henderson. Greenwood does well with a part that could easily have called too much attention to itself, and for once I didn't hate Paul Dano. The score is wonderful, as haunting and sparse as the landscape. I adored WENDY AND LUCY, and quite liked OLD JOY (in fact, that film seems better in hindsight than I gave it credit for). Reichardt is emerging as one of American cinema's most distinctive and worthwhile voices. I look forward to her next endeavor.