| Photos (See all 26 | slideshow) | Videos (see all 16) |
| The Black Family | ... | Themselves | |
| Geoffrey Canada | ... | Himself | |
| The Esparza Family | ... | Themselves | |
| The Hill Family | ... | Themselves | |
| George Reeves | ... | Superman (archive footage) | |
| Michelle Rhee | ... | Herself | |
| Bill Strickland | ... | Himself | |
| Randi Weingarten | ... | Herself |
Directed by | |||
| Davis Guggenheim | |||
Writing credits(WGA) | ||
| Davis Guggenheim | (written by) & | |
| Billy Kimball | (written by) | |
Produced by | |||
| Michael Birtel | .... | producer | |
| Lesley Chilcott | .... | producer | |
| Eliza Hindmarch | .... | co-producer | |
| Michelle Katz | .... | field producer | |
| Jeff Skoll | .... | executive producer | |
| Shari Tavey | .... | line producer | |
| Diane Weyermann | .... | executive producer | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Robert Richman | |||
| Erich Roland | |||
Film Editing by | |||
| Jay Cassidy | |||
| Greg Finton | |||
| Kim Roberts | |||
Production Management | |||
| Don Coppola | .... | production supervisor | |
| Trevor Herrick | .... | production supervisor | |
| Susan E. Novick | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lesley Chilcott | .... | second unit director | |
Animation Department | |||
| Jordan Bruner | .... | animator | |
| Sean Donnelly | .... | animation director | |
| Awesome and Modest | .... | animator | |
Editorial Department | |||
| Mike Azevedo | .... | first assistant editor | |
| J. Cody Baker | .... | digital intermediate assistant | |
| Gilbert Carreras | .... | color timer | |
| Salvatore Catanzaro | .... | on-line editor | |
| Sam Citron | .... | additional editing | |
| Dan Goslee | .... | digital intermediate assistant | |
| Annie Johnson | .... | digital intermediate producer | |
| Stephen Nakamura | .... | digital film colorist | |
| Alexander B. Rubinow | .... | second assistant editor | |
| Jason Sikora | .... | editor: main title (uncredited) | |
Music Department | |||
| John Houlihan | .... | music supervisor | |
| Matthew Janszen | .... | score coordinator | |
| Paul Katz | .... | music consultant | |
| John Legend | .... | Writer and Performer of "Shine" | |
| Jake Monaco | .... | music scoring mixer | |
| Orr Rebhun | .... | music editor (as Orr Ravhon) | |
| Erica Weis | .... | music editor | |
Other crew | |||
| Steve Berman | .... | completion bond | |
| Sebastien Betsch | .... | digital cinema supervisor | |
| Susan Bliss | .... | post script services | |
| Rochelle Brown | .... | intern | |
| Lisa Callif | .... | legal counsel | |
| Shannon Costello | .... | rights and clearances | |
| Michael Donaldson | .... | legal counsel | |
| Kimberly Edwards | .... | production accountant | |
| Ryan Gallagher | .... | researcher | |
| Carrie Gay | .... | production assistant | |
| Cody Heller | .... | assistant to director | |
| Samantha Kerzner | .... | assistant to davis guggenheim | |
| Samantha Kerzner | .... | assistant to director | |
| Chris Ruscillo | .... | production assistant | |
| Heather Tinnerstet | .... | production coordinator | |
| David Vogel | .... | set production assistant: Washington D.C. | |
| Garson Yu | .... | main titles | |
Thanks | |||
| Chris Kirk | .... | special thanks | |
| Adam Ohl | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Waiting for 'Superman' is a documentary from Davis Guggenheim, the director of 2006's An Inconvenient Truth, that examines the faults and labyrinthine bureaucratics of America's educational government, a government more interested in protecting the jobs and pay salaries of lazy educators in public schools, rather than properly educating the average child.
The film isn't all that shocking. I admire the format, and the presentation of the film, but problems with the education of American children have been a highly publicized matter, especially a few of the points of which Guggenheim presents. At times it even feels like he's stating the obvious, and even repetitious in regards to sub-par school houses he points fingers at.
But the film's strongest impact comes from the case studies of five children, who show strong potential, but their parents struggle to set them up with the necessary education, placing them at the mercy of lotteries that determines the lucky few who get to attend successful charter schools. Their build-up is near impeccable, leading up to the film's emotionally powerful third act. A third act that, afterwards, is complimented perfectly by "Shine", a beautiful end credits song by John Legend, and overall one of the film year's very best original songs.
It isn't perfect, but I'm gonna give Waiting for 'Superman' *** out of ****