| Miguel Angel Perez | ... | Death / Doctor / Dog | |
| Eva Molina | ... | Lady / Nurses / Dog |
Directed by | |||
| Javier Recio Gracia | |||
Writing credits(in alphabetical order) | ||
| Javier Recio Gracia | written by | |
Produced by | |||
| Marcelino Almansa | .... | producer | |
| Antonio Banderas | .... | producer | |
| Pedro Carmona | .... | associate producer | |
| Javier Domínguez | .... | associate producer (as Javier Dominguez) | |
| Francisco Fortes | .... | associate producer | |
| Raul Garcia | .... | associate producer | |
| Antonio Meliveo | .... | executive producer | |
| Antonio Meliveo | .... | producer | |
| Esteban Milena | .... | associate producer | |
| Juan Molina | .... | executive producer | |
| Juan Molina | .... | producer | |
| Yolanda J. Polonio | .... | associate producer (as Yolanda Polonio) | |
| Enrique Posner | .... | executive producer | |
| Manuel Sicilia | .... | producer | |
Original Music by | |||
| Sergio de la Puente | |||
Film Editing by | |||
| Claudio Hernández | (as Claudio Hernandez) | ||
Production Management | |||
| Miguel A.S. Cogolludo | .... | technical production manager | |
| Javier Fernandez | .... | post-production supervisor | |
Art Department | |||
| Beatriz Iglesias | .... | graphic artist | |
| Miguel Lacal | .... | additional art | |
| Carlos Nieto Lopez | .... | additional art (as Carlos Nieto) | |
| Francis Porcel | .... | art | |
| Javier Recio Gracia | .... | art | |
| Oscar J. Vargas | .... | art | |
Sound Department | |||
| Antonio García | .... | foley artist (as Antonio Garcia) | |
| Alfredo Jimenez | .... | mixer | |
| Jorge Lerner | .... | sound mixer | |
| Pedro Javier Ortega | .... | voice recordist | |
| Federico Pájaro | .... | sound designer (as Federico Pajaro) | |
| Federico Pájaro | .... | sound mixer (as Federico Pajaro) | |
| Alvaro Salgado | .... | sound mixer | |
| Miguel San Francisco | .... | foley recordist | |
Special Effects by | |||
| Sergio Juan Gomez | .... | special effects supervisor | |
| Raul Perez | .... | special effects | |
Visual Effects by | |||
| Daniel Alejo | .... | hair simulation | |
| Daniel Alejo | .... | lead technical director | |
| Octavio Alonso | .... | compositor | |
| Pedro 'Pococo' Calvo | .... | props supervisor | |
| Pedro 'Pococo' Calvo | .... | sets supervisor | |
| Pepe Cazorla | .... | lighting supervisor | |
| Pepe Cazorla | .... | props & sets | |
| Adolfo Dalda | .... | cloth simulation | |
| Adolfo Dalda | .... | props & sets | |
| Iker J. de los Mozos | .... | character setup | |
| Miguel Angel Espada | .... | pipeline technical director | |
| Antonio Frias | .... | character modeling | |
| Antonio Frias | .... | hair simulation | |
| Antonio Frias | .... | props & sets | |
| Antonio J. Jimenez | .... | on-line editor | |
| Sergio Juan | .... | cloth simulation | |
| Miguel Lacal | .... | character texture painter (as Miguel A. Lacal) | |
| Miguel A. Lopez | .... | props & sets (as Miguel A. Lopez) | |
| Miguel A. López | .... | lighting | |
| Jesús Rodríguez Mellado | .... | technical coordinator | |
| Antonio Montes | .... | compositor | |
| David Munoz | .... | props & sets | |
| Jose Luis Navarro | .... | character supervisor | |
| Jose Luis Navarro | .... | cloth simulation | |
| Raul Perez | .... | digital effects artist | |
| Raul Perez | .... | cloth simulation | |
| Ricardo Perez | .... | lighting | |
| Ricardo Perez | .... | props & sets | |
| Jose Antonio Portillo Moreno | .... | character modeling (as Jose A. Portillo) | |
| Ramon Ruiz | .... | props & sets | |
| Juan Siquier | .... | props supervisor | |
| Juan Siquier | .... | shading supervisor | |
Animation Department | |||
| Ernesto Esteso | .... | animator | |
| Francisco Fernández Dapena | .... | animation supervisor (as Franciso F. Dapena) | |
| Gabriel García | .... | animation supervisor (as Gabriel Garcia) | |
| Jesús Gómez Díaz | .... | animator (as Jesus Gomez) | |
| Sebastián Marín Santer | .... | animator (as Sebastian Marin) | |
| Jose Antonio Portillo Moreno | .... | animator (as Jose A. Portillo) | |
| Juan Miguel Vadell | .... | animator (as Juan M. Vadell) | |
| Jaime Visedo | .... | animator | |
Editorial Department | |||
| Laura Gamero | .... | post-production coordinator | |
| María Luisa Hernández | .... | post-production coordinator (as Maria Luisa Hernandez) | |
| David Rocher | .... | colorist | |
| Maria Luisa Molina | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Sergio de la Puente | .... | musician | |
| Tuti Fernández | .... | musician (as Tuti Fernandez) | |
| Michael Jani | .... | musician | |
| Ara Malikian | .... | musician | |
Other crew | |||
| Miguel Angel Perez | .... | voice director | |
| Trinidad Suarez | .... | production coordinator | |
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| Rois et reine | Hævnen | Flightplan | Carnages | Nuovomondo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb Spain section |
I have been going to the special showings of the Oscar-nominated shorts for the last several years and I have learned one important thing--if I love an animated short, it's bound to lose. This isn't the case with the live-action ones, but I have the uncanny ability to pick which one I think should win and get it wrong every time! Sadly for THE OLD LADY AND THE REAPER, I loved it and felt it should win the Oscar--a true curse if I've ever heard one! I think, while it's not my first favorite, that LOGORAMA will actually take the Oscar, as it's more creative and visually stunning. Plus, the Oscar people (technically, the members of AMPAS) don't seem to like the morbid little comedies--as my favorites for 2008 and 2009 were also about death (wow,,,that says a lot about me, huh?).
THE OLD LADY AND THE REAPER is a Spanish movie but when I saw it, the film was in English. IMDb also says it's an English language film, though with its Spanish title I assume that there must be a Spanish language one out there somewhere. If you find it, let me know--I'd like to see that as well.
The film is a comedy about a power struggle between the Grim Reaper and a hot-shot doctor who plays God and keeps resuscitating a dead lady. As for the lady, she's quite old and very prepared to die--and just wishes that this jerk would let her go! It's all very, very goofy and is sure to make you laugh--particularly the cute way it portrays the Reaper as well as his three-headed Poodle! Clever, funny and manically paced--this is a hilarious film and the theater was filled with laughter from start to finish. Too bad it probably won't win.
Update (3/7/10)--I was correct, "Logorama" took the Oscar. It just goes to show that my instinct was correct but I still enjoyed "La Dama y La Muerte" better. See both films and do yourself a favor.