| Photos (See all 18 | slideshow) | Videos (see all 4) |
| Benoît Poelvoorde | ... | Jean-René Van Den Hugde | |
| Isabelle Carré | ... | Angélique Delange | |
| Lorella Cravotta | ... | Magda | |
| Lise Lamétrie | ... | Suzanne | |
| Swann Arlaud | ... | Antoine | |
| Pierre Niney | ... | Ludo | |
| Stéphan Wojtowicz | ... | Le psychologue | |
| Jacques Boudet | ... | Rémi, un émotif anonyme | |
| Alice Pol | ... | Adèle, une émotive anonyme | |
| Céline Duhamel | ... | Mimi, une émotive anonyme | |
| Philippe Fretun | ... | Maxime, un émotif anonyme | |
| Grégoire Ludig | ... | Julien, un émotif anonyme | |
| Philippe Gaulé | ... | Philippe, un émotif anonyme | |
| Joëlle Séchaud | ... | Joëlle, une émotive anonyme | |
| Isabelle Gruault | ... | Sylviane, une émotive anonyme | |
| Claude Aufaure | ... | M. Mercier | |
| Philippe Laudenbach | ... | Le président du jury du salon du chocolat | |
| Marie-Christine Demarest | ... | Madame Legrand | |
| Pascal Ternisien | ... | Le serveur restaurant | |
| Jean-Yves Chatelais | ... | Le réceptionniste | |
| Christiane Millet | ... | La mère d'Angélique | |
| Vincent Paillier | ... | Franck, l'amant de la mère | |
| Eric Naggar | ... | Le gérant méprisant | |
| Vijay Singh | ... | Le vendeur de roses | |
| Noémie Landreau | ... | La vendeuse 'À la Mère de Famille' | |
| Pierre Adenot | ... | Le pianiste bar | |
| Christophe Tourrette | ... | Membre du jury Salon du chocolat | |
| Claude Humbert | ... | Membre du jury Salon du chocolat | |
| Anny Vogel | ... | Vendeuse Mercier | |
| Florence Mallet-Laffay | ... | Vendeuse Mercier | |
| Alexandra Morales | ... | Hôtesse salon | |
| Cindy Mollaret | ... | Hôtesse salon | |
| Robert Barnouin | ... | Membre du jury Salon du chocolat | |
| Christophe Tarare | ... | Membre du jury Salon du chocolat | |
| Rémi Patoux | ... | Membre du jury Salon du chocolat | |
| Nancy Tate | |||
| Sabrina Baldassara | |||
| Jean-Pascal Abribat | |||
| Pierre Bénézit | |||
| Mustapha Abourachid | |||
| Dominique Verrier | |||
| Philippe Briegh | ... | Violoniste orchestre restaurant | |
| Philippe Garcia | ... | Contrebassiste orchestre restaurant | |
| Jacques Bretaudeau | ... | Accordéoniste orchestre restaurant | |
| Gilles Haddad Areski | ... | Guitariste orchestre restaurant | |
| Constantin 'Kosty' Lacatus | ... | Joueur de Cymbalum orchestre restaurant | |
| Franco Vega San Francisco | ... | Groupe mariachi Salon du chocolat | |
| Lester Vega San Francisco | ... | Groupe mariachi Salon du chocolat |
Directed by | |||
| Jean-Pierre Améris | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Améris | ||
| Philippe Blasband | ||
Produced by | |||
| Nathalie Gastaldo | .... | producer | |
| Philippe Godeau | .... | producer | |
| Olivier Rausin | .... | co-producer | |
| Arlette Zylberberg | .... | associate producer: RTBF | |
Original Music by | |||
| Pierre Adenot | |||
Cinematography by | |||
| Gérard Simon | |||
Film Editing by | |||
| Philippe Bourgueil | |||
Casting by | |||
| Tatiana Vialle | |||
Production Design by | |||
| Sylvie Olivé | |||
Costume Design by | |||
| Nathalie du Roscoat | |||
Makeup Department | |||
| Avril Carpentier | .... | additional makeup artist | |
| Corinne Maillard | .... | key makeup artist (as Corine Maillard) | |
| Aurélie Rameau | .... | makeup artist | |
| Jimmy Springard | .... | key hair stylist | |
Production Management | |||
| Baudoin Capet | .... | production manager | |
| Varujan Gumusel | .... | post-production manager | |
| Olivier Lagny | .... | unit manager | |
| Christophe Masson | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Nils Hamelin | .... | first assistant director | |
| Charlotte Marrel | .... | second assistant director | |
Art Department | |||
| Benjamin Bouygues-Faugeron | .... | assistant art director | |
| Pascal Chevé | .... | plasterer | |
| Georges Kafian | .... | graphic designer | |
| Nicolas Migot | .... | assistant art director | |
| William Mordos | .... | set dresser | |
| Daniel Parceaud | .... | on-set dresser | |
| Pascaline Pitiot | .... | props: exteriors | |
| Francoise Rouge | .... | painter (as Françoise Rouge) | |
| Romain Scavazza | .... | assistant art director | |
| Martina Seeber | .... | painter | |
Sound Department | |||
| Marc Bastien | .... | sound editor | |
| François Dumont | .... | dialogue editor | |
| Jean-Pierre Duret | .... | sound | |
| Aline Gavroy | .... | foley sound engineer | |
| François Groult | .... | sound re-recording mixer | |
| Pierre-Jean Labrusse | .... | sound mix technician | |
| Olivier Thys | .... | foley artist | |
Visual Effects by | |||
| Thibaut Couwenbergh | .... | visual effects | |
| Bertrand de Saint Seine | .... | end titles | |
| Eric Dupont | .... | digital compositor | |
| Aurélien Grand | .... | retouch and restoration | |
| Marie Maulet | .... | digital compositor | |
| Marc Umé | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Loïc Andrieu | .... | steadicam operator | |
| Marie Barronet | .... | still photographer (as Marie Barronnet) | |
| Jean-Guy Cheny | .... | grip | |
| Raphael Jourdan | .... | key grip | |
| Melinda Lignot | .... | second assistant camera | |
| Julien Muller | .... | second assistant camera | |
| Patrick Rebatel | .... | gaffer | |
| Patrick Renault | .... | electrician | |
Casting Department | |||
| Céline Delamour | .... | casting assistant | |
| Morgane Peron | .... | extras casting assistant | |
| Alexandra Weyers | .... | extras casting | |
Editorial Department | |||
| Catherine Le Mignant-Labye | .... | assistant editor | |
| Natacha Louis | .... | colorist | |
Music Department | |||
| Pierre Adenot | .... | conductor | |
| Pierre Adenot | .... | orchestrator | |
| Cyrille Aufort | .... | orchestrator | |
| Tom Bowes | .... | musician: first violin | |
| Jo Buckley | .... | assistant orchestra contractor | |
| Simon Chamberlain | .... | musician: piano | |
| Eric Chevalier | .... | music programmer | |
| Olga FitzRoy | .... | music assistant engineer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Aymeric Letoquart | .... | pro tools operator: music | |
| Valérie Lindon | .... | music supervisor | |
| Patrick Millet | .... | consultant: original music | |
| Stéphane Reichart | .... | music mixer | |
| Guy-Paul Romby | .... | copyist | |
| Nick Wollage | .... | music sound engineer | |
Other crew | |||
| Jean-Pierre Arquie | .... | Pierre Adenot & Cyrille Aufort's agent (as Jean-Pierre Arquié) | |
| Marie Barré | .... | location scout | |
| Virginie Breydel de Groeninghe | .... | assistant producer | |
| Myriam Bruguière | .... | press attache | |
| Laurent Coppola | .... | assistant unit manager | |
| Laetitia Dom | .... | production secretary | |
| Olivier Guigues | .... | press attache | |
| Eric Jooris | .... | legal counsel | |
| Charlotte Marrel | .... | locations | |
| Thomas Percy | .... | press attache | |
| Catherine Poels | .... | press attache: Belgium | |
| Mathieu Pradinaud | .... | making-of director | |
| Delphine Régnier | .... | script supervisor (as Delphine Régnier-Cavero) | |
| Marie Sabbah | .... | Pierre Adenot & Cyrille Aufort's agent | |
| Schelenz Sebastian | .... | production staff | |
| Pierre Selinger | .... | production attorney | |
| Anne Serrié | .... | production administrator | |
| Breydel Virginie | .... | assistant producer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Jean-Pierre Améris, a good but somewhat overlooked French director, had hitherto specialized in harsh dramas (such as the intriguing 'Les aveux de l'innocent" (1996), in which an ordinary man declares he has committed a crime whereas he is innocent, or the profound "C'est la vie" (2001), a haunting meditation about life and death). For the first time, with "Les émotifs associés" (2010), Améris has opted for a lighter tone, ... without indulging in superficiality for all that. His new effort marks in fact an interesting evolution in Jean-Pierre Améris's way to address his subjects. At ease with the problems of others (his characters), the writer-director has now decided to examine a question that concerns his own self and to do it with optimism.
For if there is a subject that Jean-Pierre Améris knows like the back of his hand it is hyper emotionality. A highly emotional person himself since he was a child, Améris has however been able to give a film crew orders, to guide them and to impose himself on them, a thing an overly timid creature would never dream of ever managing to do. Having now overcome his handicap (at least to some extent as he occasionally still finds it hard to make a decision or deal with strangers), the director has undertaken to share his experience with his audiences and help the victims of hyper emotionality to have a better life.
And what better way to achieve this goal than resorting to the romantic comedy genre? For sure, provided a filmmaker avoids falling into the trap of over-sentimentality, he or she will make an audience susceptible to the attraction of one character to the other and take advantage of this feeling of empathy to instill his message in the complicit viewers. What Jean-Pierre Améris needed first was two amiable spokespersons to pass on his message and, with the help of his co-writer Philippe Blasband, he has given life to an engaging couple, consisting of Jean-René, the owner of a small chocolate factory who has never overcome his mental blocks and has remained single despite his deep love for women, and Angélique, probably the best chocolate maker alive, but who, for exactly the same reasons, has failed to make a name for herself and to find the genial soul. Mission accomplished, as the two characters are well delineated and remarkably interpreted by Benoît Poelvoorde and Isabelle Carré.
This established, all the suspense will lie in the fact that though Angélique and Jean-René share a common passion for chocolate and are drawn to each other, the fear of giving a bad image of themselves and of taking the first step, is a source of misunderstanding and tends to estrange them. Will there be a happy ending? Nothing is less certain...
Through this situation and these two characters, Jean-Pierre Améris describes, with the light touch allowed by comedy, the nightmare experienced by those people who are so scared of life that they miss out on it, preferring the safety of doing nothing over the risks of taking action. And not taking action does not only bring frustration to the people concerned , it is also misleading to others. Deep inside themselves neither is Jean-René this gruff unpleasant boss nor Angélique this slightly retarded little girl. They are much better persons and deserve better. "Les émotifs anonymes" will thus recount Angélique and Jean René's desperate efforts to become a couple on the one hand and to become who they are on the other, describing the various means they use to this end (consulting a behavioral psychologist, doing exercises to try to ACT even if the odds seem impossible, using auto suggestion, trying to touch someone, to invite a person to the restaurant, joining a mutual aid movement such as the "Emotifs Anonymes" (hence the title)...
A useful film for the overly timid, an entertaining and charming one for the more extrovert, "Les émotifs anonymes" is played to perfection by the ever delightful and fresh Isabelle Carré and cast- against-type Benoît Poelvoorde. There is such a chemistry between the two on-screen partners that you never doubt for a single moment that the princess can be infatuated with a bullfrog!
A comedy with a heart, "Les émotifs anonymes" contains several scenes to remember : the disaster dinner at the restaurant, Jean-René singing 'Dark Eyes' to Angélique at the hotel, Jean-René's declaration of love to Angélique during an "Emotifs Anonymes" meeting.
Don't be shy. Go and see it. Your audacity will be rewarded!